{"title":"TAPES (Garage Sale)","description":"","products":[{"product_id":"teethe-teethe-garage-sale","title":"Teethe - Teethe (Garage Sale)","description":"\u003cp\u003e\u003cstrong\u003eTeethe\u003c\/strong\u003e is a band from Texas. The members of Teethe met while attending the University of North Texas in Denton, TX, a small college town outside of Dallas with a fertile music scene. Before forming Teethe, its core members Boone Patrello, Grahm Robinson, Madeline Dowd, and Jordan Garrett all played in various other groups in Denton, releasing music under different pseudonyms. Patrello released solo music via his Dead Sullivan moniker, while Robinson released under MAH KEE OH. Patrello and Robinson linked up with Dowd to record an album for her project, Crisman, in 2019. They all eventually moved in together, leading the group to start recording more as a whole unit, and subsequently Teethe was born.  \u003c\/p\u003e\u003cp\u003eMade over the course of 2020, Teethe's eponymous debut album is a collection of songs pieced together over time - a sonic collage of fragmented recordings and half finished tracks made whole in the midst of isolation. Initially self-released in November of 2020 with little fanfare, the album's warm, lo-fi aesthetic and slow, calming songs spread by word of mouth. Roughly one year later, at the top of 2022, the band returned with \"Tag\", a new single that caught the attention of slowcore fans and garnered shout outs from unlikely celebrities. Tours soon followed with Charlie Martin of Hovvdy, Momma, Milly, Waveform, and They Are Gutting A Body of Water.  \u003c\/p\u003e\u003cp\u003eThe band continued to record their own music, releasing another single, \"Lucky,\" in the fall of 2022, and most recently partnered with Saddle Creek for their 7-inch series to release their newest single, \"Moon,\" in October of 2023. Now spread between Dallas and Austin, the Texas band has recently signed with Winspear to re-issue their self-titled debut LP.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Green Geode)","offer_id":53474065056051,"sku":"MISC","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl (Black)","offer_id":50775946166579,"sku":"MISC","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":51636422246707,"sku":"MISC","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_32920697-5489-4f55-8059-2394661b89a5.jpg?v=1739893508"},{"product_id":"liam-betson-austerity-measures-garage-sale","title":"Liam Betson - Austerity Measures (Garage Sale)","description":"\u003cp\u003e\u003cem\u003eAusterity Measures\u003c\/em\u003e is the second full-length release from \u003cstrong\u003eLiam Betson\u003c\/strong\u003e (FKA Liam the Younger). While 2014's \u003cem\u003eThe Cover of Hunter\u003c\/em\u003e saw Betson stake his claim in the songwriter-and-band idiom, \u003cem\u003eAusterity Measures\u003c\/em\u003e instead employs more adventurous methods of delivery for his imaginative lyrics.\u003c\/p\u003e\u003cp\u003e Neither a throwback nor an invention from whole cloth, the album fluctuates between synthesizer-inflected pop tunes and sparse arrangements of voice and guitar. It is equal parts Chelsea Girl and Apocalypse, girl, while remaining firmly grounded in Betson's own sensibilities and idiosyncrasies as a songwriter.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"NON-PV TAPE (Garage Sale)","offer_id":50773845180723,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ff8c1a3bd0c441439a0a081e560c85fc_ecb963d6cec6df6780b4fdb6dfb72c840cff3521_product_photo.jpg?v=1737061002"},{"product_id":"whitney-ballen-youre-a-shooting-star-im-a-sinking-ship-garage-sale","title":"Whitney Ballen - You're A Shooting Star, I'm A Sinking Ship (Garage Sale)","description":"\u003cp\u003e“It’s easy to get down on yourself \/ When you’re surrounded by people who don’t know what goes on in your head,” \u003cstrong\u003eWhitney Ballen\u003c\/strong\u003e sings on the title track of her latest LP, \u003cem\u003eYou’re A Shooting Star, I’m A Sinking Ship\u003c\/em\u003e. It’s the irony of existing in a world filtered through social media—comparing real life to curated ones, and longing for validation that seems further away with every scroll of the touchscreen.\u003c\/p\u003e\u003cp\u003eThe album’s twelve tracks are set perfectly in Ballen’s Pacific Northwest, a place collectively pictured in a romantic mist that blots out its everyday banalities. Vocally, the Washingtonian shares space with the likes of \u003cstrong\u003eMirah\u003c\/strong\u003e, \u003cstrong\u003eLaura Stevenson\u003c\/strong\u003e, and \u003cstrong\u003eJenny O\u003c\/strong\u003e. Describing her sound, Seattle Weekly writes, “Imagine \u003cstrong\u003eJoanna Newsom\u003c\/strong\u003e as a ghost, benevolently haunting a cabin in the woods, and you’ll get an idea...”\u003c\/p\u003e\u003cp\u003eIn contrast to her unique voice, Ballen’s music resembles many things, and covers endless ground. There are the bedroom dreamscapes, suspended between rousing from sleep and falling back into it (“The Kiss”); nightmarish tones that growl and distort (“Black Cloud”); swells that expand and contract like the breaths of a resting lover (“Rainier”); and a dreamy mountain twang that echoes beautifully in the ear (“Mountain”). It’s all sowed with unabashedly honest lyrics that make Ballen’s music equal parts visceral, vulnerable, and resilient.\u003c\/p\u003e\u003cp\u003eFalls, Ballen’s moody first EP, was recorded in 2014 at an old firehouse, with love letters to Olympia, Rainier, and Snoqualmie Falls. Ballen traded the firehouse for Phil Elverum’s church studio for the recording of her second EP, \u003cem\u003eBeing Here Is Hard\u003c\/em\u003e. As its title suggests, this unexpected group of songs was shaped by the experience of losing people and being left to live in their absence.\u003c\/p\u003e\u003cp\u003e \u003cem\u003eYou’re A Shooting Star\u003c\/em\u003e combines influences from both of Ballen’s earlier releases—leaving the magnificent beauty of the Pacific Northwest, then longing for it and the intimate connections made with the people in the rearview. Each song is awash with jealousy, threatening to drown in the impossible storm of comparing everything we are to everything but ourselves.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"CD","offer_id":50774330933555,"sku":"MISC","price":2.0,"currency_code":"USD","in_stock":false},{"title":"Tape","offer_id":50888634794291,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/80ca4ee101d7cf153771824cc0b00098_17bffbfc3375350e85821509d16d03aa6375a3e5_product_photo.jpg?v=1737061000"},{"product_id":"andy-sadoway-str8-sh00ter-garage-sale","title":"Andy Sadoway - Str8 Sh00ter (Garage Sale)","description":"\u003cp\u003e\u003cem\u003eStr8 Sh00ter\u003c\/em\u003e is a 4-song EP from \u003cstrong\u003eBent Shapes \u003c\/strong\u003edrummer, \u003cstrong\u003eAndy Sadoway\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003e  Sadoway’s comfort with syncopated rhythm and knack for hooks is the foundation to his songwriting. Catchy melody drives everything: on his debut release he draws influence from his favorite 60’s pop legends Roy Orbison and Neil Sedaka, with nods to early crooners like Johnny Mathis and Eddy Arnold.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape","offer_id":50773838364979,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/e2d8381557885b9b7f8cb36dc1fa35f0_2a1abb53bbb6b12bf61e3e226fc427b573ab81b4_product_photo.jpg?v=1737060999"},{"product_id":"shamir-revelations-garage-sale","title":"Shamir - Revelations (Garage Sale)","description":"\u003cp\u003e \u003cstrong\u003eShamir\u003c\/strong\u003e is Shamir and remains Shamir through and through, no matter what the universe puts him through. You may know the singularly named artist (like Madonna or Cher) from his 2015 debut hit record Ratchet, beloved by NPR listeners and club kids alike. After quickly rising to underground fame with his Northtown EP in 2014, the DIY popstar made a sonic splash with Ratchet’s lead single “On The Regular,” a poppy banger and commercial success. But how to follow all that up? Shamir, who came from the dusty dunes of Las Vegas, to Brooklyn’s Silent Barn, to the Philly indie scene (and all over the world in between), wanted to go back to what had inspired him from the beginning. Outsider music, country \u0026amp; punk. Raw \u0026amp; vulnerable tunes, stripped down to their emotional core. And what do you do if XL drops you? If you’re Shamir, you put out an album you recorded yourself all in one weekend, whilst questioning the decision to quit music. The record was called Hope and Shamir self-released it via SoundCloud during the spring of 2017, with no promotion or label support. Regardless \u0026amp; naturally, it was a critical hit.\u003c\/p\u003e\u003cp\u003e Now, happily joining San Francisco based indie label Father\/Daughter Records, Shamir is excited to share his upcoming new album, titled Revelations, out November 3, 2017. Recorded May 2017 in his hometown following the release of Hope, Revelations is full of what the titled implies. The new album is stacked with stunning exhalations of emotion, as Shamir continues making music for misfits and those of us who feel so emo sometimes that we get annoyed at how we’re a cliché, but see the beauty in it anyway. Revelations is much more minimal in instrumentation \u0026amp; production compared to Rachet, but is even more full in sound and feeling. In some other timeline, there’s an unknown John Hughes film entirely set to Revelations. It’s the warmth in this apocalyptic neon and pastel future we find ourselves in. It’s the breath we take when we look up from our phones. They’re Shamir’s Revelations, and you should listen up.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"CD","offer_id":50774322446643,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50888635285811,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/0433e3038e208089eb74b7d9c8f5725f_a9a03a3320188b78600c5ee49074a9c53dcf00a3_product_photo.png?v=1737060999"},{"product_id":"parts-parts-garage-sale","title":"PARTS - PARTS (Garage Sale)","description":"\u003cp\u003eDebut EP from \u003cstrong\u003ePARTS\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAn ethereal collection of diaphanous, dreamily melancholy synth-pop, highlighted by the swooning, achingly pretty opening track “Pieces” and its poignant refrain of “I don’t love you but I need you to stay“. Lovely and haunting stuff, with the allure of something darker lurking just beneath the surface. - Gorilla vs. Bear\u003c\/i\u003e\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Pink Tape","offer_id":50773848621363,"sku":"MISC","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/d6e982be0a6c66da234dabcd440992c0f1b65fa1_501eaa6de0c428281db3ced42271096b808e8b81_photo_jpeg.jpg?v=1737060990"},{"product_id":"anna-burch-if-youre-dreaming-garage-sale-tape","title":"Anna Burch - If You're Dreaming (Garage Sale Tape)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape (Red Tint)","offer_id":50773921595699,"sku":"PRC-398TAPE","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ecce70d8d466eac4bf217ce3737d42e1f01c1176_8fac77f68b5eb132788ded3c6e79f921ea109bc9_photo_jpg.jpg?v=1735838877"},{"product_id":"sir-babygirl-crush-on-me-garage-sale","title":"Sir Babygirl - Crush on Me (Garage Sale)","description":"\u003cp\u003e The pseudonymme of DIY pop diva\/producer Kelsie Hogue, \u003cstrong\u003eSir Babygirl\u003c\/strong\u003e mixes and matches inspirations as sundry as \u003cstrong\u003eCharli XCX\u003c\/strong\u003e, \u003cstrong\u003eHole\u003c\/strong\u003e, \u003cstrong\u003eHey Arnold!