{"title":"Vinyl","description":"","products":[{"product_id":"xiu-xiu-fabulous-muscles","title":"Xiu Xiu - Fabulous Muscles","description":"\u003cp\u003e\u003cstrong\u003eXiu Xiu\u003c\/strong\u003e’s third album includes \"I Luv the Valley OH!,\" \"Crank Heart,\" \"Clowne Towne\" and more.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Fabulous Muscles is an album bursting with tension, tenderness, pain, and restraint…[P]rofound, innovative, and absolutely vital.\"\u003c\/em\u003e - \u003cem\u003ePitchfork\u003c\/em\u003e [9.0, Best New Music]\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Black)","offer_id":50913175273779,"sku":"PRC-291LP","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/7437a2076c67bfbf5c4626e510ba57172993c178_39e1211bc49a8a72f72a1f1ac99e111f906f0102_photo_jpg.jpg?v=1735838679"},{"product_id":"of-montreal-satanic-panic-in-the-attic","title":"of Montreal - Satanic Panic in the Attic","description":"\u003cp\u003e\u003ci\u003eSatanic Panic in the Attic\u003c\/i\u003e is \u003cstrong\u003eof Montreal\u003c\/strong\u003e's sixth full-length release and first for Polyvinyl. Previously, the band released two albums for Bar\/None and three for Kindercore. The prolific Athens, Georgia band is an established staple of the US indie-pop scene and has been a continual touring presence.\u003c\/p\u003e\n\u003cp\u003eThe sound of \u003ci\u003eSatanic Panic in the Attic\u003c\/i\u003e is a slight departure from of Montreal's previous releases yet continues the band's tradition of continually redefining themselves. The influence of 1970's Afro beat and 80's New Wave can clearly be heard throughout the album – offering fans a new perspective previously unheard from the band.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Orange\/Black Swirl)","offer_id":50775239360819,"sku":"PRC-069LP-OB","price":22.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50818974613811,"sku":"PRC-069CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818974646579,"sku":"PRC-069DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/e48ce93beb4e0f1b12ab4961d90f6227d7b209d3_f146fe43efb140936495dc2ee7a9bdfbae56bfb2_photo_jpg.jpg?v=1735838678"},{"product_id":"deerhoof-the-runners-four","title":"Deerhoof - The Runners Four","description":"\u003cp\u003e\u003ci\u003eThe Runners Four \u003c\/i\u003eis \u003cstrong\u003eDeerhoof\u003c\/strong\u003e’s double-LP concept album about friends banding together as honorable outlaws in a corrupt world, deciding what to save in an apocalypse, passing secret messages of warning and hope from a remade future back to a soon-to-be-destroyed present. Abundant with lyrical allusions to the flood, where cargo hold claustrophobia inside meets a watery chaos outside, it was written and self-produced by Satomi Matsuzaki, John Dieterich, Chris Cohen and Greg Saunier while they holed up in a rented Oakland rehearsal room for the winter months 2004-5.\u003c\/p\u003e","brand":"Joyful Noise Recordings","offers":[{"title":"Vinyl 2xLP (Pink \u0026 Blue)","offer_id":50775471259955,"sku":"NPV","price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/733dcbd54331874c88edc8f31f430b2f9d67c53d_ababa155ed204e344f468145908ddbce010548ea_photo_jpg.jpg?v=1739894087"},{"product_id":"buzzcocks-singles-going-steady","title":"Buzzcocks - Singles Going Steady","description":"\u003cp\u003e2019 re-issue of punk classic from Buzzcocks.\u003c\/p\u003e\u003cp\u003eSourcing the original masters for all Buzzocks' first 8 singles and B-sides, this career-defining compilation at last sounds the way all involved intended.\u003c\/p\u003e\u003cp\u003eIncludes a stunning essay from punk authority Clinton Heylin.\u003c\/p\u003e\u003cp\u003eHalf-speed mastered for the ultimate sonic experience.