{"title":"VINYL (Garage Sale)","description":"","products":[{"product_id":"joan-of-arc-so-much-staying-alive-and-lovelessness","title":"Joan of Arc - So Much Staying Alive and Lovelessness","description":"\u003cp\u003eFifth full-length album from \u003cstrong\u003eJoan of Arc\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eTim Kinsella, Joan of Arc's lead man, has amassed a collection of songs culled from a variety of sources – sketches begun on his computer at home and collaborations with kindred spirits from coast to coast – and given them life.\u003c\/p\u003e\n\u003cp\u003eFurther gussied up with help from a plethora of fellow Chicago luminaries, this is a career culmination of Joan of Arc's musical meanderings and genius in a concise, focused, and mature realization.\u003c\/p\u003e","brand":"Jade Tree","offers":[{"title":"Vinyl (180-Gram Black)","offer_id":50775558488371,"sku":"NPV","price":22.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/b0b79da57b95837f14be95aaa4d54cf8.jpg?v=1739894047"},{"product_id":"joan-of-arc-live-in-chicago-1999","title":"Joan of Arc - Live in Chicago, 1999","description":"\u003cp\u003e It's not really a live album, but it's certainly an experience. Four months of studio time culminate in thirteen interwoven tracks that ultimately find Tim Kinsella's inceptive lyrical style and primarily acoustic backdrop breathing comfortably alongside the band's well-documented fetish for electronic embellishment. And the album artwork? Let's just say that we'll probably never meet another group of artists who are committed enough to rebuild the sets and reenact the scenes of an obscure foreign film for the sake of an album sleeve.\u003c\/p\u003e","brand":"Jade Tree","offers":[{"title":"Vinyl 2xLP (180-Gram Black)","offer_id":50775474307379,"sku":"NPV","price":28.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/5fd513e89cc656d9c7ab2bca4168a4f2_7283f373e7d5224d13bf488fd5865bd754ebcb3a_product_photo.jpg?v=1739894007"},{"product_id":"sza-ctrl","title":"SZA - Ctrl","description":"\u003cp\u003e\u003cem\u003eCtrl\u003c\/em\u003e is the debut studio album by singer\/songwriter \u003cstrong\u003eSZA\u003c\/strong\u003e. Following the release of debut extended play\u003cem\u003e Z \u003c\/em\u003e(2014), SZA began writing for other artists and working on her debut, however her debut project was met with various setbacks. SZA followed an analog process and contributed heavily to the album's lyrics.\u003c\/p\u003e","brand":"Top Dawg Entertainment","offers":[{"title":"Vinyl 2xLP","offer_id":50775488823603,"sku":"NPV","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b2734c79d5ec52a6d0302f3add25.jpg?v=1739893886"},{"product_id":"christian-lee-hutson-beginners","title":"Christian Lee Hutson - Beginners","description":"\u003cp\u003eThe buzz around \u003cstrong\u003eChristian Lee Hutson\u003c\/strong\u003e started in earnest in 2018 after he began his collaborative friendship with singer Phoebe Bridgers.\u003c\/p\u003e\u003cp\u003eHutson co-wrote songs with Bridgers for both the EP of supergroup boygenius (ft. Julien Baker, Phoebe Bridgers, and Lucy Dacus) and her 2019 release with Conor Oberst, \u003cem\u003eBetter Oblivion Community Center\u003c\/em\u003e. The emerging folk artist received further critical attention after Bridgers invited him to Eaux Claires Festival last July, where he performed a solo set and earned praise from festival host Bon Iver. Eventually, Bridgers asked if she could produce an album for him.\u003c\/p\u003e\u003cp\u003eEngineered and mixed by Joseph Lorge (Blake Mills, Perfume Genius), the forthcoming release also features contributions from Bright Eyes pianist Nathaniel Walcott. To merely call Christian Lee Hutson an old soul would be to deny the vibrancy of his sound. Hutson writes songs that the SF Bay Guardian describes as, \"... Foreboding, bluesy love ballads laden with longing nostalgia.\"\u003c\/p\u003e","brand":"ANTI-","offers":[{"title":"Vinyl (Black)","offer_id":50775689527603,"sku":"NPV","price":22.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/8222e1399bef7043f9455e6b43893bb6_982e948c6510078d087fabbdb349f14d08190b56_product_photo.jpg?v=1739893858"},{"product_id":"sun-june-somewhere","title":"Sun June - Somewhere","description":"\u003cp\u003eThe five members of \u003cstrong\u003eSun June\u003c\/strong\u003e spent their early years spread out across the United States, from the boonies of the Hudson Valley to the sprawling outskirts of LA. Having spent their college years within the gloomy, cold winters of the North East, Laura Colwell and Stephen Salisbury found themselves in the vibrant melting-pot of inspiration that is Austin, Texas. Meeting each other while working on Terrence Malick’s \u003ci\u003eSong to Song\u003c\/i\u003e, the pair were immediately taken by the city’s bustling small clubs and honky-tonk scene, and the fact that there was always an instrument within reach, always someone to play alongside. \u003c\/p\u003e\u003cp\u003eComing alive in this newly discovered landscape, Colwell and Salisbury formed Sun June alongside Michael Bain on lead guitar, Sarah Schultz on drums, and Justin Harris on bass and recorded their debut album live to tape, releasing it via the city’s esteemed Keeled Scales label in 2018. The band coined the term ‘regret pop’ to describe the music they made on the \u003ci\u003eYears\u003c\/i\u003e LP. Though somewhat tongue in cheek, it made perfect sense ~ the gentle sway of their country-leaning pop songs seeped in melancholy, as if each subtle turn of phrase was always grasping for something just out of reach. \u003c\/p\u003e\u003cp\u003eSun June returns with \u003ci\u003eSomewhere. \u003c\/i\u003eIt’s a record that feels distinctly more present than its predecessor. In the time since, Colwell and Salisbury have become a couple, and it’s had a profound effect on their work; if Years was about how loss evolves, Somewhere is about how love evolves. “We explore a lot of the same themes across it,” Colwell says, “but I think there's a lot more love here.” Somewhere showcases a gentle but eminently pronounced maturation of Sun June’s sound, a second record full of quiet revelation, eleven songs that bristle with love and longing. It finds a band at the height of their collective potency, a marked stride forward from the band that created that debut record, but also one that once again is able to transport the listener into a fascinating new landscape, one that lies somewhere between the town and the city, between the head and the heart; neither here nor there, but certainly somewhere.\u003c\/p\u003e","brand":"Keeled Scales \/ Run For Cover","offers":[{"title":"Vinyl (Coke Bottle Clear)","offer_id":50775732683059,"sku":"NPV","price":18.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b273445a9c24e9a791d7d77fb6c2.jpg?v=1739893784"},{"product_id":"routine-and-other-things","title":"Routine - And Other Things","description":"\u003cp\u003eWhen the COVID-19 pandemic hit the U.S., \u003cstrong\u003eChastity Belt\u003c\/strong\u003e’s Annie Truscott descended into a state of mourning. Her plan had been to join her partner, \u003cstrong\u003eJay Som\u003c\/strong\u003e’s Melina Duterte, as violinist on tour, a privilege rarely afforded since both maintain busy road schedules, and for Truscott, the prospect of spending most of the year in a van wasn’t met with exhaustion so much as exhilaration. At long last, she’d be making a living playing music, no side hustle needed. The cancellation of the tour represented a sidelined dream. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRoutine\u003c\/strong\u003e was born of this disappointment. Like the phoenix rising from the ashes, Truscott and Duterte’s collaborative project offers a glimpse of the creative possibilities that can emerge from a state of defeat. Written and recorded over the course of a month in Joshua Tree, Routine’s lush debut EP \u003ci\u003eAnd Other Things\u003c\/i\u003e finds the couple trying on new roles. Truscott, who plays bass in Chastity Belt, wrote the bulk of the material and sings on the EP, while Duterte, normally a band leader, used the project as an opportunity to, in her words, “Take the backseat,” as accompanist, producer, and engineer. \u003c\/p\u003e\u003cp\u003eDuterte describes the making of the EP as “seamless.” In the mornings, Truscott sat outside of the cabin in the not-yet-blazing sun and worked out chord progressions on guitar while Duterte slept in. Staring out at the horizon, Truscott could see a smattering of houses and the sharp outline of a mountain range, but overall the property felt remote, far removed from home in Los Angeles. On long walks Truscott admired the recently bloomed spring flowers and pondered the legacy of friendships and experiences that made her. “I spend a lot of my time thinking about the people who’ve impacted my life,” she says. “Routine gave me an opportunity to explore those relationships through music.” \u003c\/p\u003e\u003cp\u003eIt was on one of these walks that Truscott began writing “Cady Road,” a contemplative, country-tinged pop song that urges listeners to sit in the discomfort of the present moment. “Relax\/ It’s fine\/ You don’t have to know this time,” Truscott sings on the chorus, reflecting on the unsuredness that gripped her in those early days of the pandemic. Duterte joins in harmony, giving a song about being alone with your thoughts a collaborative dimension. “In Annie’s songs I hear a yearning for something just out of reach, something unachievable,” Duterte says. “She’s such a great singer, so it felt good to just layer instruments to make her vision for it feel fully fleshed out.” That impulse is heard vividly on “Cady Road,”where an abundant arrangement accompanies Truscott, replete with the spry notes of a banjolele. \u003c\/p\u003e\u003cp\u003eA true collaboration requires trust, intimacy, and patience, three elements that cohered almost mystically in the process of making this EP. “Melina is the most calming presence. She’s so good at sitting with silences in a conversation and just observing,” Truscott says. The quality not only makes Duterte a good partner, but also a good bandmate and producer. “Calm and Collected” is a tribute to that enviable ability to maintain serenity amidst the chaos of experience. Though it was written in Joshua Tree, Duterte and Truscott recorded it in the attic of their home in LA, where Duterte set up a studio in the free time afforded by the pandemic. The song is the quietest of the collection, a gentle ode underscored by atmospheric swaths of synth that swaddle the listener. \u003c\/p\u003e\u003cp\u003e“I think of \u003ci\u003eAnd Other Things\u003c\/i\u003e as a series of vignettes,” Truscott says. “We aren’t telling one story here, we’re telling a series of short stories that people can hopefully relate to.” Asked how it feels to offer the EP up to the world during a time of major uncertainty in the music industry, Truscott offers only one word: “Cathartic.”\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Vinyl 12\"EP (Coke Bottle Clear)","offer_id":50775463788851,"sku":"NPV","price":14.45,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/d11104efd5a9440af41c5fb10b0f4288ee1d39b4_c00f1ae740cfb8724329209d307d1ae9b3184ad9_photo_jpg.jpg?v=1739893772"},{"product_id":"the-dillinger-escape-plan-miss-machine","title":"The Dillinger Escape Plan - Miss Machine","description":"\u003cp\u003eMerging unparalleled musical bravery, prodigious musicianship, flawless execution, and an angular landscape of forward-thinking ideas, \u003cstrong\u003eThe Dillinger Escape Plan\u003c\/strong\u003e reinvents the rock 'n' roll idiom while pleasing their harshest critics: themselves. The \u003ci\u003eMiss Machine \u003c\/i\u003eLP's modernist clang proves once and for all why The Dillinger Escape Plan is a paradigm to be followed, a barometer with which to measure one's heaviosity even, a yardstick by which other bands are measured.\u003c\/p\u003e","brand":"Relapse Records","offers":[{"title":"Vinyl (Colored)","offer_id":50775745036595,"sku":"NPV","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b2734688955962b5e267448efb95.jpg?v=1739893765"},{"product_id":"julia-lucille-chthonic","title":"Julia Lucille - Chthonic","description":"\u003cp\u003e\u003ci\u003eChthonic\u003c\/i\u003e has been described as \"smoldering, vulnerable dream-folk\" and \"one of the most beautiful and haunting records you're going to hear all year\" by Gorilla vs. Bear. The Austin Chronicle describes it as \"nine tracks of feminine, swaying, and sometimes ambient folk imbued with some gentle reverb.\" This is textured electric dream-folk with layered vocal harmonies not unlike Grouper, Hand Habits, and Julianna Barwick.\u003c\/p\u003e","brand":"Keeled Scales","offers":[{"title":"Vinyl (Black)","offer_id":50775755784499,"sku":"NPV","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b27342992fcb27ebf701d0c9f434.jpg?v=1739893757"},{"product_id":"skirts-great-big-wild-oak","title":"skirts - Great Big Wild Oak (Garage Sale)","description":"\u003cp\u003eThe debut full-length album from songwriter Alex Montenegro, better known by “\u003cstrong\u003eSkirts\u003c\/strong\u003e,” is a convergence of Southwestern folk rock and contemporary percussion, adorned with Texas imagery and piercing guitar licks. Entitled \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e, the record spans ten intimate tracks that paint sonic portraits of Montenegro’s memories through impressive arrangements and warmhearted vocals.