\u003c\/strong\u003e, and \u003cstrong\u003eTim And Eric Awesome Show, Great Job!\u003c\/strong\u003e into unabashedly bubblegum, unashamedly queer pop for a future free of genre boundary and the gender binary.\u003c\/p\u003e\u003cp\u003e Born in Silicon Valley and raised in Hanover, New Hampshire, Sir Babygirl collected slumber party guests in the form of the bass, piano, guitar, along with formally studying voice. After attending Boston University’s School of Theater, she began to synthesize all her interests in the local Allston scene—fronting a hardcore bubblegum band, collaborating with local musicians, and tinkering with self-production on demos that would lead her to Sir Babygirl project.\u003c\/p\u003e\u003cp\u003e Sir Babygirl quickly swapped diploma for a microphone to explore Chicago’s DIY and comedy scenes, but was ultimately visited in a dream by pop princesses \u003cstrong\u003eBritney Spears\u003c\/strong\u003e, \u003cstrong\u003eChristina Aguilera\u003c\/strong\u003e, and dear departed high priestess \u003cstrong\u003eWhitney Houston\u003c\/strong\u003e. The three divinities implored: pop was the pure plastic expression and cartoon catharsis for which Sir Babygirl was meant.\u003c\/p\u003e\u003cp\u003e She returned home to the woods of New Hampshire to convert her childhood bedroom into a makeshift studio. Little by little, she applied her sharpening musical tools to emerging past selves, childhood traumas, and a joyous curiosity for herself. Sir Babygirl chronicled each revelation in song, reclaiming and celebrating all the deep dives, detours, and divas that led her to her debut album \u003cem\u003eCrush on Me\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eCrush on Me\u003c\/em\u003e dances through discovery—from opener and debut single “Heels,” which sets Sir Babygirl as a bewildered, bisexual Cinderella bailing on the ball, all the way to the gentle self-courting of the closing title track. Along the way, Sir Babygirl rages through the agony and ecstasy of queer flirting (“Flirting with Her”), peels past layers of latent shame (“Cheerleader”), parties with old ghosts (“Haunted House”), trudges through social anxieties (“Everyone is a Bad Friend”), and basks in the glow of neon-lit nights out (“Pink Lite”). On the other side of the journey, \u003cem\u003eCrush on Me\u003c\/em\u003e ultimately celebrates the silliness and sanctity of a second adolescence, a rite so quintessential to the queer coming-of-age experience.\u003c\/p\u003e\u003cp\u003e Imagine \u003cstrong\u003eKaren O\u003c\/strong\u003e performing \u003cstrong\u003eRobyn\u003c\/strong\u003e’s “Dancing On My Own” with \u003cstrong\u003eCourtney Love \u003c\/strong\u003estrumming the synth line… or maybe a Max Martin-produced cover of \u003cstrong\u003eLauryn Hill\u003c\/strong\u003e’s “Ex-Factor” performed by \u003cstrong\u003eMy Chemical Romance\u003c\/strong\u003e’s Gerard Way. Wrap it all up in an aesthetic that marries \u003cstrong\u003eGrimes\u003c\/strong\u003e to \u003cstrong\u003eAshlee Simpson\u003c\/strong\u003e in the uncanny valley of celebrity culture and neo-Absurdism. Somewhere out there, in between a girl group and a boyband, is Sir Babygirl… and her pug Baby Diva. Along her journey, she has discovered the sugar-rush sweet spot between melodic emo confessionalism, cartoon character plastic-is-fantastic vocals, and PC music-adjacent synthpop fantasia. That place is real, and its lord is our knight Sir Babygirl.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Neon Green","offer_id":50776056693043,"sku":"MISC","price":22.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":50819017867571,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50819017900339,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/e9f54fe5fc20785719006f84f1920703_1520ec310f05e4dbb92fa32ea327e2f4a9cb0769_product_photo.jpg?v=1737060988"},{"product_id":"duncan-kissinger-make-time-stop-garage-sale","title":"Duncan Kissinger - Make Time Stop (Garage Sale)","description":"\u003cp\u003e\u003cstrong\u003eDuncan Kissinger\u003c\/strong\u003e is a 26-year-old, Indianapolis, IN native that captures moments in time and turns them in songs. Crafting his music with the simplest of instrumentation, Duncan gives his songs room to breathe, to think, without ever indulgently dragging out his arrangements. His new album, \u003ci\u003eMake Time\u003c\/i\u003e \u003ci\u003eStop\u003c\/i\u003e, is a collection of nuanced moments from Duncan's life, replayed and reflected upon in verse.\u003c\/p\u003e\u003cp\u003eWith this record, Duncan attempts to hold himself accountable for the first time. It's a record about love and how hard it is to know about love. These songs are moments, urges, impulses, reflections on what's happening as it's happening. \u003ci\u003eMake Time Stop\u003c\/i\u003e is meant to empower others to place more value on individual moments and embrace emotion and intuition as the truest thing we have.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"White","offer_id":50773854290227,"sku":"MISC","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b273b36336b361f11572416c0a17.jpg?v=1737060986"},{"product_id":"max-t-palm-isle-garage-sale","title":"Max T - Palm Isle (Garage Sale)","description":"\u003cp\u003egGrab the breezy new EP from Montreal's \u003cstrong\u003eMax T\u003c\/strong\u003e. \u003cspan style=\"background-color:rgb(255,255,255);color:rgb(23,23,23);\"\u003eLimited to 100 all clear cassette tapes with high quality J-card. Includes download code. \u003c\/span\u003e\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape","offer_id":50773854519603,"sku":"MISC","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b2737f6b526ae69dae73a80af112.jpg?v=1737060984"},{"product_id":"major-murphy-on-off-again-garage-sale","title":"Major Murphy - On \u0026 Off Again (Garage Sale)","description":"\u003cp\u003e\u003ci\u003eOn \u0026amp; Off Again\u003c\/i\u003e is the follow-up to \u003cstrong\u003eMajor Murphy\u003c\/strong\u003e’s 2015 four-song debut, \u003ci\u003eFuture\u003c\/i\u003e \u003ci\u003eRelease\u003c\/i\u003e. The new EP finds lead singer and songwriter, Jacob Bullard, hashing out variations on a familiar theme. The EP fixates itself on recycling chord progressions and melodies. Throughout the 6 song track-list the two video singles, “On \u0026amp; Off” and “Oceans” both have instrumental counterparts: “On \u0026amp; Off Again”, showcasing a chilled-out tempo and atmosphere, and the sprawling jam, “Over Everything” expanding in effervescent layers of psychedelia.\u003c\/p\u003e\u003cp\u003eMajor Murphy’s first EP was recorded before they had ever formally played a show, but in the months following its release, the band hit the road and begin playing out regularly. These shows gave Major Murphy a new perspective and confidence to their music, which is evident on their latest offering. The title, \u003ci\u003eOn \u0026amp; Off Again\u003c\/i\u003e speaks to the familiar cycle of touring only to return home and fall into the doldrums of a day job, and the EP's sound demonstrates the trio having discovered themselves and their songs out on the road.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Smoky Tint Tape","offer_id":50773854421299,"sku":"MISC","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b273ade174d78a4cb734c3fc0a0a.jpg?v=1737060984"},{"product_id":"the-goodbye-party-stray-sparks-garage-sale","title":"The Goodbye Party - Stray Sparks (Garage Sale)","description":"\u003cp\u003e\u003ci\u003eStray Sparks\u003c\/i\u003e is part album, part mixtape, part soundtrack, part tape collage recorded by \u003cstrong\u003eThe Goodbye Party\u003c\/strong\u003e's Michael Cantor over a two-week period. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eStray\u003c\/i\u003e \u003ci\u003eSparks\u003c\/i\u003e is a mix of traditional songs inspired by songwriting workshops and Cantor's first work with samples, a process he recalls as \"collaborating with imaginary friends.\" \u003c\/p\u003e\u003cp\u003eAvailable on limited edition cassettes.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"NON-PV TAPE (Garage Sale)","offer_id":50773856321843,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_69cf6313-0de1-4417-af1c-6713b1ad2286.jpg?v=1737060982"},{"product_id":"s-raekwon-i-like-it-when-you-smile-garage-sale","title":"S. Raekwon - I Like It When You Smile (Garage Sale)","description":"\u003cp\u003eComing off the heels of his gorgeous debut album, Where I’m at Now, a steady tour run with labelmate Tasha, and an exciting pair of performances at SXSW, the New York City-based producer, vocalist, and multi-instrumentalist, \u003cstrong\u003eS. Raekwon\u003c\/strong\u003e (aka Steven Raekwon Reynolds) springs forward with a new EP of loose and joyous indie-pop gems. On \u003ci\u003eWhere I’m at Now\u003c\/i\u003e, S. Raekwon touched on everything from youthful romance, estranged familial relationships, past friendships, and the complexities of biracial identity in America. With \u003ci\u003eI Like It When You Smile\u003c\/i\u003e, he continues to lean into some of the more gauzy and cerebral elements of his debut record while also balancing the somberness with a fresh sense of spirited optimism.\u003c\/p\u003e\u003cp\u003eOn the opener “Talk,” he croons gracefully over romping drum beats and a steady piano line with bits of colorful ad-libs poking through the seams. It’s free-flowing and conversational. The kind of song you might hear at a summertime house party the moment your friends start to show up and things really take off. A perfectly jam-like tune that sets the whole mood for the rest of the evening. That vibe is gently countered with the slower moving, D’Angelonian centerpiece, “Honey”. S. Raekwon makes love songs that can fill up the whole room. He sings the beautifully simple line “Don’t ya know that I still love ya honey?” over and over again until you are touched with his subtle embrace. It feels like receiving a warm hug while swaying peacefully in the crowd at an intimate show.\u003c\/p\u003e\u003cp\u003eThings gradually shift with the ambient whisper of “Tomorrow” and the blue sky jubilance of “Tall”. Both songs are short and sweet but still hold enough emotional weight to keep you tethered closely. It’s the perfect way to round a collection of songs that brush up against the waves of nostalgia while still looking forward. In a short amount of time, he has already managed to carve out a signature sound that can easily dip into new sonic possibilities and can take shape in a wide variety of contexts. The future of S. Raekwon shines brighter than ever.