\u003c\/p\u003e","brand":"Domino","offers":[{"title":"Vinyl (Black)","offer_id":50775538172211,"sku":"NPV-WIG-129LP","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/8db9264228dc48fbf47535e888c02ae0.jpg?v=1739894085"},{"product_id":"mates-of-state-team-boo","title":"Mates of State - Team Boo","description":"\u003cp\u003eOn their third album \u003cstrong\u003eMates of State\u003c\/strong\u003e discovered the perfect studio environment to capture their unique blend of vintage Yamaha organ, drums, off-kilter harmonies, and the unique dynamism that holds it all together.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eTeam Boo\u003c\/i\u003e was recorded and mixed over three weeks at both Willie Nelson's Pedernales and Jim Eno's The Garage studios. Behind the knobs were Jim Eno (of Spoon) and John Croslin (who recorded Mates' \u003ci\u003eMy Solo Project\u003c\/i\u003e and has worked with Spoon, Beulah, Guided By Voices, Waylon Jennings and countless others).\u003c\/p\u003e\n\u003cp\u003eCraig Montoro (of Volcano, I'm Still Excited!!) even managed to drop by to add some trumpet parts.\u003c\/p\u003e\n\u003cp\u003eAll told, Jim and John managed to chronicle one of Mates of State's most infectious and versatile albums. And for anyone who's wondering if Willie dropped by for a spell -- he did.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Goldenrod)","offer_id":51767668605235,"sku":"PRC-065LP","price":22.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50818975400243,"sku":"PRC-065CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818975433011,"sku":"PRC-065DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/MatesOfState_TeamBoo_SQ1.jpg?v=1755225338"},{"product_id":"mates-of-state-my-solo-project","title":"Mates of State - My Solo Project","description":"\u003cp\u003e\u003cem\u003eMy Solo Project\u003c\/em\u003e is \u003cstrong\u003eMates of State\u003c\/strong\u003e's critically acclaimed debut album.\u003c\/p\u003e\n \u003cp\u003eOriginally released in 2000 on Omnibus, the record was sold primarily by the band on tour. As the Mates of States fan base began to build quickly, the record gained cult-like status as the band sold thousands of copies at shows.\u003c\/p\u003e\n \u003cp\u003eIn 2003, Polyvinyl re-released the then hard-to-find album with bonus, revamped artwork.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Clear Pink)","offer_id":52708200251699,"sku":"PRC-061LP","price":22.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50818973073715,"sku":"PRC-061CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":52708200284467,"sku":"PRC-061DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/MOS2_SQ1.jpg?v=1755225714"},{"product_id":"japandroids-near-to-the-wild-heart-of-life","title":"Japandroids - Near To The Wild Heart Of Life","description":"\u003cp\u003e\u003cem\u003eNear To The Wild Heart Of Life\u003c\/em\u003e, was written clandestinely throughout 2014 and 2015 in Vancouver, Toronto, New Orleans, and Mexico City. It was (mostly) recorded by Jesse Gander (who had previously recorded both \u003cem\u003ePost-Nothing \u003c\/em\u003eand \u003cem\u003eCelebration Rock) \u003c\/em\u003eat Rain City Recorders in Vancouver, BC (September-November, 2015). One song, \"True Love And A Free Life Of Free Will\", was recorded by Damian Taylor during an exploratory recording session at Golden Ratio in Montreal, QC (February, 2015). The album was mixed by Peter Katis at Tarquin Studios in Bridgeport, CT (May, 2016) and mastered by Greg Calbi at Sterling Sound in New York, NY (July, 2016).\u003c\/p\u003e\n\u003cp\u003eLike \u003cem\u003ePost-Nothing \u003c\/em\u003eand \u003cem\u003eCelebration Rock\u003c\/em\u003e, the album is 8 songs. This is because 8 songs is the standard template for a great rock n roll album: \u003cem\u003eRaw Power \u003c\/em\u003eby The Stooges, \u003cem\u003eBorn To Run \u003c\/em\u003eby Bruce Springsteen, \u003cem\u003eMarquee Moon \u003c\/em\u003eby Television, \u003cem\u003eIV \u003c\/em\u003eby Led Zeppelin, \u003cem\u003eHorses \u003c\/em\u003eby Patti Smith, \u003cem\u003eParanoid \u003c\/em\u003eby Black Sabbath, \u003cem\u003eRemain In Light \u003c\/em\u003eby Talking Heads, \u003cem\u003eMaster Of Puppets \u003c\/em\u003eby Metallica, etc.