\u003c\/p\u003e\u003cp\u003eGrowing up in Dallas, Montenegro was surrounded by music, citing distinct memories of her father teaching her how to place a needle on a record he was willing to sacrifice. Montenegro began to shape her own taste whilst working at record stores and discovering the burgeoning indie rock communities in Texas. After the release of \u003ci\u003eAlmost Touching\u003c\/i\u003e, an EP of tracks home-recorded on a cassette 4-track, Montenegro took Skirts on the road, touring with the likes of LVL UP, Snail Mail, and Spencer Radcliffe (who lends vocals on delicate album closer “Annie”). Employing live band members and friends Vincent Bui and Joshua Luttrull, Montenegro picked apart demos and made space for \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e to grow.\u003c\/p\u003e\u003cp\u003eRecorded between various home studios in Dallas, Montenegro recalls \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e as a “Frankenstein album” as forgotten demos came back to life and other songs were cut from the record. The album’s craft is displayed in its open-minded approach, from xylophone to pedal steel, banjo to clarinet — the vast array of instruments never outshine one another.\u003c\/p\u003e\u003cp\u003eReminiscent of a Southern lullaby, third track “Easy” highlights the fusion of classic folk and inventive percussion that define the album. Through gliding layers of saxophone and flute, Montenegro sings “Papa was a rodeo, you're like him, you're a wildfire – you'll go out with some time.” Skirts’ knack for strong imagery and lyricism remain present throughout the album, each song giving the sensation of an old film photo in your hand.\u003c\/p\u003e\u003cp\u003e“Spare key in the front yard, underneath the bed of flowers” begins “Swim,” a piano-driven track that was re-recorded over five times, eventually becoming a personal favorite to Montenegro. The song’s process mirrors its sentiment, Montenegro sings wistful like a sigh (“If a salmon can swim upstream then I can learn to swim”) — a lyric that has stuck with her since teenhood.\u003c\/p\u003e\u003cp\u003e“True,” the twangiest cut from \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e, begins with Montenegro’s tumbling piano and guitar, before erupting into a dynamic sonic discussion of Southern-steeped rhythms and percussion. Though there is great comfort in Montenegro’s nostalgia-laced tunes, \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e keeps you on your toes, sprinkled with instrumental interludes and distorted, yet tender moments.\u003c\/p\u003e\u003cp\u003eAfter building an underground fanbase throughout Texas, Skirts used \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e to create the first developed portrait of the band’s signature sound. Final track “Annie” seals the album with a dialogue of harmonies and reverse guitar work, a diversion from full rock arrangements, and just one indulgent minute of the tangible warmth and intimacy one should expect from a Skirts tune. With \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e freshly planted in their discography, Skirts is prepared to swim against the current with sincerity.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Milky Clear)","offer_id":50775796252979,"sku":"NPV","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/3bfad48cc2e64531cfb4db58e381f88cd237f6ef_ea71d4916fbe99f88eabda646bc0c2cf287364de_photo_jpg.jpg?v=1739893717"},{"product_id":"idle-ray-idle-ray","title":"Idle Ray - Idle Ray","description":"\u003cp\u003eThe first full-length from \u003cstrong\u003eIdle Ray\u003c\/strong\u003e, a high-speed sunset viewed from the parking lots of memory. Recorded on cassette four-track over the course of a year without shows, or the sounding board of the music community, these twelve songs were pared down from literally dozens of sketches and abandoned thoughts. Guitar-heavy pop that returns to the basics and also goes to new places. Designed to digest quickly and remind you of both past and future possibilities simultaneously.\u003c\/p\u003e\n  \u003col\u003e\n  \u003cli\u003eEmphasis Locator\u003c\/li\u003e\n  \u003cli\u003eDreamed You Were A Dog\u003c\/li\u003e\n  \u003cli\u003eWater Comes In Through The Windows\u003c\/li\u003e\n  \u003cli\u003eCoat Of Many Colors\u003c\/li\u003e\n  \u003cli\u003eTerms\u003c\/li\u003e\n  \u003cli\u003eKinda Bloom\u003c\/li\u003e\n  \u003cli\u003eNew Weird Thing\u003c\/li\u003e\n  \u003cli\u003eCoastline\u003c\/li\u003e\n  \u003cli\u003ePolaroid\u003c\/li\u003e\n  \u003cli\u003eFriends (Standing In The Corner At Another Busted Function)\u003c\/li\u003e\n  \u003cli\u003eStrange Ceilings\u003c\/li\u003e\n  \u003cli\u003eLast Show\u003c\/li\u003e\n  \u003c\/ol\u003e","brand":"Life Like","offers":[{"title":"Vinyl (Blue)","offer_id":50775796351283,"sku":"NPV","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/9b26b1132f52f3248e292b9d9f14f8ac0f5ed4c1_dc7c2b5c357e534a364a2d6101f800c933e46d52_photo_jpeg.jpg?v=1739893716"},{"product_id":"gordon-koang-coronavirus-disco","title":"Gordon Koang - Coronavirus \/ Disco","description":"\u003cp\u003eMusic in Exile is excited to announce a new 12” maxi-single release from the “King of Music”, \u003cstrong\u003eGordon Koang\u003c\/strong\u003e. Titled \u003ci\u003eCoronavirus \/ Disco\u003c\/i\u003e, this double-A-side release share’s Gordon’s messages of peace, love and positivity, and is his first original offering since his acclaimed \u003ci\u003eUnity\u003c\/i\u003e album was released in late 2020.\u003c\/p\u003e\u003cp\u003eThe first single, “Coronavirus,” was penned by Koang in July 2020 as a response to his personal experiences of the global pandemic. As his hometown of Melbourne went into lockdown, Gordon resided in the outer suburbs of Melbourne with his cousin, Paul, and his four-stringed, guitar-like instrument, the thom. Throughout this single, Gordon offers his condolences to those affected by the pandemic, alongside messages of his faith in frontline workers and the hope that circumstances will improve soon. “People suffer a lot. I ask that God gives the doctors the big wisdom to defeat the coronavirus. When people hear my song, I hope that this music counsels them. The song has a lot of meaning, it is telling them to be hopeful.”\u003c\/p\u003e\u003cp\u003eWith the cancellation of a national tour and numerous festival appearances, Covid-19 had not only impacted Gordon’s career here in Australia but also his opportunity to visit family he hadn’t seen in five years. After receiving Australian permanent residency, Gordon and Paul were now able to visit family in Uganda, however this was made incredibly difficult due to border closures and the potential health risks. Taking a last minute opportunity, Gordon and Paul travelled to Africa and whilst excited to visit their families, they also experienced the impact of the pandemic on their home communities. “In Africa, it is not like us here, there is no medicine and in Africa there is also no Centrelink if you are in lockdown. It is difficult getting services. Even getting food is difficult.”\u003c\/p\u003e\u003cp\u003eAfter two weeks in hotel quarantine, Gordon and Paul returned to Melbourne, eager to record music once more. With lockdown lifting, Gordon headed to the studio with a new band featuring Zak Olsen (ORB, Traffik Island) Jack Kong (Baked Beans, Traffik Island), David “Daff” Gravolin (ORB), and Jesse Williams (Leah Senior, Girlatones). This new release is the result of these studio sessions, jamming and recording at Button Pusher in Preston, Melbourne.\u003c\/p\u003e\u003cp\u003eFor the DJs out there, both tracks feature on a limited edition, 12” maxi single vinyl complete with pull-out poster from Gordon, encouraging listeners to stay positive during this difficult time. \u003c\/p\u003e","brand":"Music in Exile","offers":[{"title":"Vinyl 12\" Maxi Single (Black)","offer_id":50775453139251,"sku":"D-MIE-018LP","price":18.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/1de2191fc701ea8f51837fac2e5a34efdff86f73_dffa6a740d5d59fd5fcd952e2e05a4768ff9af53_photo_jpg.jpg?v=1739893714"},{"product_id":"gordon-koang-unity","title":"Gordon Koang - Unity","description":"\u003cp\u003e\u003cstrong\u003eGordon Koang\u003c\/strong\u003e is a fountain of warmth and joy, immediately accepting any stranger who strays into his presence. With a beaming smile that is unfettered by blindness, a condition he has lived with since birth, Gordon welcomes any and all around him, encouraging them to sit for a while and chat, maybe even to share a song.\u003c\/p\u003e\u003cp\u003eOriginating from the Nile Valley in what is now South Sudan, Koang was born blind and began playing music from an early age, busking on the streets of Juba and producing his own self-released CD-R’s and cassettes, before becoming a crowd favourite and recording a series of singles and music videos celebrating South Sudan’s cultural wealth. His music went viral, spreading throughout the country, and Koang was invited to perform at everything from weddings and political rallies to church meetings and parties alike. His reputation quickly grew as the poet and homegrown hero of the Nuer people, sometimes called the ‘Michael Jackson of South Sudan’.\u003c\/p\u003e\u003cp\u003eIn 2013, while Koang was performing to expatriate Nuer communities in Australia, renewed conflict broke out at home. He made a difficult and heartbreaking decision to not return to Sudan, applying to the Australian government for humanitarian protection. After six long years of waiting, living in a foreign country far away from his family, he now proudly calls himself an ‘Australian’, and eagerly awaits the day he will rejoin his wife and children in safety.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eUnity\u003c\/i\u003e is, remarkably, Gordon’s eleventh full-length album, and his first since coming to Australia. It is his only recorded output in a painstakingly long six years of living as an asylum seeker, mostly recorded in the last winter months of 2019, when Gordon began performing with local musicians through the Music in Exile label. The album was completed just weeks before Gordon was awarded his permanent residency. He could have had no way of knowing, and yet there is no frustration in the songs, not a shred of impatience or anger - only Gordon’s unending positivity, his love of all people and of the world he has never seen.\u003c\/p\u003e","brand":"Music in Exile","offers":[{"title":"Vinyl (Baby Pink)","offer_id":50775810605363,"sku":"D-MIE-011LP","price":18.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/f0cc289fa0125bd9e4f79d66ea259062c22740cc_ada86676a7e6135b9192e934ff3d84ee3a46cf20_photo_jpg.jpg?v=1739893673"},{"product_id":"ajak-kwai-red-sands","title":"Ajak Kwai - Red Sands","description":"\u003cp\u003e\u003cstrong\u003eAjak Kwai\u003c\/strong\u003e is a name well known to the airwaves, stage, and broader Australian music community for her powerful performances and strong messages that call for inclusion and celebration of the diversity found throughout Australian society. Originally hailing from a small town of Bor (pronounced ‘bohr’) on the Upper Nile in what is now South Sudan, music has always been part of her life.\u003c\/p\u003e\u003cp\u003eAlongside sharing political messages through her music, Ajak Kwai is also a radio broadcaster in Melbourne on both PBS and 3CR. Her shows give a voice to the local African community so that they can tell their stories through music and spoken word, and her music selections focus on songs that have changed the world in a positive way. She challenges bias in our society and reminds politicians to be accountable for their language and actions.\u003c\/p\u003e\u003cp\u003ePerforming in English, Arabic, and her native language, Dinka, Ajak Kwai’s music draws upon South Sudanese funk and blues influences and brings together elements of traditional music alongside more contemporary gestures. The result is something notably unique and powerful.\u003c\/p\u003e","brand":"Music in Exile","offers":[{"title":"Vinyl 12\"EP (Black)","offer_id":50775466279219,"sku":"D-MIE-019LP","price":18.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/15fed6e1637a7a2719d1f663a12d6d6ec4378dda_0e3a80dd7efa38507f323e07c34fb68890b16fd8_photo_jpg.jpg?v=1739893672"},{"product_id":"ausecuma-beats-musso","title":"Ausecuma Beats - Musso","description":"\u003cp\u003eWhen you mix Guinea, Mali, Senegal, Cuba and Australia, you find yourself with many cultures. We represent Africa, sure, but also we represent diversity. That is the essence of \u003cstrong\u003eAusecuma Beats\u003c\/strong\u003e. We want to come together, to bring all people together to share the knowledge of what we have learnt.\u003c\/p\u003e\u003cp\u003eWe all see the hard work that lies ahead in the future. It’s not easy, and we all have different ways of thinking. But there is also something we all share, and that is humanity, and family. We have to teach our children, to help them on their journey.\u003c\/p\u003e\u003cp\u003eThis album can be defined by the song Tombo. It’s about giving respect to your teacher. All the knowledge we bring to this album has come from someone who in their turn gave it to us. If you like the music, you hear it, you dance, great! But remember, someone created this, they gave it to us, and now Ausecuma Beats are giving it to you. So we dedicate this album to our teachers.\u003c\/p\u003e\u003cp\u003eThe name of this album is \u003ci\u003eMusso\u003c\/i\u003e; it means woman. We want to dedicate this album to those who gave us life. It doesn’t matter how strong we are, how tough we are, or how lucky we are in the chances we have been given. There is always someone who is worrying about us; there is no-one who can be thinking about us more than our own mother. So this album especially is dedicated to the women in our lives, and is sending respect to all women around the world.\u003c\/p\u003e\u003cp\u003e- Boubacar Gaye, Melbourne, July 2021\u003c\/p\u003e","brand":"Music in Exile","offers":[{"title":"Vinyl (Black)","offer_id":50775810703667,"sku":"D-MIE-021LP","price":18.