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"NON-PV TAPE (Garage Sale)","offer_id":50773856420147,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_e41d2bd0-eb22-4c6d-b184-0e30197b52f6.jpg?v=1737060981"},{"product_id":"ian-sweet-show-me-how-you-disappear-garage-sale-tape","title":"IAN SWEET - Show Me How You Disappear (Garage Sale Tape)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape (White)","offer_id":50773917303091,"sku":"PRC-428TAPE","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/4647e77540d5a6eab4bfd147053e27f6719d718b_76a572eafd237fdcdb1dc9b65fbf243a73818095_photo_jpg.jpg?v=1735838881"},{"product_id":"jay-som-anak-ko-garage-sale-tape","title":"Jay Som - Anak Ko (Garage Sale Tape)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape (Red)","offer_id":50773918056755,"sku":"PRC-390TAPE","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ba67e777107290283dcc9adaed9459e1_e1e7fc26f48c3f4bbcc4563404404868eb1fa57d_product_photo_5aa9f876-b73a-40d9-97ef-86889b788dfb.jpg?v=1735838884"},{"product_id":"rodrigo-amarante-cavalo-garage-sale-tape","title":"Rodrigo Amarante - Cavalo (Garage Sale Tape)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape (White)","offer_id":50773918449971,"sku":"PRC-433TAPE","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/39894f95787efd333816643116b2d148acb857f6_ac72a084249786e351926b79b53677e00e8ebcd2_photo_jpg_5a55a124-aacf-43b2-b027-efcc285f71d1.jpg?v=1735838888"},{"product_id":"good-morning-barnyard-garage-sale-tape","title":"Good Morning - Barnyard (Garage Sale Tape)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape (Clear)","offer_id":50773918351667,"sku":"PRC-440TAPE","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/a2015ca550db2ffb2aec63b6971ebb41baf48eff_306e4c9e046a9f12f4cd74ac367531ed6937f2d0_photo_jpg_93c24bd9-c63c-44b6-8c04-65bedb8ac813.jpg?v=1735838889"},{"product_id":"rodrigo-amarante-drama-garage-sale-tape","title":"Rodrigo Amarante - Drama (Garage Sale Tape)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape (White)","offer_id":50773918908723,"sku":"PRC-422TAPE","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/3675222d270dc978577546ef73dbb97ee909500a_071344488c6052e213cac331e7e4545eef533e9c_photo_jpg_0e8b960c-2f98-4953-b3ae-63c29a5d7a05.jpg?v=1735838893"},{"product_id":"pedro-the-lion-havasu-garage-sale-tape","title":"Pedro The Lion - Havasu (Garage Sale Tape)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape (Smoky Tint)","offer_id":50773919170867,"sku":"PRC-431TAPE","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/b913e656af323cdfc9205bef45dd32b0607cf1ca_8f3456fa720b5f8059256bf5cb04598bbe8ab8f8_photo_jpg_e956b26b-7e57-48d2-bde5-4ea55b92d429.jpg?v=1735838886"},{"product_id":"dominic-angelella-silver-dreams-dont-move-me-garage-sale","title":"Dominic Angelella - Silver Dreams Don't Move Me (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape","offer_id":50773857993011,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/2414eaea80c8e01bf78d6841312707478b631ca9_192dbe15d15b7a4ad7d0ea37dad64d0fe9760916_photo_jpeg.jpg?v=1737060972"},{"product_id":"golden-apples-golden-apples-garage-sale","title":"Golden Apples - Golden Apples (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape (Clear)","offer_id":50773858156851,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/8b12c3967e2fc1153ba4666461ddaae8ddd4562d_52e6e576726690e945d86c952c4ead1a0ae22097_photo_jpeg.jpg?v=1737060970"},{"product_id":"major-murphy-no-1-garage-sale","title":"Major Murphy - No. 1 (Garage Sale)","description":"\u003cp\u003eBrimming with jangly guitar, shimmering riffs, synth-sheened grooves, and commanding backing vocals, \u003ci\u003eNo. 1 \u003c\/i\u003e reimagines 1970s radio rock with bristling sensitivity for our present era. Not quite pastiche, the lyrics of songwriter Jacob Bullard come from millennials’ unique cache of societal anxiety and ego-crises. On one hand, the technicolor and mechanized world of \u003ci\u003eNo. 1\u003c\/i\u003e is unmistakably ours: we are over-stimulated and pressured, confused and frustrated. On the other, Bullard heaves up worries seeded in adult selfhood and relationships, working for answers beyond life’s many brief and manic vanities. The album’s musical sensibilities catch all this with A-side’s sudden velocity and mechanical repetitions, and B side’s encouraging grooves and contemplative soft-rock. The sound is rich and evocative, owing in large measure to bassist Jacki Warren’s faculty for harmonic structure. Drummer Brian Voortman’s keen responsiveness to melodic progressions and emotional shifts make for concert-like, energetic recordings--in fact, most of \u003ci\u003eNo. 1\u003c\/i\u003e  was recorded live, capturing how naturally \u003cstrong\u003eMajor Murphy\u003c\/strong\u003e makes music together.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Black)","offer_id":50776058364211,"sku":"MISC","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Cloudy Clear","offer_id":50799321219379,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":50819029696819,"sku":"MISC","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":53473920614707,"sku":"MISC","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b273c22cc8b38f9b9019fc7e221f_90d42e8b-0253-4e5b-85ab-41ffdf3cd668.jpg?v=1737060488"},{"product_id":"the-convenience-accelerator-garage-sale","title":"The Convenience - Accelerator (Garage Sale)","description":"\u003cp\u003e“It really was super natural”, laughs Duncan Troast, explaining how he and Nick Corson came to form \u003cstrong\u003eThe Convenience\u003c\/strong\u003e, and though he means it was as organic as breathing, the music these two conjure is from an alternate reality. Pulling from a pastiche of 80’s sounds and their own rolodex of future pop flourishes, their new album \u003ci\u003eAccelerator\u003c\/i\u003e sounds like a late-night disco party on a distant outpost, a sea of dancing bodies illuminated by an alien moon.\u003c\/p\u003e\u003cp\u003eThe two met at New Orleans’ Loyola University, where they eventually joined the rising pop group Video Age, and before long, were spending the downtime between tours exploring what their own music could sound like. Their early efforts showed promise, but when held next to the iridescent glow of their new material, it’s clear there was a fundamental shift.\u003c\/p\u003e\u003cp\u003e“There was a disconnect from the music that we were making, and the breadth of the music that we loved”, explains Corson, “I was relearning how to write songs.” The two went back to the music that made them truly feel alive, pouring over records by Stevie Wonder, Prince, NSYNC, “trying to figure out why it felt so good”.\u003c\/p\u003e\u003cp\u003eThe result of those efforts is a singular album packed with visceral, immediate pleasure; body music for a plastic pop future. “I had a hard time learning how to do things the right way, and just wanted to make a mess”, says Corson, thinking back on his earliest experiments with songwriting and production. You can hear that spirit in the brief snippets of noise that dot the record, but the immaculate pop songs here make it clear - whatever they’re doing is working.\u003c\/p\u003e\u003cp\u003eAt its core, \u003ci\u003eAccelerator\u003c\/i\u003e is a celebration of friendship, and the transportative power of music. It’s an ode to the joy of dancing, of loving just to have loved, and becoming who you are.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Black)","offer_id":50776058495283,"sku":"MISC","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Clover","offer_id":50799321088307,"sku":"MISC","price":10.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50819029827891,"sku":"MISC","price":4.0,"currency_code":"USD","in_stock":true},{"title":"Tape (White w\/ Orange Imprint)","offer_id":50819029860659,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b27364f8c2a5d5e9778175df9566_3fd00c39-9742-496c-8601-93e99054ec15.jpg?v=1737060488"},{"product_id":"s-raekwon-where-im-at-now-garage-sale","title":"S. Raekwon - Where I'm at Now (Garage Sale)","description":"\u003cp\u003e\u003cstrong\u003eS. Raekwon\u003c\/strong\u003e, born Steven Raekwon Reynolds on July 10, 1995, is a singer\/songwriter and producer from New York City by way of Buffalo, NY. His life so far has granted him the warm allure of someone well-acquainted with matters of the heart. He always finds the feeling even when the words evade him, every note handled with care. The S. Raekwon project finds Reynolds documenting traces of a life both affected and infatuated by the power of difference. Some differences define us, some memories bear too painful to share, but S. Raekwon symbolizes a surrender to the power of one’s intimacy, reframing his circumstances to earn his truth in terms both whimsical and hardened.\u003c\/p\u003e\u003cp\u003eReynolds’ journey began as a biracial Black boy in working-class Buffalo. He never met his father and grew up with a white mother who loved musical theatre and playing piano. He didn’t cut his teeth via a DIY scene, or in bands with neighbors and classmates; the isolation gave him space to channel his guarded nature into a freedom forged by the noises in his head. He gravitated towards guitar, finding wonder in solitary moments while weathering the tension of how his differences impacted his formative experiences. He learned early to keep his hands up in this world; music offered him an outlet to drop the guard, to listen and experiment with no proclivity towards the ordinary.\u003c\/p\u003e\u003cp\u003eAfter graduating from Case Western Reserve University in Cleveland, Reynolds moved to the East Village in NYC, an area he’s been fascinated by since family trips as a teenager. In Spring 2018, as he worked a day job and sought connections with others, Reynolds wrote and tracked the first S. Raekwon demos in his dingy studio apartment. These first songs were a matter of necessity, an insatiable desire to externalize the internal fire of a life with many missing pieces. This moment of catharsis soon proved more fruitful than anticipated: rather than self-releasing, Reynolds shopped the demos around, leading to the release of his 2020 debut single \u003ci\u003eParts Towards Whole b\/w A Crow’s Smile\u003c\/i\u003e via Saddle Creek’s Document Series.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eWhere I’m at Now\u003c\/i\u003e, released via Father\/Daughter, is the product of two years of S. Raekwon tuning himself to the echoes surrounding his essence, past and present. In a first draft, Reynolds fashioned himself from the cloth of diaristic singer\/songwriters before him, pouring himself across abstract soundscapes in an attempt to address the racial insecurities clouding his life’s experience. The album we have now finds Reynolds freeing himself of the expectation to package his struggle; he doesn’t waver from the search for meaning, but he’s also concerned with matters more sweet. This is a collection of moments from the purview of a late bloomer, pushing himself past the isolation that serves him to create, yet keeps him defensive when facing the world. It’s an album of love in all its forms: innocent, vulnerable, gentle, questionable.