\u003c\/p\u003e\n\u003cp\u003eLike \u003cem\u003ePost-Nothing \u003c\/em\u003eand \u003cem\u003eCelebration Rock\u003c\/em\u003e, the album was sequenced specifically for the LP. On \u003cem\u003eNear To The Wild Heart Of Life\u003c\/em\u003e, side A (songs 1-4) and side B (songs 5-7) each follow their own loose narrative. Taken together as one, they form an even looser narrative, with the final song on side B (song 8) acting as an epilogue.\u003c\/p\u003e","brand":"ANTI-","offers":[{"title":"Vinyl (Clear)","offer_id":50818980217139,"sku":"NPV","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/bea6cfd50b4f5e3c735a972cf0eb8450.jpg?v=1739894078"},{"product_id":"deerhoof-offend-maggie","title":"Deerhoof - Offend Maggie","description":"\u003cp\u003e\u003ci\u003eOffend Maggie\u003c\/i\u003e is the first \u003cstrong\u003eDeerhoof\u003c\/strong\u003e album to feature current guitarist Ed Rodriguez.\u003c\/p\u003e\n \u003cp\u003eThis Polyvinyl re-issue features a different track sequence than the original pressing (released in 2008 and now out-of-print on vinyl).\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Neon Green)","offer_id":50818972942643,"sku":"PRC-292LP","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/d21e9af0430a80d6177f4b8a8410d0133fd0ee57_f33fa3da3be7c26d3c36e7f810bbab7ea62009c9_photo_jpg.jpg?v=1737061660"},{"product_id":"the-rentals-lost-in-alphaville","title":"The Rentals - Lost In Alphaville","description":"\u003cp\u003e \u003cem\u003eLost In Alphaville\u003c\/em\u003e is the long awaited and highly anticipated follow-up to \u003cstrong\u003eThe Rentals\u003c\/strong\u003e' landmark albums \u003cem\u003eReturn of the Rentals\u003c\/em\u003e and \u003cem\u003eSeven More Minutes\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eIn addition to primary songwriter\/lead vocalist\/bassist\/keyboardist Matt Sharp (ex-\u003cstrong\u003eWeezer\u003c\/strong\u003e), \u003cem\u003eLost In Alphaville\u003c\/em\u003e was recorded with an incredible new lineup that features:\u003c\/p\u003e\u003cul\u003e\n \u003cli\u003eJess Wolfe and Holly Laessig (\u003cstrong\u003eLucius\u003c\/strong\u003e) -- vocals\u003c\/li\u003e\n \u003cli\u003eRyen Slegr (\u003cstrong\u003eOzma\u003c\/strong\u003e) -- guitar\u003c\/li\u003e\n \u003cli\u003eLauren Chipman (\u003cstrong\u003eThe Section Quartet\u003c\/strong\u003e) -- strings\u003c\/li\u003e\n \u003cli\u003ePatrick Carney (\u003cstrong\u003eThe Black Keys\u003c\/strong\u003e) -- drums\u003c\/li\u003e\n \u003c\/ul\u003e\u003cp\u003eRenowned producer D. Sardy (\u003cstrong\u003eJay-Z\u003c\/strong\u003e, \u003cstrong\u003eLCD Soundsystem\u003c\/strong\u003e) mixed the record.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"CD","offer_id":50818975105331,"sku":"PRC-278CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":52708199760179,"sku":"PRC-278DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/f6d9e459b9fbf6dd26c4f7d621adec1d.jpg?v=1746491314"},{"product_id":"of-montreal-false-priest","title":"of Montreal - False Priest","description":"\u003cp\u003eTeaming up with Grammy-nominated producer Jon Brion (Fiona Apple, \u003ci\u003eEternal Sunshine of the Spotless Mind\u003c\/i\u003e), \u003cstrong\u003eof Montreal\u003c\/strong\u003e’s mastermind Kevin Barnes traveled to famed Ocean Way Recording (Michael Jackson, Ray Charles, Frank Sinatra) to record \u003ci\u003eFalse Priest\u003c\/i\u003e, their self-professed masterpiece.\u003c\/p\u003e\n\u003cp\u003eAs discussed in features in \u003ci\u003eRolling Stone\u003c\/i\u003e, \u003ci\u003eSPIN\u003c\/i\u003e, \u003ci\u003eUnder the Radar\u003c\/i\u003e and \u003ci\u003ePitchfork\u003c\/i\u003e, \u003ci\u003eFalse Priest\u003c\/i\u003e is speaker-rattling heavy on the low end and features appearances by \u003cstrong\u003eJanelle Monáe\u003c\/strong\u003e and \u003cstrong\u003eSolange.