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Their new full-length, \u003cem\u003e[USA]\u003c\/em\u003e, will be released on Polyvinyl Record Co. in 2019.\u003c\/p\u003e\u003cp\u003e \"This album feels like a teenage coming-of-age movie, but in the domain of internet-based fantasy escapism,” says Ary. “Escaping from reality can be an amazing way to find yourself and be creative, but it can also be a free pass for lack of responsibility and unchecked desires. \u003cem\u003e[USA]\u003c\/em\u003e is a reflection on all this, the ups and downs of accepting it… which lots of people seem to be in the process of doing.\"\u003c\/p\u003e\u003cp\u003e Since forming in the mid-2000s, Anamanaguchi have been revered as pioneers in the homemade, video game world of chiptune music: they combine a loud and fast live band with hyper-melodic squarewaves from hacked Nintendo hardware. Their earliest releases have been distributed on NES cartridges you can actually play, and in 2010 they created the official soundtrack to the \u003cem\u003eScott Pilgrim vs. The World\u003c\/em\u003e game.\u003c\/p\u003e\u003cp\u003e In 2013, Anamanaguchi self-released the \u003cem\u003eEndless Fantasy\u003c\/em\u003e album backed by an out-of-control Kickstarter campaign that brought in $275,000, more than five times their goal. In 2016, they parodied corporate gaming culture by making a free game, including an original full-length soundtrack, titled \u003cem\u003eCapsule Silence XXIV\u003c\/em\u003e. Recently, they’ve collaborated on a single with the computer-generated Japanese pop star Hatsune Miku, and were the first independent artists to perform alongside her hologram on tour.\u003c\/p\u003e\u003cp\u003e Though the band has always been inventive, \u003cem\u003e[USA]\u003c\/em\u003e is a significant progression. For years, Anamanaguchi presented an optimistic, overdriven version of art on the internet.\u003cem\u003e [USA] \u003c\/em\u003eis equally ambitious in its world-building, but it marks a departure that is in part sonic — they employ a much wider palette of sounds and voices, both synthetic and human, than ever before — as well as conceptual: perhaps for the first time, Anamanaguchi confront reality.\u003c\/p\u003e\u003cp\u003e “Lorem Ipsum (Arctic Anthem)” is the album’s first single. “This particular song deals with environmental forces so immense as to be beyond our control, but not our ability to notice and grasp them,” Pete says. “There’s a lot more in the album about these unavoidable realities — conditions, names, identities, labels — that none of us chose, but have to learn to live with.”\u003c\/p\u003e\u003cp\u003e The Latin lyrics to “Lorem Ipsum (Arctic Anthem)” are sung using Vocaloid and come from Cicero’s 1st-century BC discourse on the distinction between pleasure \u0026amp; goodness, which just so happens to be the original source for the popular “dummy text” used in graphic design. “The decision to use words on this album gave it a new kind of structure that let us explore familiar feelings in a different way,” Pete adds, “like the feeling of ‘happy tears’ that comes from the combination of losing and understanding, but neither on their own.”\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl 2xLP (Clear Moss w\/ Electric Blue \u0026 Bone Splatter)","offer_id":52708195402035,"sku":"PRC-397LP-1","price":35.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl 2xLP (Black)","offer_id":50818998141235,"sku":"PRC-397LP","price":32.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":52708195434803,"sku":"PRC-397CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":52708195467571,"sku":"PRC-397DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/085d5d1e61effabc440d74ac51b91d87_723084e0a22cbb8b6368844d5388be972238cdcf_product_photo.jpg?v=1735838732"},{"product_id":"anamanaguchi-usa-t-shirt","title":"Anamanaguchi - [USA] T-Shirt","description":"\u003cp\u003e BRAND: Bella + Canvas\u003c\/p\u003e\u003cp\u003e SHIRT COLOR: Black\u003c\/p\u003e\u003cp\u003e INK COLORS: Reflective White, Blue, and Pink\u003c\/p\u003e\u003cp\u003e FIT: Unisex\u003c\/p\u003e","brand":"Polyvinyl Accessories","offers":[{"title":"Small","offer_id":50774929604915,"sku":"PRC-TS876-S","price":18.75,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":50774929670451,"sku":"PRC-TS876-L","price":18.75,"currency_code":"USD","in_stock":false},{"title":"2X-Large","offer_id":50774929735987,"sku":"PRC-TS876-2XL","price":18.75,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":50774929637683,"sku":"PRC-TS876-M","price":18.75,"currency_code":"USD","in_stock":false},{"title":"X-Large","offer_id":50774929703219,"sku":"PRC-TS876-XL","price":18.75,"currency_code":"USD","in_stock":false},{"title":"3X-Large","offer_id":50774929768755,"sku":"PRC-TS876-3XL","price":18.