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/9c06eb5f845c21eb3cbc91b8a7e415a62854d6db_11fe280c4afa1f67abcfdc209fd10452c08661c0_photo_jpg.jpg?v=1739893672"},{"product_id":"so-crates-beaut-i-full-world-fresh-gold-bloom-age","title":"SO.Crates - Beaut-I-Full World \/ Fresh Gold Bloom-Age","description":"\u003cp\u003e“We’ve come too far and endured too much to not prosper now. It’s all possible together.” - Zima\u003c\/p\u003e\u003cp\u003e“There are forces out there, even within ourselves, that continue to threaten beauty in our world. I think to fight these forces we must name it and call out for protection and restoration. To me, when I wrote the lyrics “I want to live in a beautiful world”, it was very much a proclamation for peace.” - Kalala\u003c\/p\u003e\u003cp\u003eHip-hop duo \u003cstrong\u003eSO.Crates\u003c\/strong\u003e are a boom-bap prayer sent live and direct from the heart of two of the culture’s most committed students.\u003c\/p\u003e\u003cp\u003eThe group features Narrm\/Melbourne based beatmaker and DJ Skomes alongside California-via-Adelaide MC \u0026amp; poet Cazeaux O.S.L.O, not to mention the MUSE, a forever changing third party who completes the creative trinity of the Crates.\u003c\/p\u003e\u003cp\u003eWith a legacy built on releasing a steady flow of cold-crush records and delivering uplifting live performances to the party people, SO.Crates prove that hip-hop’s golden era is not a lost date in time, but a foundational state of mind.\u003c\/p\u003e","brand":"Bedroom Suck Records","offers":[{"title":"Vinyl 12\" Maxi Single (Black)","offer_id":50775453237555,"sku":"D-BSR-089LP","price":18.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/3f0fa941a0537ced4145a11eb899bc6127a3f758_ea8a504f21ab350338fc23388d18180f37062802_photo_png.png?v=1739893671"},{"product_id":"christian-lee-hutson-quitters","title":"Christian Lee Hutson - Quitters","description":"\u003cp\u003e\u003cstrong\u003eChristian Lee Hutson\u003c\/strong\u003e starts his new album \u003ci\u003eQuitters\u003c\/i\u003e with a laugh. In this follow up to his ANTI Records debut, \u003ci\u003eBeginners\u003c\/i\u003e, Hutson moves away from a focus on growing up to the dread and complications of growing older. Written under lock down, the laugh that announces \u003ci\u003eQuitters\u003c\/i\u003e is the kind you'll find at the end of John Huston films, one of resignation and release, and somehow a cosmic laugh that says \"California,\" a place where lonely people gather together like birds.\u003c\/p\u003e\u003cp\u003eThe song \"Rubberneckers\" follows the story a romance from beginning to breakup, with backing vocals by Phoebe Bridges, who returns as producer along with Conor Oberst. \u003ci\u003eQuitters\u003c\/i\u003e is a departure from the digital recording of his debut. Hutson shares, \"With this record, Phoebe and Conor had an idea that it would be fun to make it to tape. Phoebe is my best friend and making \u003ci\u003eBeginners\u003c\/i\u003e with her was so comfortable and easy. So I wanted to work with her again and Conor is someone who I really respect as a lyricist.\" If every great record is a world, then this is Christian Lee Hutson's world. It's one filled with the fuzzy haze of a dream, and the half-remembered moments of a forgotten life. It's a record brave enough to say, In the good old days, when times were bad. But beyond the songs, it is this voice. The voice of someone who was alive in 2021 and recorded a group of songs with his friends for us to hear.\u003c\/p\u003e","brand":"ANTI-","offers":[{"title":"Vinyl (Clear Purple)","offer_id":50775834231091,"sku":"NPV","price":23.8,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b27308d839a186b4bb1d8bc23d9a.jpg?v=1739893652"},{"product_id":"so-crates-malcolm-after-mecca","title":"SO.Crates - Malcolm After Mecca","description":"\u003cp\u003eMelbourne's much loved underground hip-hop dup return with an enormous double LP offering, stacked with features from the finest Australian talent including Tiana Khasi, Krown, Izy, Nelson Dialect \u0026amp; more.\u003c\/p\u003e\u003cp\u003eAustralian hip-hop\/neo soul duo \u003cstrong\u003eSO. Crates\u003c\/strong\u003e are a boom-bap prayer sent live and direct from the heart of two of the culture's most committed students. The group features Melbourne based beatmaker and DJ Skomes alongside California-via-Adelaide MC \u0026amp; poet Cazeaux O. S. L. O, not to mention the MUSE, a forever changing third party who completes the creative trinity of the Crates. With a legacy built on releasing a steady flow of cold-crush records and delivering uplifting live performances to the party people, SO. Crates prove that hip-hop's golden era is not a lost date in time, but a foundational state of mind. Functioning as a considered preview of what to expect from the album to follow, the hypnotic first release 'Stars' is an auditory exploration of what happens when two opposing charges collide; the joyful and the melancholy. Here, layers of instrumentation, samples and vocals sit atop a foundation of grounding beats - the track's roots from which piano samples, live trumpet and vocal embellishments spring. \"When Skomes gets in his stride, it's always a bit of a happy\/sad feeling. It can go either way, like a mood ring,\" says Cazeaux O. S. L. O. \"I guess you could say we make mood ring beats, and 'Stars' is no exception. \"\u003c\/p\u003e","brand":"Bedroom Suck Records","offers":[{"title":"Vinyl 2xLP (Black)","offer_id":50775526768947,"sku":"D-BSR-100LP","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/9407e3dc9f83de7dc5cfadedcf03a343634e0c55_df409455a121808ddec60a3a6222bb4dcc3edc2b_photo_png.png?v=1739893639"},{"product_id":"other-joe-blessings-from-th-eheart","title":"Other Joe - blessings from th eheart","description":"\u003cp\u003e\u003cstrong\u003eOther Joe\u003c\/strong\u003e is the pseudonym of producer, mastering engineer, and label-head Joe Buchan, an individual with a penchant for free-wheeling experimentation and genre-crossing musical tastes. Drawing upon a wide array of sounds that pay homage to his love of both the beautiful and the abrasive, Joe devours indiscriminately whatever sounds might cross his path, the result giving birth to the unique musical journey that is listening to an Other Joe record.\u003c\/p\u003e\u003cp\u003eAfter a few years spent playing in bands and releasing small bodies of work under different monikers, Joe released what many listeners know as his breakout record, \u003ci\u003eAlien Haze\u003c\/i\u003e, a beautiful collection of recordings that oscillate from collages of field recording and found sound, sublime balearic-era saxophone symphonies, and introspective neo-classical psychedelia.\u003c\/p\u003e\u003cp\u003eHis latest work, \u003ci\u003eblessing from th eheart\u003c\/i\u003e (typo intentional), expands on Other Joe’s love for blending field recording and acoustic instruments with electronic processing. Beginning by reviewing the catalogue of creative notes he had archived since the release of \u003ci\u003eAlien Haze\u003c\/i\u003e in March 2019, Joe picked apart voice memos, Logic projects, iPhone videos and whatever else he could lay hands on.\u003c\/p\u003e","brand":"Bedroom Suck Records","offers":[{"title":"Vinyl (Black)","offer_id":50775849435443,"sku":"D-BSR-099LP","price":19.55,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/d948da292e84e4dae78d8101b0ac886f0b9f301e_7681b1dd0867c243670da788eb5b68e3e56c0bb6_photo_png.png?v=1739893638"},{"product_id":"free-time-jangle-jargon","title":"Free Time - Jangle Jargon","description":"\u003cp\u003eSix years on since the release of 2016’s \u003ci\u003eIn Search of…\u003c\/i\u003e album, ex-Panel of Judges frontman and Melbourne-via-NYC luminary Dion Nania returns with \u003cstrong\u003eFree Time\u003c\/strong\u003e’s third studio album in eight years, the (only sometimes) aptly-named \u003ci\u003eJangle Jargon\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eThe album was recorded chiefly in two parts, beginning in 2017 in Ridgewood, Queens, with engineer Jarvis Taveniere (Purple Mountaintops, The Avalanches, Molly Burch) and guests Martin Frawley and Amy Franz (Twerps, Super Wild Horses) from Nania’s faraway home in Melbourne, Australia.\u003c\/p\u003e\u003cp\u003eAfter a period of quiet in which he focussed on his academic work, Nania, now living in the Brooklyn neighborhood of Williamsburg, returned to these original sessions in 2021 with a bag of new material and regular collaborators Jonah Maurer and Mike Mimoun. After a happy accident in which Nania discovered that he shared a building with engineer John Epperly (Veldt, Daddy Long Legs, Baby Shakes), the band tracked six new songs and had themselves an album.\u003c\/p\u003e\u003cp\u003eNania says of the recording process - “Well…it was recorded during a pandemic. I played bass on most of them, which is new for Free Time. I was also living about 40 meters from the studio where we were working. I would highly recommend that to anyone.”\u003c\/p\u003e\u003cp\u003eGrowing up in the punk and underground scenes in Geelong and Melbourne, Nania was self-taught from an early age. Interestingly, it was his move to the US that sparked a growth in musical theory, prompting him to develop new skills in order to work with new collaborators. Says Dion about his change from the Melbourne underground to New York City - “About ten years ago, when I first came to NYC, I started playing in Craig Dermody’s band (Scott \u0026amp; Charlene’s Wedding). We decided to go to an Underwater Peoples label showcase, we were aware of them because they’d put out the Twerps already. So we went and met those guys who ended up being Free Time’s label for years, and Mike Mimoun from UP joined (Scott \u0026amp; Charlene’s Wedding) on drums, so I got to know him. Then the next year I filled in on bass for a Twerps tour, and through that got to know Jonah Maurer who was touring with us in Real Estate. Then Underwater Peoples asked if I wanted to make a record.”\u003c\/p\u003e\u003cp\u003eThe band continued over the years, with Dion bouncing between the USA and Australia and continuing to collaborate with musicians on both sides of the Pacific. Eight years on and we have \u003ci\u003eJangle Jargon\u003c\/i\u003e, ten tracks ranging from the overtly political to the optimistically upbeat and desperately heartbroken, with a healthy dose of jangle jargon in between. It’s Free Time doing what Free Time does best - catchy licks and sunlit melodies, sure to soundtrack summer days for generations to come.\u003c\/p\u003e","brand":"Bedroom Suck Records","offers":[{"title":"Vinyl (180-Gram Black)","offer_id":50775855399219,"sku":"D-BSR-102LP","price":21.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/3bb674b9a289f1deed81da5d41aeaf79cada293b_3b1b40fca051b4c7b69af34999cd13c5b387c3c7_photo_jpg.jpg?v=1739893629"},{"product_id":"matthew-hayes-codeine-dream-loop","title":"Matthew Hayes - Codeine Dream Loop","description":"\u003cp\u003eVeteran bassist of 30\/70, Z*F*E*X, Cousin Tony's Brand New Firebird and more, enigmatic composter and multi-instrumentalist \u003cstrong\u003eMatthew Hayes\u003c\/strong\u003e returns with an album of twenty-two vignettes that draw upon loops, fragments, demo recordings and samples from his entire back catalog, creating a pastiche of lost fragments and memories that unite to form a seamless whole of ambient and experimental work. Bass guitar, drum kit, string sections, bells and more merge with vocal samples, field recordings, fragments of previous works and unheard demos to create a patchwork quilt of warm, hallucinatory compositions .\u003c\/p\u003e\u003cp\u003eThis collection, titled \u003ci\u003eCodeine Dream Loop\u003c\/i\u003e, plays upon the hazy dream-like states that come upon us all at various times. Says Hayes -\u003c\/p\u003e\u003cp\u003e“I wanted to capture a bizarre phenomenon that I sometimes experience while sleeping, usually if I’ve taken some pain or cold medication where I get stuck into a dream loop. A weird thought pattern, memory or surreal dream scenario loops around and it’s tricky to free myself of it!”\u003c\/p\u003e\u003cp\u003eAssembled at his studio in Coburg on the lands of the Wurundjeri Woi wurrung people in late 2021, the record, like many seen this year, has been deeply influenced by Melbourne’s extended lockdowns during various stages of the Covid-19 pandemic, a period that lasted a staggering total of 263 days in isolation.\u003c\/p\u003e\u003cp\u003e“I think that all that time spent in quietness out of the hustle and bustle and in self reflection inspired me to excavate the last 6 or so years of musical ideas into something new. And a collection of music that feels like a book-end on this period of my life.”\u003c\/p\u003e\u003cp\u003eSo we are presented with six years worth of fragments, recordings, ideas and dreams, a window into the first phase of an artist’s career as a solo composer. The record is intimate to say the least, sometimes deathly quiet, sometimes breaking into song like a sunbeam through cloud.\u003c\/p\u003e\u003cp\u003eSamples on the record include guest appearances from many of Hayes’ frequent collaborators: Joel Trigg, Josh Kelly, Hannes Lackmann and more. It was mixed by Hayes before being mastered by Joseph Buchan in Melbourne, also known for his own fragmentary work under the pseudonym Other Joe.