\u003c\/p\u003e\u003cp\u003eRecorded between New York City and a six-month stint at his girlfriend’s parents’ home in Edwardsville, IL during the pandemic, \u003ci\u003eWhere I’m at Now\u003c\/i\u003e is the album S. Raekwon made for himself with a clarity that arrived as he located his missing pieces in the world. Delicate as his approach may be, chaos truly underscored the two working years as Reynolds not only moved to lift the weight of the world off his spirit but connected with his roots. In a serendipitous turn of fate, Edwardsville was not only the same town Reynolds’ father once went to college but is also in close proximity to St. Louis where most of Reynolds’ Black family members are located. When he didn’t work on music, he protested against police violence in Missouri, and eventually reconnected with this family for the first time since his childhood. Upon leaving Edwardsville in September 2020, Reynolds quickly finished the rest of the album, charged by a new fire in his spirit and the light of his blood driving him towards a new beginning.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eWhere I’m at Now\u003c\/i\u003e embodies several palpable shifts in the S. Raekwon project, and Reynolds as a man. Completely self-produced and self-recorded (save for drums on two songs,) the music’s driven by the relentlessness of the East Village and the quiet serenity of Edwardsville. The abstractions of his earlier musings transform into a warm wave of genreless coherence, drawing influences from across R\u0026amp;B, rock, folk, and pop to build a record that shines in its quiet spaces as much as its sweeping movements. Whether breakdown or ballad, S. Raekwon no longer hides in the codified cloaks of his metaphors and lends an honesty that grants passion and precision to the smallest details. He gives feeling to the pretty imperfections of our memories, be it the first kiss, the last touch, or the rage screaming within.\u003c\/p\u003e\u003cp\u003eSimply put, \u003ci\u003eWhere I’m at Now\u003c\/i\u003e is an album where S. Raekwon is no longer invested in hiding. These records don’t contain answers, but signals toward what feels like the right direction. The roaming child, painfully aware of his difference and eager to understand it, is now a man walking tall on the path to knowing himself. Through his journey - of Blackness, of love, of pain and perseverance - he grants us permission to walk tall all the same. This music serves as a gentle, yet intentional reminder that we only need to be who we are in the moment, and we’re worth becoming who we know we can be.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Half Custard\/Half Baby Blue)","offer_id":50776061509939,"sku":"MISC","price":8.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50819031531827,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50819031564595,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b273c96f4db700964dda77398e58_ddaf8198-5bb7-42a1-918d-b10034f34ce9.jpg?v=1737060486"},{"product_id":"lutalo-again-garage-sale","title":"Lutalo - AGAIN (Garage Sale)","description":"\u003cp\u003eFor \u003cstrong\u003eLutalo\u003c\/strong\u003e, creating music is an act of hope in and of itself. Throughout their meticulously crafted folk, rock, and soul, on which they sing and play all the instruments, the Twin Cities-raised, Vermont-based musician embeds golden lines of poetry that inspire curiosity about the world and empathy for everyone searching for a way through it.\u003c\/p\u003e\u003cp\u003eAfter releasing their 2022 debut EP, \u003ci\u003eOnce Now, Then Again\u003c\/i\u003e, Lutalo emerged as a rising talent in the indie world, catching the attention of Fleet Foxes’ Robin Pecknold and Big Thief’s Adrianne Lenker, who invited the young musician on tour. Following a vinyl release with that breakthrough project, they are releasing its companion EP, \u003ci\u003eAGAIN\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eOn the ambitious \u003ci\u003eAGAIN\u003c\/i\u003e, a collection of kinetic indie rock tracks, Lutalo makes bold critiques of systemic oppression, capitalism, and the digital attention economy. Though these topics are heady, their writing always sits at an accessible place of personal introspection. Like on the arresting single “Push Back Baby,” whose fuzzy electric guitar lines twist and unfurl in intricate patterns, Lutalo paints a complex portrait of our current reality that’s “rooted in the greed or narcissism of capitalists,” they explain. “I’m analyzing those systems and patterns, and also asking, ‘Can we continue to not perpetuate this?’ Because it’s hurt a lot of people historically. I’m just asking people to question it.”\u003c\/p\u003e\u003cp\u003eThrough their music, but also through their lifestyle that’s alternative to America’s economic and political systems, Lutalo asks listeners to imagine new possibilities. “I want to help people question the way they’re living,” they say, “so we can create a better reality for us to exist in together.”\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Rough Trade Vinyl (Clear with Black Swirl)","offer_id":51636392558899,"sku":"MISC","price":16.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl (Transparent Yellow)","offer_id":50776083923251,"sku":"MISC","price":9.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":53473911144755,"sku":"MISC","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_766b19e1-916b-4584-a676-e4a607ab51da.jpg?v=1737060428"},{"product_id":"mj-lenderman-boat-songs-garage-sale","title":"MJ Lenderman - Boat Songs (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Black)","offer_id":50776091033907,"sku":"MISC","price":16.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":51631430500659,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":51631432073523,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_7544390f-af77-490b-8668-5277f2da0ab4.jpg?v=1737060427"},{"product_id":"christelle-bofale-swim-team-garage-sale","title":"Christelle Bofale - Swim Team (Garage Sale)","description":"\u003cp\u003e Austin, Texas-based songwriter \u003cstrong\u003eChristelle Bofale\u003c\/strong\u003e will be the first to tell you the importance of family roots and mental health, considering how much those things aided her own self-discovery. Being the first American born in her family, the rich heritage of the Congo is deeply rooted in her upbringing and relationship with sounds. From singing and dancing with her mother as a child, to praying to Congolese music with her grandmother, to her father, a soukous guitar player and musical director for the Congregation at his church, Bofale’s journey as a musician has been defined in tiny intervals throughout the course of her life. As a songwriter, she infuses hints of the Congo into various aspects of her music, bridging the musical influences of the diaspora with juxtaposed elements of indie rock, soul and jazz respectively.\u003c\/p\u003e\u003cp\u003e Weightless guitar tangents and lush, aquatic soundscapes are a vital part of what embodies \u003cem\u003eSwim Team\u003c\/em\u003e, her debut EP that serves a powerful introduction to Bofale’s budding artistry. Somewhere between influences like Joni Mitchell and Alex G, Bofale has found a sweet spot for her sound that lives between both harsh and gentle terrain, achieving a relaxing, yet rugged tonality. Each track pictured on Swim Team is brushed vividly with colors that illuminate the fear of being honest and doing that much needed personal work. Bofale's earnest and bravery is a snapshot of black mental health and the nuance it carries. Being real isn’t easy, but it’s crucial in cultivating spaces for healthy discussion and giving other black women like Bofale a platform to do the same.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Black \u0026 Green Swirl)","offer_id":50775995842867,"sku":"MISC","price":12.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":50819031793971,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50819031826739,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/28542e7ec2f6c92bb1bfe25c58e0b28c_efc001db1b993702ae5739254ca04e997ce080ab_product_photo.jpg?v=1737060417"},{"product_id":"yowler-black-dog-in-my-path-garage-sale","title":"Yowler - Black Dog In My Path (Garage Sale)","description":"\u003cp\u003e\u003cstrong style=\"background-color: initial;\"\u003eYowler\u003c\/strong\u003e is the Philadelphia-based solo project of Maryn Jones, who has been recording and releasing music online and in burned cd, tape and record form since as early as 2004. What started out in 2013 as a conceptual project where dark thoughts and too-quiet moments could be placed,\u003c\/p\u003e\u003cp\u003e  Yowler has become a main outlet for Jones’ songwriting. After most recently being a part of the loud pop outfit \u003cstrong\u003eAll Dogs\u003c\/strong\u003e as songwriter, and long-time member and multi-instrumentalist in the psych-folk group \u003cstrong\u003eSaintseneca\u003c\/strong\u003e, Jones has been focusing her musical time and energy on writing for Yowler, and collaborating with Philadelphia-based producer and engineer Kyle Gilbride to create the forthcoming \u003cem style=\"background-color: initial;\"\u003eBlack Dog in My Path\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eBlack Dog in My Path\u003c\/em\u003e is Yowler’s second album after 2014’s release \u003cem\u003eThe Offer,\u003c\/em\u003e and was recorded in the many months after Jones’ move from Columbus, Ohio to Philadelphia. Created with Gilbride of \u003cstrong\u003eSwearin’\u003c\/strong\u003e and \u003cstrong\u003eMissing Earth\u003c\/strong\u003e, the record is a kind of sonic quilt, pieced together from various musical inspirations and drawn from a period of great personal change.\u003c\/p\u003e\u003cp\u003e  In addition to the signature synth and guitar talents of Gilbride, the textural depth was highlighted by the addition of drums by Jones’ former Saintseneca bandmate Matt O’Conke, bass and clarinet by Catherine Elicson of \u003cstrong\u003eEmpath\u003c\/strong\u003e, and bowed guitar, cello, and vocals by Michael Cantor of the \u003cstrong\u003eGoodbye Party\u003c\/strong\u003e. The element of collaboration allowed the artists to create a world you can get lost in, but that is not tied to any particular sound.\u003c\/p\u003e\u003cp\u003e  The twelve varied songs cover many worlds and states of mind, but their creation was mainly inspired by a period of time in 2016 during which Jones spent a large chunk of her life touring around the country with the different musical projects she was involved in. There was also a move and the painful upheaval and morphing of a few relationships during\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Black)","offer_id":50775678124339,"sku":"MISC","price":15.