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/4fddf6f35fd7ea14e89b93e1c460f46a35b3c8e7_8e7d0d74348481028680b56fa392bd39f07f5f26_photo_jpg.jpg?v=1735838727"},{"product_id":"anamanaguchi-endless-fantasy","title":"Anamanaguchi - Endless Fantasy","description":"\u003cp\u003eAfter doing the soundtrack for the 2010 Scott Pilgrim video game, New York 8-bit geniuses \u003cstrong\u003eAnamanaguchi\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003edove headfirst into the recording of their second album. Three years (and many ideas, plans, and diversions) later, the 22-song \u003cem\u003eEndless Fantasy\u003c\/em\u003e finally saw the light of day in early 2013 on their own dream.hax label.\u003c\/p\u003e\u003cp\u003eAll the time and effort put into recording the music paid off in the end, and the album is something of an 8-bit masterpiece. The band uses hacked Nintendo systems, Game Boys, and live instruments to make (mostly) instrumental music that is blindingly bright and insanely fun.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl 2xLP (Clear w\/ Rainbow Splatter)","offer_id":50775144038707,"sku":"PRC-406LP","price":35.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":52708194451763,"sku":"PRC-406CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":52708194484531,"sku":"PRC-406DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/22a4e95edf0023b1b79f0e23682069702ab79c44_f8c99420c0a8a3bb6bdf4d34e1c45dfeaf3ae0ea_photo_jpg.jpg?v=1735838736"},{"product_id":"polyvinyl-exquisite-corpse","title":"Various Artists - Exquisite Corpse","description":"\u003cp\u003e Track Credits:\u003c\/p\u003e\u003cp\u003e 1. \"Yer Brothers\" - \u003cstrong\u003eDavid Bazan\u003c\/strong\u003e (Pedro The Lion), \u003cstrong\u003ePhil Dickey\u003c\/strong\u003e (Someone Still Loves You Boris Yeltsin), \u003cstrong\u003eNate Kinsella\u003c\/strong\u003e (American Football\/Birthmark), \u003cstrong\u003eNick Wilkerson\u003c\/strong\u003e (White Reaper)\u003c\/p\u003e\u003cp\u003e 2. \"Somebody Else\" - \u003cstrong\u003eErik Czaja\u003c\/strong\u003e (Pet Symmetry), \u003cstrong\u003eGus Lobban\u003c\/strong\u003e (Kero Kero Bonito), \u003cstrong\u003eChristie Simpson\u003c\/strong\u003e (Yumi Zouma), \u003cstrong\u003eShugo Tokumaru\u003c\/strong\u003e (Shugo Tokumaru)\u003c\/p\u003e\u003cp\u003e 3. \"SLOW DRIVE\" - \u003cstrong\u003eShaun Fleming\u003c\/strong\u003e (Diane Coffee), \u003cstrong\u003eWill Knauer\u003c\/strong\u003e (Someone Still Loves You Boris Yeltsin), \u003cstrong\u003eCale Parks\u003c\/strong\u003e (Aloha\/Cale Parks), \u003cstrong\u003eCharlie Ryder \u003c\/strong\u003e(Yumi Zouma)\u003c\/p\u003e\u003cp\u003e 4. \"To The Beach\" - \u003cstrong\u003eMark Duplass\u003c\/strong\u003e (Volcano, I'm Still Excited!!), \u003cstrong\u003eKaia Fischer\u003c\/strong\u003e (Rainer Maria), \u003cstrong\u003eEllen Kempner\u003c\/strong\u003e (Palehound), \u003cstrong\u003eJeff Rosenstock\u003c\/strong\u003e (Jeff Rosenstock\/Antarctigo Vespucci)\u003c\/p\u003e\u003cp\u003e 5. \"Whole Life Holy Death\" - \u003cstrong\u003eChris Broach\u003c\/strong\u003e (Braid, SNST), \u003cstrong\u003eVice Cooler\u003c\/strong\u003e (xbxrx), \u003cstrong\u003eRocky Tinder\u003c\/strong\u003e (Wampire), \u003cstrong\u003eAry Warnaar\u003c\/strong\u003e (Anamanaguchi)\u003c\/p\u003e\u003cp\u003e 6. \"Do U Remember\" - \u003cstrong\u003eRobert Pope\u003c\/strong\u003e (The Get Up Kids), \u003cstrong\u003eJamie Stewart\u003c\/strong\u003e (Xiu Xiu), \u003cstrong\u003eFred Thomas\u003c\/strong\u003e (Fred Thomas\/Saturday Looks Good To Me), \u003cstrong\u003eElla Williams\u003c\/strong\u003e (Squirrel Flower)\u003c\/p\u003e\u003cp\u003e 7. \"Perfect Vision\" - \u003cstrong\u003eKeil Corcoran\u003c\/strong\u003e (STRFKR), \u003cstrong\u003eKaty Goodman\u003c\/strong\u003e (La Sera\/Vivian Girls), \u003cstrong\u003eChris Hansen\u003c\/strong\u003e (matt pond PA), \u003cstrong\u003eMike Kinsella\u003c\/strong\u003e (American Football\/Owen), \u003cstrong\u003eMatt Pond\u003c\/strong\u003e (matt pond PA)\u003c\/p\u003e\u003cp\u003e 8. \"So