\u003c\/p\u003e","brand":"Bedroom Suck Records","offers":[{"title":"Vinyl (180-Gram Black)","offer_id":50775861494067,"sku":"D-BSR-103LP","price":19.55,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/fdf390d50808688f74cfeb114f47ed32bcfa6bc6_6ef0e5b9c4a1cdaa04c239d9d649c940ef784b18_photo_jpg.jpg?v=1739893620"},{"product_id":"gordon-koang-community","title":"Gordon Koang - Community","description":"\u003cp\u003eFirst, we had \u003ci\u003eUnity\u003c\/i\u003e. Now, South Sudan’s undisputed ‘King of Music’, the Juba-via-Melbourne eccentric outsider \u003cstrong\u003eGordon Koang\u003c\/strong\u003e, returns with his second full-length of original material since emigrating to Australia, the masterly titled follow-up, \u003ci\u003eCommunity\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eEight tracks recorded in Melbourne with a cast of the city’s finest musical minds, including Zak Olsen, Jesse Williams, David “Daff” Gravolin and Jack Kong, the record draws upon Gordon’s pitch-perfect pop sensibility and compulsion for composing irresistibly catchy melodies. Add to this brew the extensive credentials of his collaborators, who are known for their work with Trafik Island, ORB, Leah Senior and more, and you have yourself a perfect blend of East African pop and vintage psychedelia that is surely one of the most interesting records of the year, outstripping it’s Australian counterparts both in songwriting, production value and downright good energy.\u003c\/p\u003e\u003cp\u003eThe record is warm, fuzzy, catchy, lighthearted, and it packs a punch. It rocks hard with the best of them, Olsen’s beautiful production value drawing out the best in Koang’s eccentric and spiraling melodies, the band grinding themselves into an endless groove before bursting into some new impossible melody. Somewhere between William Onyeabor and King Gizzard, this is surely the soundtrack to round out what has been an incredible year of music post-pandemic.\u003c\/p\u003e","brand":"Music in Exile","offers":[{"title":"Vinyl (180-Gram Black)","offer_id":50775861788979,"sku":"D-MIE-020LP","price":18.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/8e3b57264e88be8e671c47e7d984198d96a308a6_245deeaf7367c05625933cf8f286616133924581_photo_jpeg.jpg?v=1739893619"},{"product_id":"plains-i-walked-with-you-a-ways","title":"Plains - I Walked With You A Ways","description":"\u003cp\u003eHitting play on the debut album from \u003cstrong\u003ePlains\u003c\/strong\u003e, the duo composed of Waxahatchee’s Katie Crutchfield and Jess Williamson, we’re immediately teleported into a world of Southern sunsets, wide open spaces, and the unapologetic nature of Country music.\u003c\/p\u003e\u003cp\u003ePlains began out of Crutchfield's and Williamson’s mutual love for each other’s music and after trading albums (\u003ci\u003eSaint Cloud\u003c\/i\u003e and \u003ci\u003eSorceress\u003c\/i\u003e, respectively) in early 2020. Feeling that it was time to have a separate project that could reflect a different side of her creative inspirations, Katie felt that Jess was the perfect fit for a collaboration, and they set off to create \u003ci\u003eI Walked With You A Ways\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eWritten between Kansas City, Los Angeles, and Marfa, the album was recorded in Durham, NC with collaborator and producer Brad Cook. The creative magic of only a few vocal takes, tracking with a band comprised of Spencer Tweedy and Phil Cook, gives the album a feel of fresh, on-the-spot conception. The trust and history of Crutchfield and Cook’s collaborations (\u003ci\u003eSaint Cloud\u003c\/i\u003e, \u003ci\u003eGreat Thunder EP\u003c\/i\u003e) set the tone for this new container of spontaneity and experimentation.\u003c\/p\u003e\u003cp\u003eWith both being from the South, we hear the history of place and story in each song: Texas meteor showers, family ties, and the lineage of songwriters who have come before.\u003c\/p\u003e\u003cp\u003eAs solo practitioners of the craft of song, Williamson and Crutchfield bring a creative permission slip to both the process of songwriting itself but also to the listener. In both of their solo projects you hear a specificity of experience that is so sharp and intimate that it brings the listener into a personal side of the experience of life. With Plains, we are invited into this spaciousness of story, to a shared narrative spanning the beginning of the album to the end.\u003c\/p\u003e\u003cp\u003e“Summer Sun,” the opening track, greets us with their two voices in perfect unison and sets the tone for the album - “come along with us, we’ll be here for you the whole time.” We’re catapulted into what feels like a small show on the back porch of a house in West Texas. There is an essence of their own friendship that clearly emerges that is just as much about joy and playfulness as it is about two people ushering each other through life’s great journeys.\u003c\/p\u003e\u003cp\u003eAnd that’s the thing about Country music, and what so much of this album nods to - from Waylon and Willie, to The Judds, The Chicks, Trio, and beyond - these are groups that are formed out of family and friendship, that lyrically take their listeners on a voyage of sorrow and hope. Crutchfield’s sharp, honest edge of truth telling paired with Williamson’s ability to paint the scene with candles, plains, sunsets, and small Texas towns is one of the strongest parts of this album. “When the summer sun melts candles \/ I dig out the wick \/ Honey we’re up against somethin \/ Our love alone can’t fix \/ So I won’t see the garden or the figs when they are ripe\/ It hurts to be leavin, but I know that stayin ain’t right”\u003c\/p\u003e\u003cp\u003eCrutchfield brings us through what we all could stand to strive for: Setting affectionate boundaries and expectations of how we want to be met and loved in relationships. She recalls that in her solo project she might not have kept the lyrics heard in “Problem With It,” but Williamson encouraged her to. It gives the song that directness of sharing our intentions and needs, while also acknowledging the parts of ourselves that get lost when we try to contort ourselves for someone else. “Justified it in my own way \/ I lost myself in it \/ If it’s all you got, it’s enough you say \/ I got a problem with it.”\u003c\/p\u003e\u003cp\u003eIn “Hurricane” we are reminded that there is nothing that stops these two women from saying exactly what they mean and meaning exactly what they say. There is a formula they have developed that insists we embrace our anger, that we let it flow out of us in a way that doesn’t have to imply harm from others but also doesn’t take the blame off of them. Crutchfield has a way of laying out her mess, her mistakes, her regrets, the parts of herself she may want to turn away from - and instead decides to turn towards them in service and song.\u003c\/p\u003e\u003cp\u003e“I come in like a cannonball \/ I’ve been that way my whole life \/ Sweet as honeysuckle \/ When you want a pocketknife.”\u003c\/p\u003e\u003cp\u003eIn “Abilene,” Williamson again provides us with geographic scenery in her recitation of the name of this town. We can feel ourselves in that place and the question that weaves its way throughout: How do we keep love close and when do we let it go? When is forgetting just as important as remembering? “We don’t need to talk about Abilene \/ Cause Abilene don’t mean \/ No couple acres, no screened in porch \/ So I don’t talk about Abilene no more.”\u003c\/p\u003e\u003cp\u003eWhile Williamson sings “Texas in my rearview \/ Plains in my heart” and Crutchfield echoes “Got a heartbreak burn, take the quickest route \/ On this 4 lane highway I’ll trace it in the clouds,” the true gift of this album emerges. We’re in the backseat with these two, truck windows open, wide open spaces in front of us. The feeling of being both a mess and unstoppable at our fingertips. May this album bring us all closer to ourselves and to each other.\u003c\/p\u003e\u003cp\u003e- Marlee Grace\u003c\/p\u003e","brand":"ANTI-","offers":[{"title":"Vinyl (Clear Pink)","offer_id":50775868375347,"sku":"NPV","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl","offer_id":51637248491827,"sku":"NPV","price":23.8,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_6062ab53-f2a6-42c7-ba3c-0a491d9d7220.jpg?v=1739893603"},{"product_id":"one-step-closer-this-place-you-know","title":"One Step Closer - This Place You Know","description":"\u003cp\u003eFor Wilkes-Barre’s \u003cstrong\u003eOne Step Closer\u003c\/strong\u003e - the concept of home is complicated. “I’ve never felt so distant in my life,” vocalist Ryan Savitski screams on the lead single “Pringle Street,” a place in his hometown that binds the album’s lyrics to both a precise location and feeling of displacement. On their first ever full-length album and debut for Run For Cover \u003ci\u003eThis Place You Know\u003c\/i\u003e, the band offers a modern coming-of-age story about growing up and grasping both the known and the unknown.\u003c\/p\u003e\n\u003cp\u003eOne Step Closer started in 2016 and in their short five years, Savitski, along with drummer Tommy Norton, bassist Brian Talipan and guitarists Ross Thompson \u0026amp; Grady Allen have come into their own as a modern hardcore mainstay. Their 2019 EP \u003ci\u003eFrom Me To You\u003c\/i\u003e countered existing trends in exchange for a more melodic sound in the vein of bands like Turning Point and Title Fight. They went on to open for Have Heart at the band’s now legendary reunion shows that summer, and joined bands like Knuckle Puck and Turnstile on tour before pausing to write their debut album.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis Place You Know \u003c\/em\u003egrapples with the weight of themes like isolation, depression, and loss - all amplified by driving bass lines, emphatic guitar riffs and unwavering drumming performed by the band. From the first moments of album opener “I Feel So,” the stakes are made clear by the anchoring lyric ‘this place you know, sometimes it hides the truth and lets people go” - One Step Closer is attempting to resolve the unresolvable anguish of moving on from everything you once knew.\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Vinyl (Violet Glitter)","offer_id":50775874502963,"sku":"NPV","price":18.7,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_b74210a8-c03d-4f2a-96b1-fc8f62ad69b4.jpg?v=1739893598"},{"product_id":"strike-anywhere-exit-english","title":"Strike Anywhere - Exit English","description":"\u003cp\u003eOn their second full-length, \u003cstrong\u003eStrike Anywhere\u003c\/strong\u003e does justice to their previous efforts while completing its formal transition into one of the most compelling and exemplary bands of their era. Rarely does a band challenge its listeners to become part of its collective consciousness with a musical rally to discourse inclusive of direct pop explosions, folk imbued hardcore mantras, and piercing punk manifestos.\u003c\/p\u003e","brand":"Jade Tree","offers":[{"title":"Vinyl (Colored)","offer_id":50775876010291,"sku":"NPV","price":23.8,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_71ed3af8-d3c3-412e-9f56-846467deddfd.jpg?v=1739893596"},{"product_id":"pickle-darling-laundromat","title":"Pickle Darling - Laundromat","description":"\u003cp\u003eIn her 2009 short story collection, writer Lydia Davis creates worlds in tiny spaces, some totaling only two sentences. Steering away from the rigidity of what a piece of art is meant to look like, Christchurch, New Zealand-based artist Lukas Mayo (they\/them) took inspiration from Davis, and others, to find the magic in the mundane. Art is everywhere: in the shape we make out of a napkin while waiting for our coffee to arrive, in the text we send to a friend in need, in the beat we make on the steering wheel while stuck at a red light. As \u003cstrong\u003ePickle Darling\u003c\/strong\u003e, Mayo points past perfectionism, and leans into the art of the everyday, where these ever-evolving forms of creativity find their home in new album \u003ci\u003eLaundromat\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eTheir previous albums \u003ci\u003eBigness\u003c\/i\u003e (2019) and \u003ci\u003eCosmonaut\u003c\/i\u003e (2021) elevated their lo-fi indie pop with a rounded-out, cleaner sound, garnering acclaim in their ability to zoom in on the universality of existential thought with an earnest yet playful approach. The reaction to the releases, and an extensive touring schedule, brought with them a kind of expectation––one that Mayo says began to wear on them. “I felt that I couldn't just follow my instincts anymore,” they say. “I wanted to return to how I made music right at the very start.” Those instincts flourish throughout \u003ci\u003eLaundromat\u003c\/i\u003e, where the immediacy of Mayo’s creative aptitude permeates. Here, Pickle Darling slots into the silhouettes of the ordinary and stretches them onto an entirely new canvas.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eLaundromat\u003c\/i\u003e was created in what Mayo describes as their first stable living situation, away from difficult flat mates, tense surroundings, and abysmal landlords. As an artist who writes, records, and produces all of their music at home, the security of their current place allowed their ideas to blossom. Writing soon became a daily practice, and rather than laboring over each song like they had previously––some songs on previous records were months and months in the making––Mayo found themselves drawn to the spark of what had created the initial idea in the first place. “For it to be a daily practice I have to focus on what it is that I enjoy about it,” they say. “I became really excited to make music for myself again––to just enjoy making music again.”\u003c\/p\u003e\u003cp\u003eMayo highlights folk artists Connie Converse, Bill Fay, and Vashti Bunyan as passengers in the process of \u003ci\u003eLaundromat\u003c\/i\u003e; artists who put music into the world then disappeared from the public eye. “I wanted to capture the feeling of making music that's out of step with everything around it,” they explain. “I wanted it to be a lot more immediate.” Mayo recorded a lot of \u003ci\u003eLaundromat\u003c\/i\u003e’s ideas onto their phone, giving themselves permission to allow those ideas to be the entire song. The enforced length of what a song should be––a neat, 3-minute sellable product––has always bothered Mayo, and while some of the songs on \u003ci\u003eLaundromat\u003c\/i\u003e do fit around that particular mold, Pickle Darling says the smaller pockets on the album were them striving to create their “own kind of normal.”