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50819032449331,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50819032482099,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/2eeb0ca3f02a275d5179f3b6d9e86e7d_4a75b4e414b3c68766e50ed15e858ccdd70a7151_product_photo.jpg?v=1737060414"},{"product_id":"cende-1-hit-single-garage-sale","title":"Cende - #1 Hit Single (Garage Sale)","description":"\u003cp\u003e\u003cstrong\u003eCende\u003c\/strong\u003e was born halfway through a laundry cycle in the year 2013. Cameron Wisch, Dave Medina, and Greg Rutkin had all just graduated from Purchase College and moved into Brooklyn house venue David Blaine’s The Steakhouse. Bonding over their mutual admiration for punk band The Marked Men, the trio began performing at DBTS and other local venues. They were soon joined by friend Bernard Casserly and became a more serious project after the self-release of their first EP in 2015.\u003c\/p\u003e\u003cp\u003eThe band centers around the two principal songwriters of Wisch and Medina. Wisch’s infectious melodies and meticulous song structures are complemented by Medina’s raw and highly energetic punk anthems.\u003c\/p\u003e\u003cp\u003eExpanding on the catchy, power-pop songs of their debut EP, Cende’s first full-length album,\u003ci\u003e #1 Hit Single\u003c\/i\u003e, sees the band experimenting with more varied instrumentation and detailed production. The album was spearheaded by Wisch, who spent over a year carefully sculpting the album alongside producer, engineer, and friend Ronnie Stone.\u003c\/p\u003e\u003cp\u003eThe end result is a compact and emotional batch of songs that draw influence from personal relationships, bizarre dreams, and the experiences surrounding the members’ lives during three years of living downstairs in a creative and chaotic DIY space.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Blue","offer_id":50776011735347,"sku":"MISC","price":21.0,"currency_code":"USD","in_stock":false},{"title":"NON-PV CD (Garage Sale)","offer_id":50819147989299,"sku":"MISC","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Tape","offer_id":50819148022067,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/44885837c518b06e3f98b41ab8cedc0f_fdc8543230591d288829e5b67f3d7ce5bb00e93c_product_photo.jpg?v=1737060407"},{"product_id":"esther-rose-how-many-times-garage-sale","title":"Esther Rose - How Many Times (Garage Sale)","description":"\u003cp\u003e\u003cstrong\u003eEsther Rose\u003c\/strong\u003e was in perpetual motion when she wrote \u003ci\u003eHow Many Times\u003c\/i\u003e. In the span of two years, she moved three times, navigated the end of a relationship, and began touring more than ever. The New Orleans-based singer-songwriter used that momentum while she penned her third studio album. That’s why, as the album title’s nod to the cyclical nature of life implies, there’s a rush that accompanies \u003ci\u003eHow Many Times\u003c\/i\u003e as if you’re experiencing an awakening, too.\u003c\/p\u003e\u003cp\u003e“That’s how I untangle what’s on my mind, by going off for a walk into wild places. That’s what makes this album a country album,” says Rose. “It’s not really just about feeling better, it’s about feeling it, whatever it is.”\u003c\/p\u003e\u003cp\u003eIf Rose used time to frame the stories on her 2019 sophomore album \u003ci\u003eYou Made It This Far\u003c\/i\u003e, then she’s swapped that clock for a heart monitor on \u003ci\u003eHow Many Times\u003c\/i\u003e. While some may look outward and lament over hard times and bad luck, Rose turns inward. Instead of blaming an ex for failing to juggle her reactions on “My Bad Mood,” she examines her own blind spots where she hopes to improve as a partner. When her car’s engine blew up during an impulsive “pitstop” in Nashville, she wrote “Good Time” not to rue misfortune, but to toast her own recklessness. After losing her nerve and fleeing a New Year’s Eve date by bicycle half an hour before midnight, she immediately penned “Are You Out There,” confronting her fear of letting go and moving on.\u003c\/p\u003e\u003cp\u003e“I don’t grapple with fate,” says Rose. “I accept my bad luck and my good luck equally.”\u003c\/p\u003e\u003cp\u003eWith the integrity of Dean Johnson, Faustina Masigat, and Kiki Cavazos serving as primary influences, Rose expands her alt-country sound into a blossoming world of folk pop, rustic americana, and tender harmonies. “They’re the holy trinity of songwriter magic,” she says, “and when I listen to them I feel like I can explore my own heartache.” Creative touches add detail throughout the album. She uses a 1962 Gibson ES-120T, her first semi-hollow body electric guitar, to play unplugged for a distinct tone. On “Mountaintop,” she includes a blustery voice memo recorded at the summit of Mount Philo, an homage to the field recording in a Bright Eyes song she holds dear.\u003c\/p\u003e\u003cp\u003eFrom “Coyote Creek” to “Without You,” Rose’s compelling voice is ferried masterfully by the musicians that join her: Matt Bell on lap steel, Max Bien Kahn on electric guitar, Dan Cutler on upright bass, Cameron Snyder on drums, and Lyle Werner on fiddle. A collection of complete takes recorded live to tape with rich instrumentation, soul-tugging hooks, and resonating vocal melodies, How Many Times carries you into the room in which it was made. There to help realize this was co-producer Ross Farbe of synthpop band Video Age, who Rose also credits for bringing a stereo pop glow to these new songs.\u003c\/p\u003e\u003cp\u003eThe album opens with Rose reflecting on the mundane as she drifts around her house in “How Many Times.” She wrote it in a night of intentional sobriety, choosing to address directly emotions she had been avoiding until then, a theme that’s apparent throughout the record. “‘How Many Times’ shows that ‘face it’ moment: opening the fridge, staring down the bottles, opening a laptop, just bouncing around the house before you finally make room to face the pain and be with it,” she says. “I remember walking trancelike to my writing table thinking, No numbing tonight. I’m going to sit here and look at it.”\u003c\/p\u003e\u003cp\u003eFrom opening for Nick Lowe on tour to being asked to sing on Jack White’s new album, Rose’s journey through the past few years has been one of saying yes to new opportunities, all while nurturing and playing in bands in the New Orleans country music scene. The arrival of \u003ci\u003eHow Many Times\u003c\/i\u003e is evidence of the sweeping growth Rose has undergone, both personally and artistically. Her trials of moving through and reflecting on both adversity and beauty are present across the record, and her voice delivers with graceful dexterity an honest and open window into her heart. That’s the thing: Rose isn’t looking to throw a pity party or drag you down beside her on \u003ci\u003eHow Many Times\u003c\/i\u003e. She’s turning towards her troubles and facing them head-on, ready to feel whatever’s necessary in order to keep growing upwards and outwards.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Transparent Red)","offer_id":50776057741619,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":false},{"title":"VMP Exclusive","offer_id":50799320891699,"sku":"MISC","price":22.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":50819033760051,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50819033792819,"sku":"MISC","price":2.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b273dffa833a92d20eda6f2e1db2_ca34e09f-7caa-43f9-b7f9-c99a189b311f.jpg?v=1737060400"},{"product_id":"gemma-feelings-not-a-tempo-garage-sale","title":"Gemma - Feeling's Not A Tempo (Garage Sale)","description":"\u003cp\u003e  \"I'm all in my head,\" Felicia Douglass sings over warm, warbling electronics and a head-nodding disco bass line, on the opening lyric of \u003cstrong\u003eGemma\u003c\/strong\u003e's aptly titled \u003cem\u003e-\u003c\/em\u003e- a rollercoaster collection of ebullient pop that dances through the complications of connection, of mind games and miscommunication. \"You blew a kiss and didn't aim it straight… You better knock it off!\" she sings, defiant, as that lead track unfurls into dizzying drums and a flanged fuzz guitar solo.\u003c\/p\u003e\u003cp\u003e  Gemma is Douglass with producer Erik Gundel, a collaboration where Douglass's playful hooks soar over Gundel's lush, grooving beats. Gundel has a knack for stacking emotions that seem at odds: for channeling feelings of deep introspection and ecstatic joy at the same time, matching a sentiment that often drives Douglass's lyricism. Together, they're masters of upbeat tunes exploding with feelings, a type of healing, happy-sad soul-funk.\u003c\/p\u003e\u003cp\u003e  After a whirlwind 2018 for Douglass -- finishing an album with \u003cstrong\u003eAva Luna\u003c\/strong\u003e, joining \u003cstrong\u003eDirty Projectors\u003c\/strong\u003e as a touring member, collaborating on new projects -- \u003cem\u003eFeeling's Not a Tempo\u003c\/em\u003e is her most inspired performance yet as a frontperson, as a songwriter, and as a gripping vocalist. Here, she shifts from crushing, stacked falsettos, to intimate spoken-word interludes (odes to \"the 90s R\u0026amp;B embedded in me,\" she says) to bold, full-on belts -- \"I kneel down before greats,\" she says. \"Chaka Khan, Earth Wind \u0026amp; Fire, Mary J. Blige, Whitney Houston, Prince, Aaliyah.\"\u003c\/p\u003e\u003cp\u003e  On \u003cem\u003eFeeling's Not a Tempo\u003c\/em\u003e, there are hot-pink hooks and somber ballads; metallic percussion, silky piano, twinkly strings, and thumping stand-up bass. \"Keep on Dancing\" is a spacious, six-minute sax-funk stunner about dancing the night away: \"Excuse me for a second \/ But movement is my blessing,\" Douglass sings. \"And pardon my directness \/ But you're what I'm missing.\" \"Yeah\" is a winking, sub-40 second jab at internet dating feeling as mundane as a job interview, with just a few spacey meandering keys.\u003c\/p\u003e\u003cp\u003e \u003cem\u003eFeeling\u003c\/em\u003e's is a progression from their debut, \u003cem\u003eAs Ever\u003c\/em\u003e, which was entirely a home recorded production. The duo have since begun performing live with a rhythm section of Alejandro Salazar Dyer on drums and Ethan Bassford on bass, whose playing on the record bursts from a sweet spot between tight arrangements and loose, expressive grooves. The album is a hybrid between bedroom and studio recordings, made between Douglass and Gundel's home studios and Gravesend Recordings, and largely mixed by Gundel (who also played guitar, trumpet, keyboards, pedal steel, violin, and some percussion) with assistance from Udbhav Gupta of \u003cstrong\u003eMr. Twin Sister\u003c\/strong\u003e, and Julian Fader and Carlos Hernandez (of Ava Luna, Gravesend).\u003c\/p\u003e\u003cp\u003e  \"Only One\" is a maximal story song-complete with samples, synthesizers, glockenspiel, guitar solos, violins-of a short-lived rush, full of anticipation, a fizzling relationship that for a moment was full of promise. (\"I get it couldn't go that way \/ but could you imagine?\") \"Miss U\" is a \"euphoric breakdown\" about doing what you need to in order to move on. \"Sometimes when you're trying to get over someone your brain catapults you into a dream state to cope. There's a protocol to be strong and not look back and to discard genuine emotions, but in real life that can take a while.\"\u003c\/p\u003e\u003cp\u003e  \"A lot of the lyrics are things I dream of saying,\" Douglass says. \"They hint at taking a chance, just going for it. Something I've always had trouble with, with logic and practicality as factors.