Much To See\" - \u003cstrong\u003eJess Abbott\u003c\/strong\u003e (Tancred), \u003cstrong\u003eJames Alex\u003c\/strong\u003e (Beach Slang\/Quiet Slang), \u003cstrong\u003eBob Nanna\u003c\/strong\u003e (Braid), \u003cstrong\u003eLuke Silas\u003c\/strong\u003e (Anamanaguchi)\u003c\/p\u003e\u003cp\u003e 9. \"Some Storms\" - \u003cstrong\u003ePeter Berkman\u003c\/strong\u003e (Anamanaguchi), \u003cstrong\u003eErin Fein\u003c\/strong\u003e (Psychic Twin\/Headlights), \u003cstrong\u003eTJ Lipple\u003c\/strong\u003e (Aloha), \u003cstrong\u003eMatt Pryor\u003c\/strong\u003e (The Get Up Kids), \u003cstrong\u003eNick Thorburn\u003c\/strong\u003e (Mister Heavenly)\u003c\/p\u003e\u003cp\u003e 10. \"Lonely\" -\u003cstrong\u003e Pip Brown\u003c\/strong\u003e (Ladyhawke), \u003cstrong\u003eJosh Burgess\u003c\/strong\u003e (Yumi Zouma), \u003cstrong\u003eChris Farren\u003c\/strong\u003e (Chris Farren\/Antarctigo Vespucci), \u003cstrong\u003eMarcus Nuccio\u003c\/strong\u003e (Pet Symmetry), \u003cstrong\u003eCameron Spies\u003c\/strong\u003e (Radiation City)\u003c\/p\u003e\u003cp\u003e 11. \"Nude Looks\" - \u003cstrong\u003eBrian Borcherdt\u003c\/strong\u003e (Dusted), \u003cstrong\u003eCaithlin De Marrais\u003c\/strong\u003e (Rainer Maria), \u003cstrong\u003eRyan Pope\u003c\/strong\u003e (The Get Up Kids), \u003cstrong\u003ePost Animal\u003c\/strong\u003e (Post Animal)\u003c\/p\u003e\u003chr\u003e\u003cdiv\u003e 2020 has been an intense year by any standard, with the first weeks of the global pandemic giving most of us feelings unlike anything we’d experienced before. Quarantine lockdowns and hovering dread shifted the fabric of time in a way that’s ongoing, but was at its most vivid in those early days when a new reality was sinking in. Before people eventually adapted and started using the newly mandatory downtime to learn new languages and bake bread, hours lurched by as the world sat restlessly indoors. All the shows were slowly cancelled one by one, the tours and recording sessions were scrapped, hangs and practices just stopped happening. Everything was on hold indefinitely, time lost meaning, every day felt unreal.\u003c\/div\u003e\u003cp\u003eDuring the first days of lockdown, Rainer Maria’s Kaia Fischer came up with the concept of \u003cem\u003eExquisite Corpse\u003c\/em\u003e by meditating on their perspective of the newly unfolding weirdness they and so many of their creative friends were going through. Obviously a deadly pandemic was wrought with negatives, and those in particular to independent music scenes were especially devastating. But could there be another side to what felt so all-consumingly terrible? “We know what the pandemic \u003cem\u003eisn’t \u003c\/em\u003egood for,” Fischer said, “but let’s find out what it\u003cem\u003e is\u003c\/em\u003e good for.”\u003c\/p\u003e\u003cp\u003eSearching for silver linings in the earliest days of lockdown wasn’t easy, but one idea led to another. It began with the realization that every Polyvinyl artist now had a completely clear schedule at the same time. They were also mostly sitting around waiting for the storm to pass, in different states of boredom, anxiety, worry and malaise. Logistically speaking, there might not be another time when pretty much everyone was available for a collaborative project and needed something to occupy their frazzled minds. A round of emails went out explaining the project and inviting members of the Polyvinyl roster to participate. Eleven teams of four or five musicians were assembled more or less at random, bringing together artists that had in many cases never met, much less worked on music together. Remotely, each team worked from scratch to create an original song, a reworked sonic adaptation of the game where each player adds to a collaborative drawing.