\u003c\/p\u003e\u003cp\u003eThis new-found normalcy developed after Mayo immersed themselves in William Morris’ book \u003ci\u003eNews from Nowhere\u003c\/i\u003e, inspiring them to merge art and daily life. “I was thinking a lot about music and art in the same way as doing your chores,” they say. Everyday life sprinkles itself throughout \u003ci\u003eLaundromat\u003c\/i\u003e, where Mayo threads together voicemails from their close friends Bedbug (“Kinds Of Love”) and Tony Stamp (“More Kinds Of Love”), with familial difficulties, intrusive swirling thoughts and falling down a digital rabbit hole.\u003c\/p\u003e\u003cp\u003eGorgeously luminous opener “Early Geometry” highlights Pickle Darling’s delicate finger plucking alongside their ability to capture a moment, one that others might forget in an instant. Like a photograph tucked away in a bedside table drawer, we can feel its presence and how it strangely seems to look different every time we take it out. Later, on “King Of Joy,” Mayo bends their sweet electronica to a rewound introduction, crafting a kind of nostalgia for a place that only exists in our periphery. “Invercargill Angel” opens up this periphery to a broader landscape, as distant laughter and simple strums creates an exhale, as Mayo repeats “I hope he makes you feel at home” like a rolling, effervescent mantra.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eLaundromat\u003c\/i\u003e is Pickle Darling creating their own tiny worlds, but ones that are large enough to welcome anyone who might need them. It’s a reminder that we can escape into art at any given moment, and how those moments might help us onto the next. Whether it’s the swirling kaleidoscope of a washing machine on spin, or the melody of your friend’s voice, \u003ci\u003eLaundromat\u003c\/i\u003e places a frame around the beautiful nothing, sculpting these moments into something tangible and noteworthy.\u003c\/p\u003e","brand":"Father\/Daughter","offers":[{"title":"Vinyl (Pink Blob)","offer_id":50775899832627,"sku":"NPV","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/7ed17eebfd4133bf698be16c687956c5505aee5e_1fb7b592e5153ae27682ac616bbf1fbbc8deecba_photo_jpg.jpg?v=1739893559"},{"product_id":"teethe-teethe-garage-sale","title":"Teethe - Teethe (Garage Sale)","description":"\u003cp\u003e\u003cstrong\u003eTeethe\u003c\/strong\u003e is a band from Texas. The members of Teethe met while attending the University of North Texas in Denton, TX, a small college town outside of Dallas with a fertile music scene. Before forming Teethe, its core members Boone Patrello, Grahm Robinson, Madeline Dowd, and Jordan Garrett all played in various other groups in Denton, releasing music under different pseudonyms. Patrello released solo music via his Dead Sullivan moniker, while Robinson released under MAH KEE OH. Patrello and Robinson linked up with Dowd to record an album for her project, Crisman, in 2019. They all eventually moved in together, leading the group to start recording more as a whole unit, and subsequently Teethe was born.  \u003c\/p\u003e\u003cp\u003eMade over the course of 2020, Teethe's eponymous debut album is a collection of songs pieced together over time - a sonic collage of fragmented recordings and half finished tracks made whole in the midst of isolation. Initially self-released in November of 2020 with little fanfare, the album's warm, lo-fi aesthetic and slow, calming songs spread by word of mouth. Roughly one year later, at the top of 2022, the band returned with \"Tag\", a new single that caught the attention of slowcore fans and garnered shout outs from unlikely celebrities. Tours soon followed with Charlie Martin of Hovvdy, Momma, Milly, Waveform, and They Are Gutting A Body of Water.  \u003c\/p\u003e\u003cp\u003eThe band continued to record their own music, releasing another single, \"Lucky,\" in the fall of 2022, and most recently partnered with Saddle Creek for their 7-inch series to release their newest single, \"Moon,\" in October of 2023. Now spread between Dallas and Austin, the Texas band has recently signed with Winspear to re-issue their self-titled debut LP.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Green Geode)","offer_id":53474065056051,"sku":"MISC","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl (Black)","offer_id":50775946166579,"sku":"MISC","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":51636422246707,"sku":"MISC","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_32920697-5489-4f55-8059-2394661b89a5.jpg?v=1739893508"},{"product_id":"strfkr-jupiter-garage-sale-vinyl","title":"STRFKR - Jupiter (Garage Sale Vinyl - Minor)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (180-Gram Black) - Minor","offer_id":50775273341235,"sku":"NPV","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/de4d0312514a1d471f10ea909a589a32_f860b43bc087e472c686aad3ce388f135d05f01d_product_photo.jpg?v=1755137784"},{"product_id":"bad-cello-finna-garage-sale","title":"Bad Cello - Finna (Garage Sale)","description":"\u003cp\u003eFour new songs from New York's \u003cstrong\u003eBad Cello\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl 7\" (Black)","offer_id":50776250155315,"sku":"MISC","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/eea5d933e9dce59c7dd0f6532f9ea81b_34ae05d2537dd551b5a55f195c01312041210c81_product_photo.jpg?v=1737061001"},{"product_id":"tooth-ache-skin-garage-sale","title":"tooth ache. - Skin (Garage Sale)","description":"\u003cp\u003e \u003ci style=\"background-color: initial;\"\u003eSkin\u003c\/i\u003e 7\" from Burlington, VT's \u003cstrong\u003etooth ache.\u003c\/strong\u003e, the solo project of Alexandria Hall.\u003c\/p\u003e\u003cp\u003e\"Skin\" and B-side \"Lazarus\" are a hypnotic trip into tooth ache's dark, rhythmic pop jams.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl 7\" (Clear)","offer_id":50776250253619,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ff2ffdc47aef555a0d07796f282b8659_d97d1af91e23a3e7a1dc07c1422009d75d5ff48a_product_photo.jpg?v=1737060998"},{"product_id":"slaughter-beach-dog-safe-and-also-no-fear-garage-sale","title":"Slaughter Beach, Dog - Safe and Also No Fear (Garage Sale)","description":"\u003cp\u003eAcross the previous \u003cstrong\u003eSlaughter Beach, Dog\u003c\/strong\u003e albums, Jake Ewald has crafted a specific sound. It’s one that incorporates pop music, indie-rock, folk, and just the faintest dash of punk in order to create something that’s accessible but still artistically rich. With \u003cem\u003eSafe And Also No Fear\u003c\/em\u003e, the band’s third album, Ewald has abandoned his usual practices in service of creating something that, try as one might, isn’t so easy to describe.\u003c\/p\u003e\u003cp\u003eIn the wake of 2017’s \u003cem\u003eBirdie\u003c\/em\u003e, an album awash in warm tones and bubbly pop hooks, \u003cem\u003eSafe And Also No Fear\u003c\/em\u003e can’t help but feel like a turn toward darkness. It’s not one that’s instigated by the outside world—as inescapable as it may be—but instead the dramatic shifts of a person’s interior life. Where Ewald once offered tightly woven vignettes about characters that mirrored the people in his life, \u003cem\u003eSafe And Also No Fear\u003c\/em\u003e finds him naked at the album’s center, questioning everything he knows about himself. Around him, bassist Ian Farmer, guitarist Nick Harris, and drummer Zack Robbins spin out songs that are dense, swirling amalgams of difficult questions and hard-earned realizations—the kind that can’t be expressed through the accepted structures of pop music.\u003c\/p\u003e\u003cp\u003eThis isn’t to say there aren’t hooks, as songs like “Good Ones” and “One Day” have effervescent melodies anchoring them, but \u003cem\u003eSafe And Also No Fear\u003c\/em\u003e generally avoids taking the clear-cut path. As Ewald tells it, that’s a horrifying thing to put out into the world. After putting the finishing touches on the album, he sat down and listened back to the demos he’d first made, then the album itself, and realized it sounded unlike anything he’d ever done before. His creative impulses had changed over the years, and the result was a record that maybe his followers wouldn’t actually like.\u003c\/p\u003e\u003cp\u003eEwald seemingly addresses this anxiety during the album’s most ambitious track, the seven-minute long “Black Oak.” It’s fitting that midway through the longest song Ewald has ever written he offhandedly remarks, “Realizing this may put my career on the line.” It’s part of a larger narrative, but one that’s more textural and ambiguous than what the band has been known for. Is that lyric about Ewald and Slaughter Beach, Dog? We’ll maybe never know—and that’s the beauty of Safe And Also No Fear. It’s an album so profoundly singular, one that sees the band willing to wade out into deep waters without a life vest, that it encourages you to go out there with it. You hear the band fully embrace the unknown at the end of “Black Oak,” when the song explodes open and Ewald’s vocals are looped into a refrain that’s haunting and impossible to sing along with accurately. You can pick out phrases and hum a melody, but there’s no didactic meaning behind it. It’s there for you to find if you need it.\u003c\/p\u003e\u003cp\u003e \u003cem\u003eSafe And Also No Fear\u003c\/em\u003e is a bold gesture, not just because of the music contained therein, but because it required Ewald to interrogate his artistic tendencies, breaking himself of his habits in service of making something he never thought he could. That involved trusting his band, with whom Ewald collaborated for a full year of writing and recording. Unlike \u003cem\u003eBirdie\u003c\/em\u003e, where Ewald played every instrument, with Safe And Also No Fear everyone’s fingerprints are on it. Though the album is a product of Ewald committing to his vision, it’s also proof of the way that Farmer, Harris, and Robbins are able to expand Slaughter Beach, Dog’s sonic boundaries in subtle, evocative ways.\u003c\/p\u003e\u003cp\u003eThe result of that collaboration is \u003cem\u003eSafe And Also No Fear\u003c\/em\u003e, an album that doesn’t leave easy clues as to its influences or intentions, instead offering up vague sketches of what it feels like to be a person who is constantly confused and anxious, yet completely committed to finding a way through it. It’s not simple, and Ewald’s never didactic, but the message begins to come through the more you revisit it. Every part of \u003cem\u003eSafe And Also No Fear\u003c\/em\u003e is a risk, and that’s exactly what makes it so beautiful. It’s a record that sees a band fully committed to their art, in spite of what everyone else would advise. And if you’re listening close enough, it really does make a lot of sense.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl - Minor","offer_id":50775646273843,"sku":"MISC","price":18.0,"currency_code":"USD","in_stock":false},{"title":"Vinyl (Ocean Dip)","offer_id":50775646306611,"sku":"MISC","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl (Black)","offer_id":50775646339379,"sku":"MISC","price":22.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":51635632800051,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/e81218f96c55d1006352ed0a3b08d790_51c612c0499b955322baa24ea2b2885157370ffb_product_photo.jpg?v=1737060996"},{"product_id":"murder-city-devils-in-name-and-blood","title":"Murder City Devils - In Name And Blood","description":"\u003cp\u003e On this their third full-length record, \u003cstrong\u003eThe Murder City Devils \u003c\/strong\u003edemonstrate the notion or Rock and Roll as a life or death proposition: tales of love lost (or destroyed), the doomed romanticism of the road (and an innate inability to deny its call), and suffering the slings and arrows of fate (outrageous or otherwise…). “With head, heart and hands – in name and blood.”\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Vinyl","offer_id":50775699194163,"sku":"NPV","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/40bd33b35dfb6a76a1f8861c494a2d6c_47378dc6f6eb67edd761ef0982e6d73129c2e30f_product_photo.jpg?v=1739893480"},{"product_id":"various-artists-spook-houses-bad-history-month-garage-sale","title":"Various Artists - Spook Houses \/ Bad History Month (Garage Sale)","description":"\u003cp\u003e  A collaborative split release from New Jersey's \u003cstrong\u003eSpook Houses\u003c\/strong\u003e and Massachusetts' \u003cstrong\u003eBad History Month\u003c\/strong\u003e pressed on 7\" vinyl.\u003c\/p\u003e\u003cp\u003e  Comes with full-color artwork and a secret bonus 7\" exclusive track.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"7\" Vinyl (Black)","offer_id":50776250614067,"sku":"MISC","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/374939012129c174e451f0f64be3bfea_8036a377083a08670c1998e8d31fbc7d12a3de69_product_photo.jpg?v=1737060991"},{"product_id":"amy-o-shell-garage-sale","title":"Amy O - Shell (Garage Sale)","description":"\u003cp\u003eAmy Oelsner’s homemade pop songs sparkle with these eternal truths: that story-telling is part of being alive, and excavating the past is part of growth. Oelsner, who records as \u003cstrong\u003eAmy O\u003c\/strong\u003e, is a lifer of the indie-pop underground for whom songwriting is a way of processing the passing of time. Her latest, \u003ci\u003eShell\u003c\/i\u003e, brims with poetic granular details of everyday life; it’s her third studio album, and tenth including her many years of home recordings.