\" A self-described introvert, Douglass's songs brim with the wisdom of shyness. \"Til We Lose The Feeling\" is an epic centerpiece of this, an explosive, bouncy jam reflecting on the moment when an unrealized relationship dissolves in front of you: \"Given the chance you would love, isn't that how you phrased it?\" It pierces even harder for its rational level-headedness: \"Hey, my timing was all wrong.\"\u003c\/p\u003e\u003cp\u003e  \"The way you're feeling at any point can be frustratingly arhythmic,\" says Gundel (who is a music therapist by day), expanding on the title, which came to Douglass in a dream. \"It's a direct acknowledgement and acceptance of this fact of life. Riding out the shifts in tempo can be incredibly difficult and scary, and just being aware that it will change (without knowing the new BPM) can be comforting when you're in the thick of it.\"\u003c\/p\u003e\u003cp\u003e  \"Not everything can be bound to a grid,\" Douglass says. \"There's much more to discover in the chaos if you let go.\"\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Bone + Baby Pink)","offer_id":50776035033395,"sku":"MISC","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl (Electric Blue)","offer_id":50776035066163,"sku":"MISC","price":14.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50819035267379,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50819035300147,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/2d680487650d66445b50d3d759eccad4_c3e230c4dbdae594bc569cd68f8c933baa349401_product_photo_ca2d9c38-90b4-4338-afeb-eade98c226dc.jpg?v=1737060400"},{"product_id":"trace-mountains-house-of-confusion-garage-sale","title":"Trace Mountains - HOUSE OF CONFUSION (Garage Sale)","description":"\u003cp\u003e\u003ci\u003eHOUSE OF CONFUSION\u003c\/i\u003e is \u003cstrong\u003eTrace Mountains\u003c\/strong\u003e' third album and the rugged, earthier sibling to 2020's \u003ci\u003eLost in the Country\u003c\/i\u003e. Recorded in the winter of 2021 in various locations — a studio in the foothills of the Shawangunk Ridge in New York, a home along the Rondout Creek of the Hudson Valley, a Brooklyn apartment, and a small shared music workspace in Denver, Colorado — the album is an entangled assortment of thoughts, a hay bale of songs. Each one wrapped up in the intentions of the other, the album is comprised of road songs, rock songs, country songs, religious songs, disco songs, satanic songs, jams and simple tunes, laid out in careful presentation to use at your leisure.\u003c\/p\u003e\u003cp\u003eIn the year of the coronavirus pandemic which followed the release of \u003ci\u003eLost in the Country\u003c\/i\u003e, primary songwriter Dave Benton — jobless \u0026amp; like many other musicians, with newfound time on his hands — threw himself into an early-morning routine of instrumental practice and dedicated songwriting time. \"I was used to waking up early for my warehouse job, so when I got laid off, I just kept up that schedule and implemented another daily regimen focused on improving my guitar playing and writing songs.\" He began exploring fingerstyle guitar, learning new picking patterns and implementing them into his songwriting. It was not the type of creative work Benton anticipated to have time for on the heels of a successful album release. Yet despite having been cut off from touring just after the release of \u003ci\u003eLost in the Country\u003c\/i\u003e, Benton found a way to explore his world from home, crafting a new collection of songs that shared a sense of movement that he could only attribute to his time spent out on the road. “I was on the road in my mind,” he explains, “thinking back on my life as a musician — my successes, my failures — and I was reflecting on the ever-ongoing process of moving on that my life has been made up of”.\u003c\/p\u003e\u003cp\u003eThe result is a natural progression onward from Trace Mountains’ previous work, a look in the rearview that examines how things change and what that feels like. “I just started writing songs about that feeling we all have, of suddenly waking up to a brief moment of clear-headedness, like ‘Oh wow, HOW did we get here?’” he laughs. “I started thinking about that a lot and just approached the feeling from different points of view and different voices that felt relatable to me. A lot of that led back to images of the road.” Largely conveyed through the lens of the traveller, these visions of the road appear all throughout \u003ci\u003eHOUSE OF CONFUSION\u003c\/i\u003e — a friend smoking his pipe peering out on the open horizon, a winding backwoods stretch in the dead of night, or a view of the moon hanging low in the sky on a clear afternoon. Benton conjures scenes both real and imagined, blending past, present, and an abstract future together in pursuit of a revelation that feels just out of reach. The album's overarching themes of friendship, love and the open road are wound carefully into every song, each one revealing a different stretch of the same road, with no true end in sight.\u003c\/p\u003e\u003cp\u003eBenton says that taking \u003ci\u003eHOUSE OF CONFUSION\u003c\/i\u003e into the studio with his collaborators was easy and the band's shared experience on the road deepened the group's contributions to the material. \"My band is essential and always has been,” he explains. “While I have been known to write the words and the bones of the songs, they really bring it to life and make it sing.\" The players on the album remain essential to Benton’s vision for the music, with much of the magic emanating from the warmth of collaboration with close friends. This time around, he is joined by mainstay players Jim Hill (guitar, keys), Greg Rutkin (drums) and Susannah Cutler (voice, mellotron) - as well as new additions, Bernard Casserly (bass), J.R. Bohannon (pedal steel, guitar), David Grimaldi (guitar - tracks 4 \u0026amp; 5), and Ryan Jewell (drums, marimba - track 4). \u003c\/p\u003e\u003cp\u003eThe result of this new combination of players is a band that is effortlessly cohesive, loosely gliding through performances that could at any moment fall apart. Moving even further away from the bedroom-recording style of the band’s first proper album, 2018’s \u003ci\u003eA Partner to Lean On\u003c\/i\u003e, the songs and arrangements on \u003ci\u003eHOUSE OF CONFUSION\u003c\/i\u003e tip ever-more into the rootsier impulses of Lost in the Country, relying heavily on live recording \u0026amp; instrumentation that features the acoustic guitar and pedal steel. This shift reveals a new, understated complexity within the songs and the tangible, tactile nature of the performances evokes the free-flowing nature of influences like Tom Petty or Built to Spill, imbued throughout with the energy of country icon Emmylou Harris’ cult classic and band favorite, Wrecking Ball. All captured by recordist Matt Labozza (Palm, Palberta) at the New Paltz, NY studio Hum House in the span of a few days, the raw jams were taken home to be finished in Benton’s home studio and other locations over several months.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Coke Bottle Clear)","offer_id":50799323873587,"sku":"MISC","price":15.0,"currency_code":"USD","in_stock":false},{"title":"Coke\/Pink\/Black","offer_id":50799323906355,"sku":"MISC","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Pink","offer_id":50776075272499,"sku":"MISC","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Cassette (Gray)","offer_id":50819035038003,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b2736fc567d3a98341bdec9af9be_61469eaf-4e65-4213-b4da-8e1abfc54623.jpg?v=1737060390"},{"product_id":"tasha-tell-me-what-you-miss-the-most-garage-sale","title":"Tasha - Tell Me What You Miss The Most (Garage Sale)","description":"\u003cp\u003e\u003cstrong\u003eTasha\u003c\/strong\u003e’s second album, \u003ci\u003eTell Me What You Miss The Most\u003c\/i\u003e mingles pockets of introspection with wide, expansive, marveling at what’s yet to come. Born and raised in Chicago, Tasha is a musician who writes songs that take loving and longing seriously. Whether dwelling in the sad thrum of an impending break up or the dizzying, heart thumping waltz of new infatuation, here is an album that traces one artist’s relationship to herself in love. Full of deep, invigorating inhales and relieved, joyful exhales, \u003ci\u003eTell Me What You Miss The Most\u003c\/i\u003e is an exquisitely crafted breath of much needed air.\u003c\/p\u003e\u003cp\u003e“Won’t you lay near me please \/ goodbyes aren’t easy to swallow \/ Here take my heart for me \/ I don’t need all this old sorrow” Tasha sings, her voice smooth and honeyed in the first track of the album “Bed Song 1.” She stands on the brink of saying farewell to something once-sweet, the sentiment swirling into the slow-walking pace of the second track, “History,” which wonders aloud “Was it me \/ Did I not prove to you how far I’d go”. Still, the album refuses to stagnate, instead taking the listener on a whirl across a much-missed dance floor in “Perfect Wife,” calling to mind the sheer pleasure and giddiness of dancing hand-in-hand with a pretty girl. “Perfect Wife” is also a track that demonstrates Tasha’s musical versatility and showmanship, featuring a seamless, slightly retro chorus embroidered with the lilting chirrup of flutes as played by Vivian McConnell.\u003c\/p\u003e\u003cp\u003eYes, \u003ci\u003eTell Me What You Miss The Most\u003c\/i\u003e isn’t just a catalogue of tenderness----it’s also a showcase of Tasha’s growing and formidable musicianship. “When I made Alone at Last, I had only been writing songs for two years. I hardly even knew what kind of song writer I was. But this record feels much stronger as far as a representation of my songwriter and musicianship,” says Tasha, adding “I did feel like I was piloting it in a way that I haven’t really felt before.” Take the heady soprano whisper of “Sorry’s Not Enough” that crests into the wave-crashing roll of dissonance propelled by Ashley Guerrero’s insistent drumbeat. From its attention to instrumentation, the clean strumming of guitars both acoustic and electric, to the steady stretch of Tasha’s vocals across each verse and chorus, this is an album that follows an artist as she produces a sound all her own.\u003c\/p\u003e\u003cp\u003eIn its second half, the album becomes more spacious, peering with clear eyes toward a blue horizon threaded with a folk tinged, out-of-doors sound. Chimes recorded outside her grandfather’s house twinkle on “Love Interlude.” On “Burton Island,” Tasha sings of “the sun’s last song,” asking “honey dance for a while, dance for a while.” In fact, many of these songs seem to invite gentle dancing, the type of breezy bodily weaving one might engage in on a Saturday morning or a firefly-dotted summer night. These are swaying songs,” Tasha says, extending an invitation to her listeners to rock back and forth, cradled by her music.