\u003c\/p\u003e\u003cp\u003eThe scope alone is exciting, with these 11 songs combining the talents of 47 musicians from all corners of the world and all ends of the Polyvinyl family tree. Even the artwork was assembled through remote collaboration, with visual artists from Chicago, Minneapolis, and Seattle collaborating on the design in true Exquisite Corpse fashion. Musically, the results are every bit as exciting and unpredictable as the concept envisioned. New creative chemistries between the different artists and a complete absence of expectations or precedent sounds made for fearless choices in production, genre experimentation and stylistic curveballs. Artists known for sparkling pop worked with more ragged rockers or folks from acoustic-leaning emo bands, and the end results almost always defied the expected sum of their parts. Even though \u003cem\u003eExquisite Corpse\u003c\/em\u003e is timestamped with traces of the overwhelming uncertainty that colored the pandemic’s onset, the music is by-and-large joyful, daring, and fun. More than reflecting the hanging gloom of the non-stop news cycle and spiking graphs, artists tapped into expressions of hope and exploration. This moment of universal upheaval cast a shadow on the entire world, but also allowed for a meeting of minds that was truly unprecedented.\u003c\/p\u003e\u003cp\u003eMost indie labels share some degree of familial connection, but Polyvinyl is built on that feeling of family. The label was born in the late ‘90s out of the closely knit regional diy scenes of the Midwest, and every aspect of growth since has been informed by the earnest connectivity of those early days. Polyvinyl bands go on tour together, collaborate regularly and exist within a framework facilitated by the label that values friendship and the sharing of ideas above all else. 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The core is an NES sound chip programmed to the brim with hyperactive 8-bit melody, as the band shreds along with a real punk sensibility. \"Blackout City\" appeared in the game \u003ci\u003eBit Trip Runner\u003c\/i\u003e, and \"Jetpack Blues, Sunset Hues\" was featured as the theme song to the \u003ci\u003eNerdist\u003c\/i\u003e podcast.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Sunset Hues (Orange\/Maroon\/Purple))","offer_id":50775398875443,"sku":"PRC-412LP","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818997354803,"sku":"PRC-412DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/d347c6fcec9a69f1c58cf798785cd1508b95eda0_9a2aad441385756d9b4a9f415efbea966c5bac5d_photo_jpg.jpg?v=1735838750"},{"product_id":"anamanaguchi-summer-singles-2010-2020","title":"Anamanaguchi - Summer Singles 2010\/2020","description":"\u003cp\u003eFormed in New York in the mid-2000s, \u003cstrong\u003eAnamanaguchi\u003c\/strong\u003e is a four-piece band made up of Peter Berkman, Ary Warnaar, James DeVito, and Luke Silas. They program and perform loud, fast, intensely emotional digital music. \u003ci\u003eSummer Singles 2010\/2020 \u003c\/i\u003eis a 2xLP set that unites two fan-favorite collections of singles in a first-ever physical edition and confirms Anamanaguchi’s reputation among those in-the-know as one of the most casually trailblazing and unexpectedly refined bands around.\u003c\/p\u003e\u003cp\u003eEach eight-song set was originally recorded and released in the wake of a beloved Anamanaguchi album. In 2010, they created the cult-classic soundtrack for \u003ci\u003eScott Pilgrim Vs. The World: The Game\u003c\/i\u003e, which was just reissued this January, and cemented their role as pioneers in the homemade, video game world of chiptune music. The 2020 singles followed the critically acclaimed \u003ci\u003e[USA]\u003c\/i\u003e LP, an album at once more introspective and expansive, which hit No. 3 on Billboard Heatseekers chart and won this praise from NPR: “The sound just fills you up in this incredibly joyous and wonderful way.”\u003c\/p\u003e\u003cp\u003eExplains the band’s Ary Warnaar: “The summer singles series was sort of a fun, low-pressure way to ease us out of that hyperfocus album tunnel and burn off that extra energy. It’s like spending a year training for a marathon, and then you finally run the marathon, but you're still in really good shape the next day, so you might as well go on a run the next day too, just for yourself, however many miles you wanna do.”\u003c\/p\u003e\u003cp\u003eBut they’re certainly no strangers to doing things their own way. In 2013, Anamanaguchi self-released the \u003ci\u003eEndless Fantasy\u003c\/i\u003e album backed by an out-of-control Kickstarter campaign that brought in $275,000 (enough to send a piece of pizza into space) and won praise from Pitchfork as “a riotous genre masterpiece.” In 2016, they parodied corporate gaming culture with \u003ci\u003eCapsule Silence XXIV\u003c\/i\u003e, a free game that contained its own original full-length soundtrack. Famously, they collaborated on a single with the computer-generated Japanese pop star Hatsune Miku, and were the first independent artists to perform alongside her hologram on tour.