\u003c\/p\u003e\u003cp\u003eFollowing 2017’s \u003ci\u003eElastic, \u003c\/i\u003eOelsner continues living up to that album’s namesake: \u003ci\u003eShell\u003c\/i\u003e similarly stretches with melodies upon melodies. But here there is greater use of space and pace and patience. Perfectly minimal riffs slowly build, ebb, erupt and recoil; guitars and keys layer and swell; there are moments of steady piano-pop, intricate drums and pristine criss-crossing vocal melodies.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Black)","offer_id":50776049975603,"sku":"MISC","price":10.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50888634761523,"sku":"MISC","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ea415b5f7047769aac77f70df7226a85_85b7598d9ed636e54c66ba25f8a039ac07f1bd9b_product_photo.jpg?v=1737060989"},{"product_id":"amy-o-elastic-garage-sale","title":"Amy O - Elastic (Garage Sale)","description":"\u003cp\u003e\u003ci\u003eElastic\u003c\/i\u003e ultimately is an album about learning to live in your own inescapable skin—a challenge that defines not just \u003cstrong\u003eAmy O\u003c\/strong\u003e’s life, but everybody’s existence. Identifying that universal truth has shaped her into an exciting and insightful artist, one who is no longer making music for herself but is working to command whatever stage she steps onto. “I always had an aversion to being a girl onstage with a guitar singing quiet songs. There’s nothing wrong with that at all, but I always knew I wanted to do something with a bit more volume, a bit more anger. I’m just now figuring out how to represent myself, and I think a lot of that has to do with feminism—learning how to be loud and take over a room, when those are things I’ve been socialized not to do. It’s been a very powerful realization that I can do that.”\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Black)","offer_id":50776050630963,"sku":"MISC","price":12.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50819018785075,"sku":"MISC","price":4.0,"currency_code":"USD","in_stock":true},{"title":"Tape","offer_id":50819018817843,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/8a83c2dd98549659c7a41b00842a56455cf19f03_c81fddaa1f2680a1fc904b65445e1d21e0347dc1_photo_jpeg.jpg?v=1737060989"},{"product_id":"major-murphy-lafayette-ep-garage-sale","title":"Major Murphy - Lafayette EP (Garage Sale)","description":"\u003cp\u003e\u003cstrong\u003eMajor Murphy \u003c\/strong\u003efollows up their debut long play \u003ci\u003eNo. 1\u003c\/i\u003e with a set of bedroom recordings archiving a time when Jacob Bullard was discovering his voice as a songwriter and the band was finding their footing within that space. Named after the house in Grand Rapids, MI that many of these songs were written and recorded in, the \u003ci\u003eLafayette EP\u003c\/i\u003e chronicles a liminal space as the project transitioned from a stripped-down, solo project toward a three-piece rock band. The porches and walls of this house on Lafayette Avenue was a natural space for creativity and collaboration, a space where the band recorded early versions of Major Murphy standards that would eventually be taken into the studio to create their debut album.\u003c\/p\u003e\u003cp\u003eOn \"No. 1 (demo)\" Bullard and drummer, Bud Voortman, jam for the first time what would become the title track of their debut record. “When I Go Out (demo)” features textures and instrumentation that differ from the album version. Here Jacki Warren can be heard providing an enchanting harmony, which became a common thread throughout \u003ci\u003eNo. 1\u003c\/i\u003e. With \"Come By Sunday\" Bullard writes an open-hearted expression of affection that is nostalgic as much as it is forward-thinking. Listening to these tracks is almost like walking past the Lafayette house on a breezy Fall morning, hearing the songs spilling out the windows and down the street. Venture to peer through a window and you just might catch a glimpse of the magic.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl 12\" EP (Black)","offer_id":50775998824755,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true},{"title":"NON-PV TAPE (Garage Sale)","offer_id":50888632729907,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/8c1c8800bed1827457d5693bd0f3f31e191b05d8_919486da05216bb9e18cabcfe7176c0b9d6d2238_photo_jpeg.jpg?v=1737060988"},{"product_id":"the-arrogant-sons-of-bitches-three-cheers-for-disappointment-garage-sale","title":"The Arrogant Sons of Bitches - Three Cheers for Disappointment (Garage Sale Vinyl - Moderate))","description":"\u003cp\u003eWe've been biding our time, waiting for the great ska come back so we could \u003cem\u003ereally\u003c\/em\u003e capitalize on this release, and HERE WE ARE!!! WE'VE MADE IT!!!\u003c\/p\u003e\u003cp\u003eAfter nearly ten years of being out of print, here's a re-issue of the final release from \u003cstrong\u003eJeff Rosenstock\u003c\/strong\u003e's first band, Long Island's punk\/ska mainstays the \u003cstrong\u003eArrogant Sons of Bitches\u003c\/strong\u003e featuring glockenspiels, theremins, a full-blown concept and many more decidedly non-punk\/ska things.\u003c\/p\u003e\u003cp\u003eThis album took about four years to write, record and release in 2006 and that frustrating process eventually ended the band.\u003c\/p\u003e\u003cp\u003eAfter being sought after for years and fetching high prices on record auction sites, it is now available for a not high price! Get it now and satisfy all your nth-wave ska\/punk needs!!!!\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl - Moderate","offer_id":50775401660723,"sku":"MISC","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/26a95b3bf6c0fa4ba909250facfb5ae9_e7085cb852441aa2beb3b9a8a77e81b62cce7120_product_photo.jpg?v=1735838881"},{"product_id":"mirah-cmon-miracle-garage-sale","title":"Mirah - C'mon Miracle (Garage Sale)","description":"\u003cp\u003eBrooklyn-based Mirah Yom Tov Zeitlyn (b. 1974, Philadelphia) creates incorruptible independent pop music defined by her graceful songwriting and adventuresome recordings. \u003cstrong\u003eMirah\u003c\/strong\u003e has released over a dozen solo and collaborative recordings on K Records, Kill Rock Stars and various US domestic and foreign independent labels while touring the United States, Europe, Japan, Australia and New Zealand many times since 1998.\u003c\/p\u003e\u003cp\u003eMirah remains a force through her expansive catalog and the artists she inspired, teaming up to reissue her seminal album \u003ci\u003eYou Think It’s Like This But Really It’s Like This\u003c\/i\u003e with Brooklyn indie label Double Double Whammy in 2020. The 20th Anniversary reissue included a tribute compilation of friends and collaborators covering each of the album’s tracks. In 2021, Mirah is set to reissue her sophomore album \u003ci\u003eAdvisory Committee\u003c\/i\u003e, featuring landmark tracks “The Garden” and “Special Death.” The album crystallized Mirah’s reputation as a notable songwriter and will be available, on colored vinyl, for the first time since 2002. Mirah’s critically-acclaimed 2004 album\u003ci\u003e C’mon Miracle\u003c\/i\u003e (named Pitchfork “Best New Music”) will also receive the reissue treatment and will be available, on colored vinyl, for the first time since 2014.\u003c\/p\u003e\u003cp\u003eFrequent collaborators of the years have included well-known producers Phil Elverum (The Microphones\/Mount Eerie), Merrill Garbus (tUnE-yArDs), Eli Crews (The Julie Ruin), Tucker Martine, Guy Sigsworth and Calvin Johnson, songwriters and composers such as Thao Nguyen, Greg Saunier (Deerhoof), Lori Goldston, Susie Ibarra, Jherek Bischoff, Tara Jane O’Neil and Khaela Maricich (The Blow) and visual and media artists such as Anna Oxygen of Cloud Eye Control, Britta Johnson and Ginger Brooks Takahashi.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl","offer_id":53472977912115,"sku":"MISC","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ab67616d0000b2736c8727b81d4958dde49357be_dbc48371-7a5f-4701-9074-ef2ba2384e16.jpg?v=1737060985"},{"product_id":"2nd-grade-wish-you-were-here-tour-revisited-garage-sale","title":"2nd Grade - Wish You Were Here Tour Revisited (Garage Sale)","description":"\u003cp\u003eIt was hard to get in touch with Pete Gill in the summer of 2018. He didn’t have a phone, car, or apartment. He had a job renting swan boats on the Delaware River in Philadelphia, where he was the oldest employee by ten years. He had a 3rd Generation iPod Touch, which he used to tell his friends whether he could hang out over Facebook Messenger on public wifi, and to listen to the Beach Boys every single day. And he had a bicycle.\u003c\/p\u003e\u003cp\u003eGill wrote over 150 songs that summer. At the time, he toured with Philly bands Friendship and Free Cake for Every Creature. \u003cstrong\u003e2nd Grade\u003c\/strong\u003e began as a passion project, inspired by the childlike openness and excitement of early power pop singles. Over two weekends, Gill recorded every instrument of \u003ci\u003eWish You Were Here Tour \u003c\/i\u003eto garageband in a friend’s carpeted bathroom, starting with drums. Philly label Sleeper Records did a short run of tapes; Gill never expected anyone to hear it.\u003c\/p\u003e\u003cp\u003eGill isn’t getting sunburned at the Harbor Park anymore. He’s got a band, and he wants everyone to hear it. He still writes songs at a Robert Pollard-pace, but he doesn’t have to play his own drums. In 2020, 2nd Grade released the 24-track LP \u003ci\u003eHit to Hit \u003c\/i\u003eon Double Double Whammy with a band of Philly all-stars including members of Remember Sports, Friendship, and 22 degree halo. Now, the five-piece band has re-recorded eight songs from \u003ci\u003eWish You Were Here Tour\u003c\/i\u003e. Along with remastered versions of the original fourteen and one outtake, they will make up \u003ci\u003eWish You Were Here Tour Revisited\u003c\/i\u003e, a document of the band’s past, present, and future.\u003c\/p\u003e\u003cp\u003e2nd Grade’s past is Pete Gill on a friend’s futon, layering guitars with a zoom recorder on his day off. \u003ci\u003eWish You Were Here Tour\u003c\/i\u003e came before the band members, studio, and more serious genre experimentation of \u003ci\u003eHit to Hit\u003c\/i\u003e, and is Gill at his most vulnerable. Lo-fi guitar riffs and snarky jokes are broken up by sincerity and tenderness. Despite Gill’s pan-instrumental virtuosity, \u003ci\u003eWish You Were Here Tour\u003c\/i\u003e is still defined by personal idiosyncrasy.\u003c\/p\u003e\u003cp\u003eThe future is a nonstop rush of guitar, harmony, and gratification. 2nd Grade’s new albums are like bags of Jolly Ranchers; seemingly bottomless containers of sweet sensory overload, with every possible flavor - overwhelming confusion, new love, spite, fear, and nostalgic longing. There’s more distortion, more production, and even more guitar. Gill sings louder than he used to, whether it’s due to confidence or the move from thin-walled apartments to the recording studio. Both versions of the \u003ci\u003eWish You Were Here Tour\u003c\/i\u003e songs develop the 2nd Grade ethos: childhood wonder, experimentation, guitar hooks, and having as much fun as possible before you die.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Red(ish)","offer_id":50776059117875,"sku":"MISC","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/7c423a68d89b1b29611216337d3cf3d1119012cb_6faf9eb1afe772ffd01c9dc30ea4c27ef8bf55ad_photo_jpg_bc1d489f-6801-46d3-8eda-aa2783e3b722.jpg?v=1737060984"},{"product_id":"anna-mcclellan-i-saw-first-light-garage-sale","title":"Anna McClellan - I saw first light (Garage Sale)","description":"\u003cp\u003e\u003cstrong\u003eAnna McClellan\u003c\/strong\u003e began performing original songs in her hometown of Omaha, NE at the age of seventeen and has been actively recording and touring ever since. Her debut, \u003ci\u003eFire Flames\u003c\/i\u003e, earned her an opening slot on a Frankie Cosmos tour. Through the doors that tour opened, McClellan eventually met Father\/Daughter Records which led to the release of her second full-length record, \u003ci\u003eYes and No\u003c\/i\u003e, in 2018. After a stint in NYC, several subsequent tours and meandering, Anna returned to Omaha and recorded \u003ci\u003eI saw first light\u003c\/i\u003e, her latest effort for Father\/Daughter.\u003c\/p\u003e\u003cp\u003eThe album was recorded over two weeks with a multitude of local cohorts, and it documents Anna’s journey from the Midwest to the east coast and back again, probing both the roots of her creative impetus and her ongoing commitment to social issues. The process of composing and recording I saw first light has both reformed and renewed her dedication to exploration, be it inward or external, and to her own boundless creative energy.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Half Orange\/Half Pink","offer_id":50776059674931,"sku":"MISC","price":8.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50819015999795,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true},{"title":"TAPE","offer_id":50819016032563,"sku":"MISC","price":2.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/2d77c98a9c425f24bfccb5beea486607d191eaf8_6c757c03016937e8e49e56ed9b3b4054f99cdb98_photo_jpeg_302861b7-a1c3-4b25-b228-2df1162b83d3.jpg?v=1737060983"},{"product_id":"skirts-great-big-wild-oak-garage-sale","title":"skirts - Great Big Wild Oak (Garage Sale Colored Vinyl - Minor)","description":"\u003cp\u003eThe debut full-length album from songwriter Alex Montenegro, better known by “\u003cstrong\u003eSkirts\u003c\/strong\u003e,” is a convergence of Southwestern folk rock and contemporary percussion, adorned with Texas imagery and piercing guitar licks. Entitled \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e, the record spans ten intimate tracks that paint sonic portraits of Montenegro’s memories through impressive arrangements and warmhearted vocals.