\u003c\/p\u003e\u003cp\u003e“I was inspired by a distance I felt from myself,” says Tasha of the album, “the writing was kind of born from this desire to get back to an intimacy, or honesty, with myself.” Other inspirations include kissing, long drives in nature, her mother, and “winter and all that it allows (being alone inside, wrapped up in something warm, feeling things deeply.)” Her list of inspirations is a collection of types of touch; fleeting affectionate touch, the brush of a knit blanket, the bracing grip of feeling one’s own skin twinned in a palm. So too does the album veer in and out of touch with Tasha herself, tracing tenderness and loneliness, the paradox of feeling held and utterly abandoned at once.\u003c\/p\u003e\u003cp\u003eAs the album winds down, the feeling of a sun setting or a year ending begins to glow, as if \u003ci\u003eTell Me What You Miss The Most\u003c\/i\u003e charts a path through the desolate starkness of a personal winter, the blossoming of an internal spring, the blaze of a heart’s summer and then the golden dénouement of autumn. Regarding the shape of the album itself, Tasha discusses her intention for it to feel like a finished, fully realized piece of art. She says, “I wanted very much for this to feel like an album with a start and finish, where there’s an arc that’s brought back around.” An organic feeling of rise and fall lifts the album from beginning to end, especially given the bookend of “Bed Song 1” and “Bed Song 2.” Between these Bed Songs lies a journey of emotional burnishing, of loss, realization, re-imagination, with dreams bounding toward the future. Still, we begin and end in a place of intimacy and rest, reflecting Tasha’s long held belief in the necessity and power of respite. Listeners might recognize the bed as not just an album through line but a career one. Even while \u003ci\u003eTell Me What You Miss The Most\u003c\/i\u003e represents growth and change, Tasha notes that “there are parts of me as a songwriter and emoting poet-person that carry over. Bed might be the obvious connection.”\u003c\/p\u003e\u003cp\u003eListen to \u003ci\u003eTell Me What You Miss The Most\u003c\/i\u003e as the sun peeks its downy head over the rooftops. Listen as you sit down to your cup of coffee, listen as you remember someone you once loved and wonder what might have been. Listen as you imagine different pasts, their many colors laid out before you, dizzying in their potential. Listen as the sun sets again and the moon rises, her cool face perfectly hung in the night sky. Listen as you imagine all the people you might someday be, all the mornings you’ll grow to greet. Listen as you pull someone close. Listen, and let the album pull you close.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Milky Clear)","offer_id":50776062099763,"sku":"MISC","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl (Bone)","offer_id":50806787899699,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":50819035070771,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50819035103539,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b2735bcef04cdfcad461a9e83d59_932afa16-3fa8-424d-9355-494e5dc79cbc.jpg?v=1737060386"},{"product_id":"barrie-barbara-garage-sale","title":"Barrie - Barbara (Garage Sale)","description":"\u003cp\u003eBarrie Lindsay is the type of artist who is driven by precise visions of how music should sound. However, the 32-year old, soft-spoken, obsessive producer can be cerebral to a fault, prone to intellectualizing her emotions and self-consciously camouflaging herself in her songs.  \u003c\/p\u003e\u003cp\u003eOn \u003ci\u003eBarbara\u003c\/i\u003e, Lindsay’s first ever self-produced album, and second under the moniker \u003cstrong\u003eBarrie\u003c\/strong\u003e, she battled these self-censoring, self-protective instincts. The result is a beautifully peculiar and quietly ambitious collection of synth-pop, art-pop, indie rock and folk songs that reflect a new willingness to let listeners into her world.  \u003c\/p\u003e\u003cp\u003eLindsay grew up tinkering with instruments in her bedroom in Ipswich, Massachusetts. “I’ve always craved big, layered sounds,” Lindsay says. After graduating from Wesleyan in 2012 with a degree in music, she formed her first band with her brother Jack Lindsay, a 5-piece group called Grammar. She spent her 20’s quietly making music and working at a sculpture studio in Massachusetts until she was discovered on Soundcloud by a manager. He encouraged her to move to Brooklyn and introduced her to other musicians, with whom she formed a band. The first iteration of Barrie was a 5-piece group who released their debut album \u003ci\u003eHappy To Be Here\u003c\/i\u003e in 2019, earning buzzy press, TV syncs and new fans around the globe. A month after \u003ci\u003eHappy to Be Here\u003c\/i\u003e’s release, the band announced they’d parted ways and Lindsay reintroduced Barrie as a solo project.  \u003c\/p\u003e\u003cp\u003eThis decision coincided with two events that redefined Lindsay’s life and shaped \u003ci\u003eBarbara\u003c\/i\u003e. In the summer of 2019, she met her now-wife, the musician Gabby Smith of Gabby’s World, while they were on tour. Simultaneously, Lindsay’s father learned that his lung cancer had worsened. In January of 2020, she moved home to Ipswich to spend time with family and began working on her album. Three months became nine, thanks to the pandemic. Lindsay wrote \u003ci\u003eBarbara\u003c\/i\u003e while quarantining with Smith in Maine, while her father was dying and while she was falling in love.  \u003c\/p\u003e\u003cp\u003e“\u003ci\u003eBarbara\u003c\/i\u003e isn’t an album specifically about grief or love. It’s just an album where I let myself actually feel my emotions,” Lindsay says. “That was something I’d never done before in music.”  Lindsay didn’t listen to much music during the writing and recording of \u003ci\u003eBarbara\u003c\/i\u003e. And her genre-agnostic production makes classification difficult. She collected nearly a dozen instruments, including dulcimer, mandolin, clarinet, flute, cello, trumpet and her late grandmother’s harp to create the varied soundscapes on \u003ci\u003eBarbara\u003c\/i\u003e. She delights in manipulating their sounds beyond recognition, stretching them into vast, textured canvases.  \u003c\/p\u003e\u003cp\u003eLindsay welcomes old listeners into her new world with “Jersey”. From there, she asks for listeners’ attention with, “Frankie,'' a consideration of capitalism among skittering arpeggios. Political pop can be awkward, but Lindsay’s is subtle and poignant, reflecting on Glen Campbell’s classic “Wichita Lineman,” and Americans’ attitudes towards labor. There’s an insupressable gentleness to everything Lindsay creates. She attributes this quality to a sound sensitivity that she inherited from her father. “Even when I think that I’m doing something really crazy or really harsh,” she says. “I play it for someone and they’re like ‘Oh, so mellow.’” But Lindsay agitates the melodic loveliness of her songs, with erratic production, contrasting warm and cold timbres, cheerful and grim moods. She distills anxiety on the fever dream of “Basketball,” whispering into smoggy synths, pins-and-needles guitars, and a frenetic drum machine. Similarly, her fantasy of a romantic but bloodied afternoon, “Quarry,” sounds eerie and aqueous, before erupting into a euphoric geyser of synth and drums.  \u003c\/p\u003e\u003cp\u003eLindsay wrote, recorded, engineered and produced \u003ci\u003eBarbara\u003c\/i\u003e back to front herself, aside from drums on a few songs from her brother and musician Ben Lumsdaine, and additional backup vocals from Smith. Initially, she was determined to create the album 100% solo. She ended up with the most intimate collaborator possible. “I don’t know what this album would sound like if I hadn’t met Gabby,” Lindsay says. “I made this album pretty much just for us.” Smith executive produced \u003ci\u003eBarbara\u003c\/i\u003e, pushing Lindsay in her lyric-writing and providing feedback on production, arrangement, and creative direction.  \u003c\/p\u003e\u003cp\u003eDespite the grief, personal and collective on Lindsay’s mind while making \u003ci\u003eBarbara\u003c\/i\u003e, she often pauses to embrace joy. “Jenny,” is a simple, acoustic guitar ode to meeting Smith. On the dulcimer-fingerpicked “Bully,” she contrasts its prettiness with the cheeky, conversational lines, “You keep on asking my favorite song by The Doors \/ And I don’t care, I don’t care about Star Wars.”  \u003c\/p\u003e\u003cp\u003eLyrics used to be an obstacle for Lindsay, who considers herself first and foremost a producer. In previous works, the already soft spoken artist would whisper her words and bury them in the mix. \u003ci\u003eBarbara\u003c\/i\u003e’s lyrics reflect new care and prominence in the songs. Take the song, “Harp 2,” in which Lindsay recalls a piece of parental advice, “You said, ‘You should try to be good, and if you can’t be careful,’” before wandering off into a reverie: “Baby I’m Napoleon, carving out my own region \/ I’m nothing to an alien.”  \u003c\/p\u003e\u003cp\u003eLindsay didn’t initially plan to write about her father on \u003ci\u003eBarbara\u003c\/i\u003e. “Music is what I do for fun, to distract, to be happy,” she says. But reflecting on the kind of music she admires, she concluded: “Knowing that the song came from somewhere real is what makes it compelling. I had to figure out how to make the album meaningful to me, but also escapist.” Her answer was calling out both to her father and Smith on most songs on Barbara. “Those relationships bring up polar opposite emotions, but in the middle of the venn diagram is an overwhelming sense of desperation and intensity,” she says.   \u003c\/p\u003e\u003cp\u003eLindsay finds catharsis from this ambivalent desperation in the album’s centerpiece, “Dig.” The vocals for Barrie’s last album were recorded in a studio apartment in Brooklyn, whispering so her neighbors wouldn’t hear. You can hear her newfound boldness in “Dig,” as she wails the song’s central refrain, giving herself over to emotion: “I can’t get enough of you \/ Where did you come from?”  \u003c\/p\u003e\u003cp\u003eThe album’s finale, “Bloodline,” is the delicate antidote to the cacophony of “Dig.” The song starts out with a whisper over piano chords, as Lindsay reflects on the fragility of the body, as well as its capacity for bravery: “You got a scrape on the thigh \/ On the shin dried a bloodline \/ You go where the hunter goes, but you don’t have a gun.” It crescendos into an orchestral whirlpool of bass, harpsichord and a synth that envelops the listener, before the song abruptly drops off. Lindsay made the intro to “Bloodline” years ago. But it wasn’t until creating \u003ci\u003eBarbara\u003c\/i\u003e, she felt confident enough to complete it and put it out under her name. “I thought it was too heavy or too cerebral compared to what I’ve released,” she says. “These are the sounds I’ve had in my head for years. Now, I’m finally making them.” \u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Limited Vinyl (Wax Mage Edition)","offer_id":50799322005811,"sku":"MISC","price":50.0,"currency_code":"USD","in_stock":false},{"title":"Leaplay Exclusive Vinyl (Opaque Red)","offer_id":50776064098611,"sku":"MISC","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Vinyl (Aqua Blue)","offer_id":50799321973043,"sku":"MISC","price":6.