\u003c\/p\u003e\u003cp\u003eIn this wide context of their career, \u003ci\u003eSummer Singles 2010\/2020\u003c\/i\u003e makes for a delightful capsule. Highlights from the wild summer of Four Loko including the over-the-top chiptune of “My Skateboard Will Go On” and a ridiculous Das Racist remix. The newer tracks are just as optimistic and show a wider range of forward-thinking styles, with collaborators Planet1999, Jaime Brooks, and the J-pop singer POCHI. Also of note: “Stay Home,” their cover of Polyvinyl labelmates American Football, debuted last spring at a non-profit fundraising festival the bands created together called Nether Meant, held within the Minecraft video game.\u003c\/p\u003e\u003cp\u003eAccording to Luke Silas, Anamanaguchi’s drummer, as much as the collection underscores the band’s evolution, it also reinforces their dedication to their core values: “The songs might not be as carefree as they used to be (neither is the world and neither are we), but it feels affirming to still be in a position to make art that we love in the way that feels most natural to us. 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Their label Polyvinyl had rescued the famed American Football house from potential destruction, so the band took the opportunity to move in and write together. Over the course of a month, Anamanaguchi – pioneers of hyper-melodic 8-bit rock, whose extraordinary ascent has led them to topping charts with a virtual pop star – flipped their typically meticulous digital process on its head. The result is \u003cem\u003eAnyway\u003c\/em\u003e. Written in the converted living room-turned-practice space, Anamanaguchi walked away with the most personal record of their career. And it's a rock record for the ages.\u003c\/p\u003e\n\u003cp\u003e“Crazy sounds come from normal-looking houses,“ notes singer\/songwriter\/guitarist Peter Berkman. “We made the decision to be physically in the same room for nearly every step, writing everything as a group instead of editing and tweaking files over the internet.”\u003c\/p\u003e\n\u003cp\u003eThe band brought these demos to Grammy-winning rock producer Dave Fridmann (The Flaming Lips, MGMT, Sleater-Kinney), whose old school approach drove the point home. Once again staying under the same roof – this time at the Fridmann family’s cozy Tarbox Road Studios in western New York – they recorded \u003cem\u003eAnyway\u003c\/em\u003e straight to tape, uniting around live instruments and lyrics sung by everybody in the band. Fridmann encouraged live tracking and spontaneous performances, which were shaped by Luke Silas’ propulsive drumming. The album’s analog sound comes in part from their search for vintage gear, including an extremely rare set of Marshall guitar cabinet speakers from the late-1960s – previously used on recordings by Jimi Hendrix, Van Halen, Nirvana, and Weezer – that give Berkman and co-guitarist\/vocalist Ary Warnaar their distinct sound. “Every detail came from this need to do it right the first time,” Berkman notes about this significant shift for such consummate tinkerers. Adds bassist\/vocalist James DeVito, “This time there was no undo button, no alternate versions. The decisions had to be made before, not after.”\u003c\/p\u003e\n\u003cp\u003eAt first, Anamanaguchi aimed to explore rage as the record's main theme, reflecting the various frustrations of the world. But quickly they found themselves distracted by having fun together, and \u003cem\u003eAnyway\u003c\/em\u003e instead captures a band creatively and personally energized: the experience of four best friends reviving their connection in a disconnected world. As Anamanaguchi has always been an instrumental band, the decision to sing suddenly confronted them with the question of what the band’s voice would ultimately be. They explore this newfound power in every song, making it their most emotionally resonant work yet. \u003c\/p\u003e\n\u003cp\u003e\"The overarching theme of \u003cem\u003e[USA]\u003c\/em\u003e was about a voice forming and learning how to speak–a kind of artificial one. \u003cem\u003eAnyway\u003c\/em\u003e is the next step – it’s about discovering the band’s voice,” Berkman explains. “There’s a now-or-never feeling to it, a kind of ‘why not.’ Loss is a part of life, no one is immune to it. There’s that Phil Ochs song ‘When I’m Gone:’ ‘you won’t find me singin’ on this song when I’m gone, my pen won’t pour a lyric line when I’m gone, so I guess I’ll have to do it while I’m here.’ We’re making the most of our lives and what we love doing which happens to be writing, playing, and singing music all together.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAnyway\u003c\/em\u003e has moments of anger, love, humor, paranoia, and sadness – but the band’s sense of light-heartedness shines through. On “Rage (Kitchen Sink),” the band confront loneliness and boredom, two epidemics of the digital age that seem to be humanity’s only common bond. The anthemic, fuzzed-out “Magnet” is about the surreal attraction that’s possible between two people – a feeling echoed by the combination of such a heavy track with delicate lyrics. The power-pop ballad “Darcie” finds inspiration in small gestures from a local unsung hero, who brightens their lives and allows unforeseen amounts of fun to happen. Taut and dynamic, “Buckwild” is a rock sing-along that serves as the album’s genesis story: a band making an effort to do something new, while accepting the risks that may bring. \u003c\/p\u003e\n\u003cp\u003eFormed in New York in the mid-2000s, Anamanaguchi made their name with emotionally-charged turbo-electric experiments in chiptune. Known for programming their early music on Nintendo cartridges you can actually play, their accomplishments include scoring \u003cem\u003eScott Pilgrim vs. the World: The Game\u003c\/em\u003e and launching one of music’s most successful crowdfunded projects to this day with their Kickstarter for their debut album \u003cem\u003eEndless Fantasy\u003c\/em\u003e. The band’s reputation for innovation grew worldwide, leading them to develop and release their own experimental video game (\u003cem\u003eCapsule Silence XXIV\u003c\/em\u003e), as well as to officially collaborate and perform with the virtual pop star Hatsune Miku on her hologram tour (their collaborative hit “Miku” is not just her biggest English language song to date, it’s also recently a prominent music fixture of Epic Games’ global smash hit \u003cem\u003eFortnite\u003c\/em\u003e). They even launched a pizza into space. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e[USA]\u003c\/em\u003e, Anamanaguchi’s critically-acclaimed second album and debut for Polyvinyl, anticipated a crucial cultural shift in moving from escapist, nostalgic fantasy to a more introspective exploration of digital identity. Described by\u003cem\u003e Pitchfork\u003c\/em\u003e as the band’s “most emotionally grounded record,” \u003cem\u003e[USA]\u003c\/em\u003e laid the foundation for the openness and honesty that defines \u003cem\u003eAnyway\u003c\/em\u003e. Where \u003cem\u003e[USA]\u003c\/em\u003e made sense of life online, their third album \u003cem\u003eAnyway\u003c\/em\u003e ventures into the world outside the front door.\u003c\/p\u003e\n\u003cp\u003eAnamanaguchi’s greatest strength isn’t their devotion to doing things differently, or their ability to translate net-life into emotionally resonant tunes – though they are incredible at both. It’s the way their actual, enduring friendships have allowed them to evolve together. “We’ve always stretched the limits of what counts as ‘being a band’,” says Warnaar, “but \u003cem\u003eAnyway\u003c\/em\u003e honors that special glue that’s kept us together all along.” \u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eAll songs written by Anamanaguchi\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eSome lyrics by Josh Knapp\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ePeter Berkman - Guitar, vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eAry Warnaar - Guitar, vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eJames DeVito - Bass, vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eLuke Silas - Drums, vocals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eProduced, Recorded and Mixed by Dave Fridmann at Tarbox Road Studios, Cassadaga, N.Y. \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eAdditional Production by Anamanaguchi.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eAdditional Editing by Geoffrey Mutchnick\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eAssistant Engineering by Michael Fridmann.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eVocal Engineering by Casey Di Iorio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eMastered by Chris Gehringer at Sterling Sound, Edgewater, NJ.