\u003c\/p\u003e\u003cp\u003eGrowing up in Dallas, Montenegro was surrounded by music, citing distinct memories of her father teaching her how to place a needle on a record he was willing to sacrifice. Montenegro began to shape her own taste whilst working at record stores and discovering the burgeoning indie rock communities in Texas. After the release of \u003ci\u003eAlmost Touching\u003c\/i\u003e, an EP of tracks home-recorded on a cassette 4-track, Montenegro took Skirts on the road, touring with the likes of LVL UP, Snail Mail, and Spencer Radcliffe (who lends vocals on delicate album closer “Annie”). Employing live band members and friends Vincent Bui and Joshua Luttrull, Montenegro picked apart demos and made space for \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e to grow.\u003c\/p\u003e\u003cp\u003eRecorded between various home studios in Dallas, Montenegro recalls \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e as a “Frankenstein album” as forgotten demos came back to life and other songs were cut from the record. The album’s craft is displayed in its open-minded approach, from xylophone to pedal steel, banjo to clarinet — the vast array of instruments never outshine one another.\u003c\/p\u003e\u003cp\u003eReminiscent of a Southern lullaby, third track “Easy” highlights the fusion of classic folk and inventive percussion that define the album. Through gliding layers of saxophone and flute, Montenegro sings “Papa was a rodeo, you're like him, you're a wildfire – you'll go out with some time.” Skirts’ knack for strong imagery and lyricism remain present throughout the album, each song giving the sensation of an old film photo in your hand.\u003c\/p\u003e\u003cp\u003e“Spare key in the front yard, underneath the bed of flowers” begins “Swim,” a piano-driven track that was re-recorded over five times, eventually becoming a personal favorite to Montenegro. The song’s process mirrors its sentiment, Montenegro sings wistful like a sigh (“If a salmon can swim upstream then I can learn to swim”) — a lyric that has stuck with her since teenhood.\u003c\/p\u003e\u003cp\u003e“True,” the twangiest cut from \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e, begins with Montenegro’s tumbling piano and guitar, before erupting into a dynamic sonic discussion of Southern-steeped rhythms and percussion. Though there is great comfort in Montenegro’s nostalgia-laced tunes, \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e keeps you on your toes, sprinkled with instrumental interludes and distorted, yet tender moments.\u003c\/p\u003e\u003cp\u003eAfter building an underground fanbase throughout Texas, Skirts used \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e to create the first developed portrait of the band’s signature sound. Final track “Annie” seals the album with a dialogue of harmonies and reverse guitar work, a diversion from full rock arrangements, and just one indulgent minute of the tangible warmth and intimacy one should expect from a Skirts tune. With \u003ci\u003eGreat Big Wild Oak\u003c\/i\u003e freshly planted in their discography, Skirts is prepared to swim against the current with sincerity.\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Colored) - Minor","offer_id":53472991412531,"sku":"MISC","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/3bfad48cc2e64531cfb4db58e381f88cd237f6ef_ea71d4916fbe99f88eabda646bc0c2cf287364de_photo_jpg_2284dcc7-8591-49f3-a139-d3d48442ec80.jpg?v=1737060982"},{"product_id":"a-o-gerber-meet-me-at-the-gloaming-garage-sale","title":"A.O. Gerber - Meet Me at the Gloaming (Garage Sale)","description":"\u003cp\u003e\u003cspan style=\"background-color:transparent;color:rgb(0,0,0);\"\u003eOn her new album, \u003ci\u003eMeet Me at the Gloaming\u003c\/i\u003e, Los Angeles-based singer, songwriter, multi-instrumentalist, and producer, \u003cstrong\u003eA.O. Gerber\u003c\/strong\u003e carefully grapples with the constraints she was taught as a child to reach for the flourishing that comes when we look past the black and white, and into the gray gauze of the in-between. “I was thinking about how damaging it can be to exist in that binary space of good and evil,” Gerber explains. “When we see everything in either\/or’s, we lose the nuance and complexity that make life rich enough to be worth living.” By interlocking memory and imagination, Gerber crafts a gleaming future, where the light and the dark don’t just coexist––they create a new color entirely.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"background-color:transparent;color:rgb(0,0,0);\"\u003eGerber’s debut LP, \u003ci\u003eAnother Place To Need\u003c\/i\u003e (2020), garnered critical acclaim for its candid, orchestral ruminations on splintered relationships and the cage of overthinking. While that record took three years to complete, and saw Gerber collaborate with much of her musical community in Los Angeles and the Bay Area – including Sasami, Madeline Kenney, Marina Allen, and Noah Weinman (Runnner) – Gerber stripped back the team for \u003ci\u003eMeet Me at the Gloaming\u003c\/i\u003e. Once again co-producing with Madeline Kenney, Gerber shunned the usual process of seeking constant feedback, and instead leaned into a more isolated process, later producing much of the record at home. “I found a lot of healing while making this record because I had to be the person to call the shots,” she says. “I realized that I can exist as a musician completely outside of other people’s opinions of me.” Recording at Kenney’s home studio on nights and weekends in-between their day jobs, Alex Oñate joined Gerber and Kenney on drums while Gerber also collaborated remotely with Megan Benavente on bass and Lauren Elizabeth Baba on violin and viola.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"background-color:transparent;color:rgb(0,0,0);\"\u003eThis somewhat secluded process serves as a mirror to the deeply introspective and thoughtful nature of \u003ci\u003eMeet Me at the Gloaming\u003c\/i\u003e. Here, Gerber explores her upbringing, much of which took place under the watchful gaze of a spiritual teacher who led her mother to completely uproot their lives and move the family from Northern California to Southern Oregon. But this isn’t a scathing composition of redemption or revenge; instead, Gerber parses out her own history with care and grace. “It can be difficult to write about your childhood when you have a lot of shame around it,” she explains. “I wanted to approach it from multiple perspectives, to try to hold the complexity of formative experiences and relationships and resist the temptation to over-simplify them.” \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"background-color:transparent;color:rgb(0,0,0);\"\u003e\u003ci\u003eMeet Me at the Gloaming\u003c\/i\u003e is certainly an album that pierces grief head-on but it’s not without hope or certainty. Like curtains strong enough to block the view, but thin enough to let in the light, Gerber is reclaiming the meaning of goodness, where the harsh overwhelming brightness is dimmed to a beautiful, iridescent blue. During the gloaming we are between two spaces, two worlds, two selves and it’s here that we can fully embrace everything that we are. \u003c\/span\u003e\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Blue Galaxy)","offer_id":50776065671475,"sku":"MISC","price":8.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50888634171699,"sku":"MISC","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/229ee144ad21360430cee87054bb9308e7cc1c8b_20a84254e5aa7e78b2a8ef836a6cbb41d5a201d2_photo_jpeg_2ceb1a6e-65c2-411b-8411-15eb6057974e.jpg?v=1737060978"},{"product_id":"katie-bejsiuk-the-woman-on-the-moon-garage-sale","title":"Katie Bejsiuk - The Woman on the Moon (Garage Sale)","description":"\u003cp style=\"margin-left:0.0px;\"\u003e\u003ci\u003eThe Woman on the Moon\u003c\/i\u003e gently nods to the pre-band days of Free Cake—when it was just Katie and her guitar—but with a musical evolution cultivated from years of self-inquiry during which her confidence, direction, and self-possession bloomed. Whereas Free Cake buoyantly focused on the ecstatic wonders and wounds of youth in real time, \u003cstrong\u003eKatie Bejsiuk \u003c\/strong\u003epans out with wisdom and retrospection that comes with age. \u003ci\u003eThe Woman on the Moon\u003c\/i\u003e is composed of 12 exquisite and refined songs that evoke the sensory through introspective lyrics and salve the heart with Katie’s tranquilizing, cadenced vocals that devoted fans have clung to for over a decade.\u003c\/p\u003e\u003cp style=\"margin-left:0.0px;\"\u003eWritten mostly while she was living in upstate New York between 2019 and 2021, \u003ci\u003eThe\u003c\/i\u003e \u003ci\u003eWoman on the Moon \u003c\/i\u003evividly documents memories and moments that define archetypal phases of womanhood: “Women are complex, powerful harbingers of both profound ugliness and unparalleled beauty. These songs are centered around navigating the landmines of girlhood and adolescence, learning how to deeply love another human being and also myself, and following my personal North Star vs. the projected timeline for adulthood. It’s also about what the relationships with the women in my life really look like—the joy and mirroring of self there, but also the unbreachable distance and instances of violence.”\u003c\/p\u003e\u003cp style=\"margin-left:0.0px;\"\u003eRecorded between April and August 2021, \u003ci\u003eThe Woman on the Moon\u003c\/i\u003e was a challenging creative endeavor for Katie, as there were myriad personal upheavals that delayed the process: she separated from her husband for a period, was estranged from her sister, quit her job, and moved twice. All the while, Katie slowly recorded \u003ci\u003eThe\u003c\/i\u003e \u003ci\u003eWoman on the Moon\u003c\/i\u003e on her laptop, stealing away during quiet moments, sometimes in the middle of the night. “The process of creating this record is bringing me to the ‘me’ of right now,” she says. “It has helped me move through huge life changes, and helped me access who I am. It was a transformative process.” Katie dropped all preconceptions of what she believed was the “correct” way to record and took it on herself. She learned as she went along—not only the nuances of recording, but also how to trust herself by quieting the noise and getting to work. She was joined by a plethora of old and new faces, including Free Cake collaborators Francis Lyons, Heeyoon Won, Colin Manjoney, Meghan Center, and Peter Gill (Friendship); and for the first time with Will Henriksen, Amy Oelsner (Amy O), Jason Calhoun, and Jon Samuels.\u003c\/p\u003e\u003cp style=\"margin-left:0.0px;\"\u003e“One of the most important lessons I learned from being a part of DIY communities for so long is that you can still create and advance your craft without owning the most expensive instruments, recording in the cool studio or cabin in the woods, or being in a totally calm mindset,” says Katie. “Life is messy and unpredictable, and I appreciate when people embrace that in their art rather than try to speak from an all-knowing perspective, so I try to allow myself that liberty as well.”\u003c\/p\u003e\u003cp style=\"margin-left:0.0px;\"\u003eThroughout \u003ci\u003eThe\u003c\/i\u003e \u003ci\u003eWoman on the Moon\u003c\/i\u003e are open spaces and lush soundscapes—in other words, moments to reflect. It tells the story of becoming better acquainted with oneself. “It feels like the most accurate portrayal of what’s going on in here,” says Katie while pointing to her head. “The big arc of the story is coming to know myself better on a spiritual soul level: thinking about home, how my grandparents were immigrants, and where do I belong?” Within these songs are prayers for belonging, moments of healing, and the path to finding yourself by creating your own star chart. \u003c\/p\u003e\u003cp style=\"margin-left:0.0px;\"\u003e“Mothers Records” is a flash-forward opener for \u003ci\u003eThe Woman on the Moon\u003c\/i\u003e: a candle lit for the past, a contemplation of family history, backed by the wistful combination of synths, piano, and slide guitar before the rest of the story unfolds. “Feels Right” de-intellectualizes love, turns it into a verb among finger-picked acoustic guitars and shuffling drums with the message that there’s not always answers; go with the feeling. “Vespers” is a drumbeat psalm for teenage pain that brings us closer to ourselves—a slow dance for a night alone. Katie’s layers of celestial, often chanting vocals and devotional lyrics are a spiritual awakening in the midst of “the least romantic night of your life.”\u003c\/p\u003e\u003cp style=\"margin-left:0.0px;\"\u003e“Onion Grass” depicts a childhood rupture: a friendship mostly based in sacred woods, deteriorated by the cruelty of adolescence. Clean acoustic strumming gradually gets louder and more dissonant with the addition of electric guitar, mimicking the tumultuous journey of growing up, while Katie invokes a prayer for small natural wonders and innocence. “Olive, NY” feels like a companion song to “Onion Grass” in which the story is flipped: as a child, the idyllic natural setting was the only thing sustaining the relationship; as an adult, it causes strain. The song documents Katie’s move to upstate New York pre-pandemic with the dream of buying a cabin in the woods, right before the housing market sky-rocketed. The song is carried by two notes plucked on a single guitar string and Katie’s rhythmic, often spilling and breathy vocals that emphasize the confusion of figuring out the next move.The outro cuts the single-note progression and adds swelling violins and piano, an audible and unattainable dream of endless landscape and sky. \u003c\/p\u003e\u003cp style=\"margin-left:0.0px;\"\u003ePerhaps the most contemporary version of Katie can be found in “Nightloop,” the closer in which she is listening and connecting to herself, moving through the moments the listener previously experienced throughout \u003ci\u003eThe\u003c\/i\u003e \u003ci\u003eWoman on the Moon.