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe album also marks the return of organic instruments – with live drums, strings and pianos replacing the midi sounds and sequencers of previous albums.\u003c\/p\u003e\n\u003cp\u003eThe CD and 2xLP both feature a 20-page booklet of new paintings from David Barnes and Gemini Tactics.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl 2xLP (Lavender)","offer_id":51692205539635,"sku":"PRC-200LP","price":30.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50818975793459,"sku":"PRC-200CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818975858995,"sku":"PRC-200DIGITAL","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl 2xLP (Black)","offer_id":50775069327667,"sku":"PRC-200LP-BLK","price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ofMontreal_FalsePriest_SQ1.jpg?v=1750788492"},{"product_id":"joan-of-arc-life-like","title":"Joan of Arc - Life Like","description":"\u003cp\u003e\u003ci\u003eLife Like\u003c\/i\u003e is \u003cstrong\u003eJoan of Arc\u003c\/strong\u003e distilled down to\/embracing its rock essence.\u003c\/p\u003e\u003cp\u003eGone from the band’s music (for now) are the electronics and layers upon layers of tracks. Gone from their liner notes are an extensive list of musicians and instruments.\u003c\/p\u003e\u003cp\u003eAfter recording October's two-song \u003ci\u003eMeaningful Work\u003c\/i\u003e 7\" as a trio, frontman Tim Kinsella, drummer Theo Katsaounis, and bassist Bobby Burg (Love of Everything, Vacations, Chin Up Chin Up) welcomed guitarist Victor Villarreal (Owls, Cap'n Jazz, Ghosts and Vodka) into the fold shortly before leaving on a month-and-a-half tour of the U.S. and Europe.\u003c\/p\u003e\u003cp\u003eFriends since childhood, Villarreal and Kinsella re-connected during Cap'n Jazz's reunion tour and this marks the first collaboration between them since the 2001 self-titled Owls album.\u003c\/p\u003e\u003cp\u003eAfter years of being away from music, being on tour with Cap’n Jazz renewed Villarreal’s enthusiasm for joining a new band. As such, this new chapter in his musical career became one for Joan of Arc as well.\u003c\/p\u003e\u003cp\u003eAfter playing 20 concerts in 20 days on European soil, the band returned home on a Tuesday night and then on Thursday morning - before the jet lag could even wear off - entered Chicago’s Electrical Audio with Steve Albini (who has previously engineered records for two other Kinsella projects: Owls and Make Believe).\u003c\/p\u003e\u003cp\u003eFive days later they emerged with\u003ci\u003e Life Like\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eAlthough thoroughly exhausting, this hectic schedule was actually beneficial -- as Kinsella reveals \"it removed all threats of cleverness from our critical faculties\" and required the band to stick to strictly recording the new tracks as they had been played live.\u003c\/p\u003e\u003cp\u003eAnd yet, as \u003ci\u003eLife Like\u003c\/i\u003e proves, even when they're working solely with the basics - guitar, bass, and drums - Joan of Arc still has the power to wring new sounds from the same old rock band machinery.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (180-Gram Black)","offer_id":50775243424051,"sku":"PRC-215LP","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818976088371,"sku":"PRC-215DIGITAL","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/JOA-Lifelike-LP-001.jpg?v=1746218323"},{"product_id":"generationals-heza","title":"Generationals - Heza","description":"\u003cp\u003eRecorded in phases between Public Hifi in Austin, Bent Black studio in D.C., and the band's hometown of New Orleans, \u003ci\u003eHeza \u003c\/i\u003efinds\u003cstrong\u003e Generationals\u003c\/strong\u003e more satisfied in songs that breathe and grow over time.\u003c\/p\u003e\u003cp\u003eThese songs show restraint, with the hooks developing in the spaces between sounds and an attention to rhythms and textures revealing a more patient band willing to dig for deeper gems than in their previous work.