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl (Metallic Blue)","offer_id":50799321940275,"sku":"MISC","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Vinyl (Black)","offer_id":50776064131379,"sku":"MISC","price":4.0,"currency_code":"USD","in_stock":true},{"title":"Baby Blue","offer_id":50799322071347,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":50819035431219,"sku":"MISC","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50819035463987,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b273d20f3b2cccbf47dfb21bc479_c37cefc7-f46e-4d52-b315-c6bb119dba1f.jpg?v=1737060381"},{"product_id":"hatchie-keepsake-garage-sale","title":"Hatchie - Keepsake (Garage Sale)","description":"\u003cp\u003eOn her debut EP \u003ci\u003eSugar \u0026amp; Spice\u003c\/i\u003e, \u003cstrong\u003eHatchie\u003c\/strong\u003e delivered the sonic equivalent of falling deliriously in love: a sustained rush of feeling, rendered in swoony melodies and gauzy guitar tones and endlessly hypnotic layers of sound. Now, with her full-length debut \u003ci\u003eKeepsake\u003c\/i\u003e, the Australian singer\/songwriter tries on countless new textures, exploring everything from industrial to new wave to dance-pop, handling each with understated elegance and pure, powerful feeling.\u003c\/p\u003e\u003cp\u003eIn the making of \u003ci\u003eKeepsake\u003c\/i\u003e, the Brisbane-bred musician otherwise known as Harriette Pilbeam recorded in a home studio in Melbourne and worked again with John Castle-the producer behind \u003ci\u003eSugar \u0026amp; Spice\u003c\/i\u003e, a 2018 release that prompted Pitchfork to dub her the \"dream-pop idol of tomorrow.\" And while the album begins and ends with two massively catchy pop tracks-the brightly defiant \"Not That Kind,\" the euphoric and epic \"Keep\"-many songs drift into more emotionally tangled terrain, shedding light on experiences both ephemeral and life-changing.\u003c\/p\u003e\u003cp\u003eThroughout \u003ci\u003eKeepsake\u003c\/i\u003e, Hatchie's kaleidoscopic sonic palette draws out distinct moods and tones, continually revealing her depth and imagination as a guitarist and songwriter. On lead single \"Without a Blush,\" jagged guitar riffs and woozy rhythms meet in a sprawling piece of industrial-pop, with Hatchie's gorgeously airy voice channeling loss and longing, regret and self-doubt. Another industrial-leaning track, \"Unwanted Guest\" unfolds in wobbly synth lines and fantastically icy spoken-word vocals, along with lyrics about \"being dragged to a party I don't want to be at, then getting at a fight at the party, and kind of hating myself for it but hating everybody else too.\" Meanwhile, on \"Her Own Heart,\" Hatchie presents a radiant jangle-pop gem that puts a singular twist on the post-breakup narrative. \"I'd seen people in my life go through breakups and end up with no idea what to do with themselves,\" she says. \"I wrote that song from the point of view of a girl who winds up on her own and embraces having to figure out who she is, who doesn't let her life get turned upside-down like that.\"\u003c\/p\u003e\u003cp\u003eElsewhere on \u003ci\u003eKeepsake\u003c\/i\u003e, Hatchie brings an unlikely transcendence to the most tender of moments. With its softly pulsing beats and slow-building intensity, \"Secret\" spins a heartrending anthem from what she describes as \"confiding to a friend about your mental health struggles, the things you can't work out on your own.\" On \"Kiss the Stars,\" Hatchie's cascading guitar work and mesmeric vocals meet with lyrics capturing a precise form of melancholy. \"With that song, I wanted to recreate the feeling of a Sunday afternoon when the sun is setting and you don't want the day to be over-that awful end-of-weekend feeling,\" she says. And on \"Stay With Me,\" Hatchie offers up Keepsake's most utterly rhapsodic track, all incandescent synth and unstoppable rhythm. \"At first I thought I could never put that on my album-it felt too dancey and pop, and I figured it could really shine on someone else's record,\" she says. \"But then I realized: I'm the one dictating what my sound is; what I put on my album is up to me.\"\u003c\/p\u003e\u003cp\u003eThat self-possessed spirit infuses all of \u003ci\u003eKeepsake\u003c\/i\u003e, which ultimately serves as a document of a particularly kinetic moment in Hatchie's life. \"I'm not much of a nostalgic person when it comes to memories, but I do have a tendency to hold on to certain things, like tickets from the first time I went someplace on holiday,\" says Hatchie in reflecting on the album's title. \"It made sense to me to call the record that, at a time when I'm going to probably end up with a lot of keepsakes-and in a way, this whole album is almost like a keepsake in itself.\"\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Deep Purple)","offer_id":50776044667187,"sku":"MISC","price":15.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50819036348723,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50819036381491,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/211cbc6c7d410d6372ec40eda30e8baa_9f7f0607606997a21ce745448a44220b213f9ca0_product_photo_ef010fc5-81c1-4d41-8c9e-03f11d349262.jpg?v=1737060375"},{"product_id":"wes-tirey-the-midwest-book-of-the-dead-the-year-ends-sale","title":"Wes Tirey - The Midwest Book of the Dead (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"2xTape","offer_id":50799315583283,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":true},{"title":"2xCD","offer_id":51631493316915,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_49608451-f409-4b85-89fb-48ca2cea3dde.jpg?v=1737060352"},{"product_id":"bolomite-jr-cold-feet-garage-sale","title":"Bolomite Jr - Cold Feet (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape","offer_id":50799315681587,"sku":"MISC","price":5.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_e957a2ea-0955-4538-a9f8-4a2428688e61.jpg?v=1737060352"},{"product_id":"armbruster-can-i-sit-here-garage-sale","title":"Armbruster - Can I Sit Here (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"CD","offer_id":50799315845427,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":false},{"title":"Tape","offer_id":50806776201523,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_53bf9336-b926-48eb-a5a6-4f47a93a04f6.jpg?v=1737060350"},{"product_id":"emmalee-hunnicutt-picnic-moonside-garage-sale","title":"Emmalee Hunnicutt - Picnic, Moonside (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape","offer_id":50799315910963,"sku":"MISC","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_be3def9d-a0d8-4f1c-86e1-465cbb5fa1a2.jpg?v=1737060349"},{"product_id":"anne-malin-strange-power-garage-sale","title":"Anne Malin - Strange Power! (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"CD","offer_id":50799316009267,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50806775054643,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_3dc0f1c9-4359-4071-8cf3-7a89d704257a.jpg?v=1737060348"},{"product_id":"armbruster-masses-garage-sale","title":"Armbruster - Masses (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"CD","offer_id":50799316107571,"sku":"MISC","price":8.0,"currency_code":"USD","in_stock":false},{"title":"Tape","offer_id":50806776463667,"sku":"MISC","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_f796640f-8927-4c05-9d69-d6834bbc501c.jpg?v=1737060348"},{"product_id":"courtney-and-brad-a-square-is-a-shape-of-power-garage-sale","title":"Courtney and Brad - A Square Is A Shape of Power (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"CD","offer_id":50799316205875,"sku":"MISC","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50806773023027,"sku":"MISC","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_35bb1aec-6988-4eb3-9dac-5da2cb1eceac.jpg?v=1737060347"},{"product_id":"erik-gundel-level-one-mage-garage-sale","title":"Erik Gundel - Level One Mage (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"CD","offer_id":50799316238643,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50806774563123,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_fe82a595-c093-446c-a3c6-53653ddd0910.jpg?v=1737060347"},{"product_id":"joan-kelsey-standing-out-on-the-grass-garage-sale","title":"Joan Kelsey - Standing Out on the Grass (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"CD","offer_id":50799316336947,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50806780723507,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_81ff896d-03a2-49cd-8aef-a365d3a31c4b.jpg?v=1737060346"},{"product_id":"holland-patent-public-library-songs-to-fall-asleep-at-the-wheel-to-garage-sale","title":"Holland Patent Public Library - Songs to Fall Asleep At The Wheel To (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"2xCD","offer_id":50799316402483,"sku":"MISC","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50806784098611,"sku":"MISC","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_cd2b0c06-a68c-4014-962b-95409fcb9c70.jpg?v=1737060346"},{"product_id":"michael-cormier-oleary-anything-can-be-left-behind-garage-sale","title":"Michael Cormier-O'Leary - Anything Can Be Left Behind (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"CD","offer_id":50799316533555,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50806779314483,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_5358bce3-97a3-4262-89dd-f112f0f0c9cc.jpg?v=1737060345"},{"product_id":"karl-blau-live-from-the-void-the-year-ends-sale","title":"Karl Blau - Live from the Void (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape","offer_id":50799316599091,"sku":"MISC","price":5.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_3bfb7fd7-f37e-4e74-91e9-9bd026a6b632.jpg?v=1737060344"},{"product_id":"nat-baldwin-common-currents-garage-sale","title":"Nat Baldwin - Common Currents (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"CD","offer_id":50799316631859,"sku":"MISC","price":6.4,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50806775021875,"sku":"MISC","price":6.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_04c5a6fa-2faf-4bb8-bd69-d5d36c5ca646.jpg?v=1737060344"},{"product_id":"lucky-the-year-ends-sale","title":"Lindsay Reamer - Lucky (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Tape","offer_id":50799316664627,"sku":"MISC","price":5.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/b5f71b582c11dcaa59cc53d5a8f69fbc89fc6117_f3d0674b975a82ed9e261e2d95a5ff3c90edcaa4_photo_jpg.jpg?v=1737060344"},{"product_id":"wendy-eisenberg-bent-ring-garage-sale","title":"Wendy Eisenberg - Bent Ring (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"CD","offer_id":50799316795699,"sku":"MISC","price":9.6,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50806781182259,"sku":"MISC","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_bc73ab5b-dcbf-46d3-a342-7cc37d75dd33.jpg?v=1737060343"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/collections\/GS25_PVSite_Banner_Tapes.jpg?v=1749492618","url":"https:\/\/www.polyvinylrecords.com\/collections\/garage-sale-tapes.oembed?page=3","provider":"Polyvinyl Record Co.","version":"1.0","type":"link"}