\u003c\/i\u003e “That [song] shows me writing these songs,” she says. “It was recorded in the evening with my window open, there’s the sound of a car driving by, right in time with the end of a phrase; and a dog barks at the very end, emphasizing the last phrase of the album: ‘incidental music.’” \u003c\/p\u003e\u003cp style=\"margin-left:0.0px;\"\u003e\u003ci\u003eThe Woman on the Moon\u003c\/i\u003e is a balm for bleak nights, a silvery salve for shaky minds. Above all, it is a reminder that, just like the moon, we are constantly phasing from darkness to light and back again. The ubiquitous woman on the moon—the one who winked at Katie the night she flew solo to prom in “Vespers,” who hid her face and cried on “Tourmaline”—is the shadow self on the other side whose power comes at night, the other half of Katie Bejsiuk. \u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Black","offer_id":50776064852275,"sku":"MISC","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/10bd1d9347e34a4ed276b3192a34c62cc68bb870_488d3e873a81b8f9cdd8e111dbd8e1d7cd5052a8_photo_jpg_15a5eeae-3308-4c7a-9ec4-b10c27c90176.jpg?v=1737060977"},{"product_id":"bread-pilot-new-to-you-garage-sale","title":"Bread Pilot - New To You (Garage Sale)","description":"\u003cp\u003e\u003cstrong\u003eBread Pilot\u003c\/strong\u003e began in 2011 in a Connecticut basement, where high schoolers Taylor Hayden (guitar\/vocals), Stephen Ibanez Jr. (guitar\/vocals), and Evan House (drums) began regularly playing music together, shattering china cabinets with rhythmic vibrations along the way. Meeting at one of the many basement shows Hayden hosted at his mother’s Southbury home, the three bonded over Animal Collective’s freeform writing style, and discovered their shared appreciation for textured, atmospheric music. After years of writing and touring, they tossed out many of their original tunes — hours of long jams, screams, and scattered arrangements — but several pieces still begged for the attention they deserved. Those songs make up \u003ci\u003eNew To You\u003c\/i\u003e, Bread Pilot’s full-length label debut that maps out a decade of memorable places and momentous occasions, while exploring life’s most intimate emotions through detailed and dynamic arrangements.\u003c\/p\u003e\u003cp\u003eAllured by the grandeur and nature of the Pacific Northwest, the band made the cross-country move together to Seattle, Washington. With Levi Nattrass (bass) now in the mix, the four shared a mutual admiration for The Microphones, and were eager to record at The Unknown — an old Catholic church-turned cozy recording studio in Anacortes, Washington, where Phil Elverum brought his personal, intimate, and wrenching songs to life.\u003c\/p\u003e\u003cp\u003eThe band worked tirelessly with producer\/engineer Samuel Rosson (Great Grandpa, Death Cab for Cutie) to distill a decade’s worth of material into something new. Their grueling attention to detail kept them all recording in the Unknown for a week straight. Hayden likened the recording process to a puzzle: “We had to find the pieces to each song, then let them sit. It was honestly a pleasure fitting all the songs together.” Despite the exhaustion of 16-hour tracking days, Bread Pilot found time to explore, skateboard, and dance around the studio. “We’d all laugh a lot,” he remembers. “It was such a rush.”\u003c\/p\u003e\u003cp\u003eThough Ibanez and Hayden brought new levels of introspection and solitude to their songwriting, Bread Pilot’s ten years of chemistry and companionship radiate from their performance. Their gentle and earnest harmonies reveal years of deep friendship and connection: on lead single “Skin Day,” the band weaves through effortless harmonies and muffled screams, further accented by layers of guitar reminiscent of Bread Pilot’s ‘90s indie rock predecessors. The jazz-inflected “Eye Listening” employs a saxophone and tiptoes through a tender arrangement before erupting into repetitive shouts of sincere emotion.\u003c\/p\u003e\u003cp\u003eCatching the attention of Brooklyn indie label Double Double Whammy, \u003ci\u003eNew to You\u003c\/i\u003e stands not only as Bread Pilot’s official debut, but as a testament to how far the band can push itself to reach its full potential — a blend of songs that are poppy and catchy, but non-traditional and non-linear. The album’s softness and tenderness are juxtaposed with emotion too strong to hold back, and too intense to be hushed. Packing 10 years of life experiences and influences into one album, Bread Pilot put their own twist on what it means to make undefinable pop songs. \u003ci\u003eNew to You\u003c\/i\u003e may be steeped in seclusion and introspection, but never enough to detract from the deeper purpose of finding beauty in despair. \u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Bone)","offer_id":50776064753971,"sku":"MISC","price":15.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50888641380659,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/30255d43d8a08ae229021b17c14310f44f78d860_acbe61f68c4d28a9cf1f8ec092d2d0caf120dbe2_photo_jpg_cddc240c-670f-4874-bc9b-7c2f944b7b2d.jpg?v=1737060976"},{"product_id":"plato-iii-the-devil-has-texas-garage-sale-vinyl","title":"Plato III - The Devil Has Texas (Garage Sale Water Vinyl)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Water (Clear Dark Teal))","offer_id":50775404609843,"sku":"PRC-458LP-RETAIL","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/b5af09fe8ce77e3d0862730f3495dfb8bf6f2da2_f5f1ff50d52907b1347ab3579bb1a8b7aaff950b_photo_jpg_4b6c13c1-40f6-496c-a04e-79ba22b6b2c4.jpg?v=1755137781"},{"product_id":"alexalone-alexaloneworld-garage-sale-vinyl","title":"alexalone - ALEXALONEWORLD (Garage Sale Burgundy w\/ Black Swirls Vinyl)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Burgundy w\/ Black Swirls)","offer_id":50775427055923,"sku":"PRC-427LP-RETAIL","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/5579e8b298150309340df94181df182def28f5cc_4e4b3dc1c6c24cb1194e53c388dcdd66f0bdb0c6_photo_jpg_6c3475eb-25a5-41d2-9787-be408e16bebc.jpg?v=1735838890"},{"product_id":"johnny-foreigner-mono-no-aware-garage-sale","title":"Johnny Foreigner - Mono No Aware (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Pink)","offer_id":50776069308723,"sku":"MISC","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/i_ad87ca58-b8a3-42a5-b2cf-3c9b09e7623d.jpg?v=1737060975"},{"product_id":"2nd-grade-easy-listening-garage-sale","title":"2nd Grade - Easy Listening (Garage Sale)","description":"\u003cp\u003eRinging from hi-fi headphones and blown-out boombox speakers alike comes the overloaded guitar genius of \u003ci\u003eEasy Listening\u003c\/i\u003e, a record of rock ‘n’ roll daydreams and terminal boredom, and \u003cstrong\u003e2nd Grade\u003c\/strong\u003e’s long awaited second LP on Double Double Whammy. Like a blue slushy on a hot day, \u003ci\u003eEasy Listening\u003c\/i\u003e is a sweet respite. Like the Blue Angels touching down on the Las Vegas Strip, \u003ci\u003eEasy Listening\u003c\/i\u003e is impossible to ignore. And like a janitor mopping up beer on the floor of the Hollywood Palladium in 1972, hours after the Rolling Stones have finished “Ventilator Blues” and climbed onto the bus, \u003ci\u003eEasy Listening\u003c\/i\u003e knows the glory and cost of escapism, abandon, and the soul of rock ‘n’ roll. Philadelphia’s 2nd Grade (Peter Gill, Catherine Dwyer, Jon Samuels, David Settle, and Fran Lyons) is a band both obsessed with and worthy of rock stardom, and Easy Listening proves their status as virtuosos of the power pop renaissance.\u003c\/p\u003e\u003cp\u003eSonically and lyrically, \u003ci\u003eEasy Listening\u003c\/i\u003e pays tribute to a guitar lineage linking the Stones to the Flamin’ Groovies, to Redd Kross and Guided By Voices. With its spiraling hooks and handclapped quarter note beat, lead single “Strung Out On You” sounds like an alternate reality post-\u003ci\u003eRadio City\u003c\/i\u003e Big Star cut. In 2nd Grade’s world, music history is a prism, not a linear progression. Famous teens transcend time on the outro to “Teenage Overpopulation,” a shouted cacophony of names including Tommy Stinson, Lizzie McGuire, and Joan of Arc. The line between the love of an audience and that of a romantic partner is blurred on songs like “Hands Down” and “Me \u0026amp; My Blue Angels.” Across the album, hi-fi and lo-fi styles splice together; playful references and surreal hints of impossibility build a complex, believable world atop a foundation of simple and sticky melodies that resonate on very first listen.\u003c\/p\u003e\u003cp\u003eAs usual, 2nd Grade are generous with their album offerings, packing 16 songs on \u003ci\u003eEasy Listening\u003c\/i\u003e. Most tracks clock in around two minutes, almost indulgent compared to the average runtime on 2nd Grade’s debut 24-track LP Hit to Hit. On \u003ci\u003eEasy Listening\u003c\/i\u003e however, the band develops their theory of quantum teenage energy, composed of equal parts sincerity and swagger. Basement drums and bass run full speed ahead. Gill’s vocal deliveries range from sweet to snotty. Guitar performances from Samuels and Dwyer similarly alternate between clean power-pop jangle and lo-fi scuzz, dedicated above all to the band’s lodestar: riffs that rule.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eEasy Listening\u003c\/i\u003e doesn’t just reference its larger-than-life forebearers - it builds a multi-layered dreamworld of punk and rock mythology from beginning to end, allowing both band and listener to revel, at least for a moment, in radio star euphoria. “We’re MVPs of MTV\/Don’t have to live like a refugee\/We’re VIPs of VH1\/Learning to fly and free fallin,” Gill sings on Track 1, “Cover of Rolling Stone.” Later, on “Planetarium,” Gill colors his starry daydream with everyday pathos: “My lawyer says not to talk to the press\/but I just like the way that they listen.” Across the album, yesteryear’s guitar heroes show up as totemic symbols, transmuting their own worlds of meaning into new expressions in Gill’s overactive imagination.\u003c\/p\u003e\u003cp\u003eFor all its abundance, Gill’s imagination is also desperate. The brilliance of \u003ci\u003eEasy Listening\u003c\/i\u003e lies in its longing, and in the blindingly clear difference between the myth of rockstar ecstasy and the reality of ennui, stagnation, and addiction. Like anybody, the voice of 2nd Grade just wants somebody to listen and there's nothing more human than fantasizing about the things we don't have. Like 2nd Grade, we’re all children, “dreaming of dreaming of dreaming a dream.”\u003c\/p\u003e\u003cp\u003e-Dan Wriggins\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Blue Jay","offer_id":50776076648755,"sku":"MISC","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/fb66af6c93a5334b3303f3f41df622969bb7624f_7e14bced1f25b76060eee30b993d25cddf40ef03_photo_jpeg.jpg?v=1737060974"},{"product_id":"anamanaguchi-hatsune-miku-miku-garage-sale-vinyl","title":"Anamanaguchi\/Hatsune Miku - Miku (Garage Sale Teal Vinyl - Minor)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"Vinyl (Teal) - Minor","offer_id":51621726290227,"sku":"MISC","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/45cb33ef66ae412e4728b228f8e38784973778de_6d6d326938df2d222aadb984904f1309db8eebea_photo_jpg_063773db-26fc-4e05-8547-63eef92b23a5.jpg?v=1735838889"},{"product_id":"winspear-winspear-volume-01-garage-sale","title":"Winspear - Winspear Volume 01 (Garage Sale)","description":"\u003cp\u003e\u003ci\u003eWinspear Volume 01 \u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(23,23,23);\"\u003eis the very first label sampler from \u003cstrong\u003eWinspear\u003c\/strong\u003e. It’s a collection of standout songs from the label’s catalog, spanning from their early years to the present day. Featuring tracks by \u003cstrong\u003eBarrie\u003c\/strong\u003e, \u003cstrong\u003eDivino Niño\u003c\/strong\u003e, \u003cstrong\u003eSlow Pulp\u003c\/strong\u003e, \u003cstrong\u003eVideo Age\u003c\/strong\u003e, and more. The physical version of the label sampler includes key tracks from across the catalog. The digital version of the label sampler, which is included as a download code with every physical purchase, includes never before heard demos, b-sides, and rarities from across the label roster. Available now on black vinyl (limited to 500 copies worldwide), cassette tape, or CD. \u003c\/span\u003e\u003c\/p\u003e","brand":"Polyvinyl Garage Sale","offers":[{"title":"Black","offer_id":50776076550451,"sku":"MISC","price":4.0,"currency_code":"USD","in_stock":true},{"title":"NON-PV CD (Garage Sale)","offer_id":50819015344435,"sku":"MISC","price":8.0,"currency_code":"USD","in_stock":false},{"title":"TAPE","offer_id":50819015377203,"sku":"MISC","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/1607e72b80795b6422c906ad2a18a8a716bf16f0_dca942dad184112ca1206fdc1da514584b226bda_photo_jpg.jpg?v=1737060973"},{"product_id":"cherry-gloom-garage-sale","title":"Cherry - Gloom (Garage Sale)","description":"","brand":"Polyvinyl Garage Sale","offers":[{"title":"7\" Vinyl (Black)","offer_id":50776252350771,"sku":"MISC","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/a4d656fbe614a7b9e806c0ad06b1501d43dcb192_0d04208cb4a1aba78b6276959ee96dc4eeb60af8_photo_jpeg.jpg?v=1737060972"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/collections\/GS25_PVSite_Banner_Vinyl.jpg?v=1749492634","url":"https:\/\/www.polyvinylrecords.com\/collections\/garage-sale-vinyl.oembed?page=3","provider":"Polyvinyl Record Co.","version":"1.0","type":"link"}