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRecorded June 2024 at Tarbox Road Studios, Cassadaga, NY, and August 2024 at Valve Studios, Dallas, TX.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eArt Direction: Simon Whybray\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eDesign: Supermodel\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ePhotography: Anna Longworth\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Red w\/ Black, White, Yellow Splatter)","offer_id":51462339232051,"sku":"PRC-508LP-EB","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl (Black-in-Red)","offer_id":51463056785715,"sku":"PRC-508LP","price":30.0,"currency_code":"USD","in_stock":true},{"title":"CD (Red Jewel Case)","offer_id":52746482975027,"sku":"PRC-508CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"CD (Clear Jewel Case)","offer_id":51463056851251,"sku":"PRC-508CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":51463056884019,"sku":"PRC-508TAPE","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":51462339264819,"sku":"PRC-508DIGITAL","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Test Pressing + Early Bird Vinyl","offer_id":51463056818483,"sku":"PRC-508TEST","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/Anamanaguchi_Anyway_SQ1.jpg?v=1754626837"},{"product_id":"anamanaguchi-pulsar-t-shirt-red","title":"Anamanaguchi - 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The sprawling 71-track soundtrack, recorded at Valve Studios in Dallas, TX with Casey di Iorio (Andre 3000, Slayer, Marvel Studios), synthesizes the band's legendary electronic origins with their fuzzed out garage rock present, while maintaining their unmistakable punchy style. Known for resonant world building across past projects, the depth of emotion and the range of styles displayed on \u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eScott Pilgrim EX\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eare uniquely Anamanaguchi, delivering a host of melodically anthemic and new energetic hooks that are sure to pack a punch for both newcomers and old school fans alike. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnamanaguchi's collaborative relationship with the Scott Pilgrim universe goes back to the early days of the band. After cutting their teeth programming music with playable Nintendo cartridges and helping to bring a wider audience to a largely internet based 8-bit chiptune scene, the band was brought in to score the fan-favorite soundtrack for \u003c\/span\u003e\u003cem\u003eScott Pilgrim vs. the World: The Game\u003c\/em\u003e\u003cspan\u003e. The success of this game soundtrack would help them to launch an early crowdfunding success story with their campaign for their debut album, 2013's \u003c\/span\u003e\u003cem\u003eEndless Fantasy\u003c\/em\u003e\u003cspan\u003e. From there, the band would go on to collaborate with virtual pop star Hatsune Miku (resulting in the perpetually viral, Fortnite-featured hit, “Miku”), and later develop the intricately soundscaped compositions displayed across their second album, \u003c\/span\u003e\u003cem\u003e[USA]\u003c\/em\u003e\u003cspan\u003e, but throughout it all the connection between the band and the Scott Pilgrim universe would remain a pivotal source of inspiration.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAfter being brought in to score the animated Netflix series, \u003c\/span\u003e\u003cem\u003eScott Pilgrim Takes Off\u003c\/em\u003e\u003cspan\u003e, in 2023, band members Peter Berkman and Luke Silas would credit the live kinetic energy they channeled when writing songs for the in-universe garage band Sex Bob-Omb with helping them get back in touch with the roots of how they learned to play music even before Anamanaguchi's earliest releases. This process would eventually lead to Peter and Luke–alongside guitarist Ary Warnaar and bassist James DeVito–flipping their typically meticulous digital writing process for the more collaborative, straight to tape, distorted angst that can be found on 2025's acclaimed \u003c\/span\u003e\u003cem\u003eAnyway\u003c\/em\u003e\u003cspan\u003e. That album marked another significant evolutionary turn for the band to come out of their relationship with Scott Pilgrim.    \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA shift towards a more organic songwriting process would not be the only significant development crucial to the band’s involvement in the new soundtrack, however. While Anamanaguchi have always viewed video game scores as a unique medium that is just as influential or important as any other, gaming culture has now developed to a point that many game soundtracks are being looked at with the same degree of reverence as a film or a tv score within the cultural zeitgeist. As exciting a development as that might be, the band have found that it has become increasingly important for them to hold onto the aspects of video game music that made it a unique compositional medium in the first place. Accordingly, most of the band’s compositions for \u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eScott Pilgrim EX\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e were completed with minimal gear while on their bus touring in support of \u003c\/span\u003e\u003cspan\u003eAnyway\u003c\/span\u003e\u003cspan\u003e, which led them to lean into software designed for older gaming systems. This process would allow the band to write together while continuing to uphold the legacy of classic trackers in video game music and chiptune, helping to preserve a compositional artform intrinsically loved by the band’s members that, due to the widespread availability of modern DAWs, could be at risk of being lost to time.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAs Anamanaguchi’s work has continued to develop since their initial collaboration within the Scott Pilgrim universe, the cultural footprint of Scott Pilgrim has evolved as well. Moving from something akin to a cult classic niche comic into a widespread coming of age story for multiple generations across movies, anime, TV, and video games, the story rides the line of being crucially important to its core fanbase while simultaneously existing as a widespread franchise known to the masses.  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNow fresh off the heels of a nationwide tour in support of\u003c\/span\u003e\u003cspan\u003e \u003cem\u003eAnyway\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e,\u003c\/em\u003e Anamanaguchi have committed themselves to maintaining a similarly tense throughline within their own work by returning to the 8-bit beat em up world of Scott Pilgrim with a relentlessly high energy and genre defying original soundtrack for \u003c\/span\u003e\u003cem\u003eScott Pilgrim EX\u003c\/em\u003e\u003cspan\u003e. Just as a new generation might be coming online to discover the joys of cloud rock, laptop twee, and lofi electronic indie, Anamanaguchi are here to provide a return to form with a depth of knowledge and innovation that has consistently allowed them to evolve and grow alongside the characters in the Scott Pilgrim universe and the multi-generational fanbase that continues to follow them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eMusic and lyrics by Anamanaguchi:\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ePeter Berkman, Ary Warnaar, Luke Silas, James DeVito\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRecorded by Casey di Iorio \u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eat Valve Studios, Dallas, TX. \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eAdditional editing by \u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eMike Fridmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eDesign: Jacob Ferguson\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ePhotography: Paul Hillier\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ePixel art: Tribute Games\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eArt direction: Bryan Lee O’Malley\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eScott Pilgrim EX © 2026 Universal City Studios LLC.  All Rights Reserved.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e“Scott Pilgrim vs. The World” graphic novel and related characters TM \u0026amp; © 2026 Bryan Lee O’Malley.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl 2xLP (Sky Blue \u0026 Hot Pink Blend)","offer_id":53093203280179,"sku":"PRC-532LP","price":35.0,"currency_code":"USD","in_stock":true},{"title":"2xCD","offer_id":53093203312947,"sku":"PRC-532CD","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":53093203411251,"sku":"PRC-532DIGITAL","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/SPEX_LPMockups_Retail_SQ.jpg?v=1772494368"},{"product_id":"anamanaguchi-scott-pilgrim-ex-original-soundtrack-2xlp-2xcd-bundle","title":"Anamanaguchi - 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