\u003c\/p\u003e\u003cp\u003eTracks like \"You Got Me\" and \"Put a Light On\" use minimalist electronic frameworks to match the intensity of more straightforward guitarwork on \"Spinoza\" and \"I Never Know,\" all of them placing the focus more on layers and arrangements than to forcing the hook.\u003c\/p\u003e\u003cp\u003eOn \u003ci\u003eHeza\u003c\/i\u003e, Generationals aren't so much shedding their old skin as growing more comfortable in the one they've always inhabited.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Clear)","offer_id":50818975236403,"sku":"PRC-255LP","price":20.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50818975269171,"sku":"PRC-255CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818975367475,"sku":"PRC-255DIGITAL","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl + 7\" Flexi (Clear Blue) – OUT OF STOCK","offer_id":50776260477235,"sku":"PRC-9643LP","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/387625cefc93857af6f82faba5bd32fee3630630_889a8108ae804a6a2aeb0456863cb2b651b3cd4d_photo_jpg.jpg?v=1748554877"},{"product_id":"elliott-smith-either-or","title":"Elliott Smith - Either\/Or","description":"\u003cp\u003eThe highly acclaimed \u003cem\u003eEither\/Or\u003c\/em\u003e, the third album from \u003cstrong\u003eElliott Smith\u003c\/strong\u003e and his last written and recorded in Portland, OR, broke through to a larger international audience. With richer instrumentation and songs that push past the boundaries of his previous releases, \u003cem\u003eEither\/Or\u003c\/em\u003e presents Smith at his most dichotomous. Through its dozen tracks, the album oscillates between harmony and dissonance, sentiment and cynicism, culminating in a record that is unmistakably and unabashedly “Elliott Smith”. The final chapter of his first period as a solo artist, \u003cem\u003eEither\/Or\u003c\/em\u003e remains a cornerstone of folk\/pop melancholia with aftershocks felt to this day.\u003c\/p\u003e","brand":"Kill Rock Stars","offers":[{"title":"Vinyl (Black)","offer_id":50775539548467,"sku":"NPV","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/b030afbb3a8af8fb0759241c97466ee4.jpg?v=1739894078"},{"product_id":"fred-thomas-sink-like-a-symphony","title":"Fred Thomas - Sink Like a Symphony","description":"\u003cp\u003eFred Thomas (2023):\u003c\/p\u003e\u003cp\u003eBack in print on vinyl for the first time in over a decade, \u003ci\u003eSink Like A Symphony\u003c\/i\u003e was originally recorded in 2005 in a storm of inspiration and personal revelations. These noisy folk songs were originally going to be a stark stylistic about-face for the third Saturday Looks Good To Me album, but quickly felt too intimate and internal for that. Instead, they became my first solo album that wasn't just a nervously thrown-together collection of songs and experiments, but something I took really seriously and worked out the details of for the better part of that year. This also happened when I was touring and playing shows more than at any point before or since, so a lot of the weird feelings and ungrounded ideas of these songs got worked out in front of audiences.\u003c\/p\u003e\u003cp\u003eIn addition to the album being properly mastered for the first time, there are also a lot of other new changes from the original form. Two songs were dropped completely, while other songs were edited, re-ordered, and sometimes added to. The original version is still up on streaming services, but for the new LPs, the idea was to present a more streamlined listening experience that gets to the point immediately. It still feels like a genuine representation of how 2005 felt for me, with some of the more confusing parts omitted to move things along. It's my hope that anyone who already knows and cares about these songs will feel the intention in changing the way they're organized, and anyone hearing them for the first time will get what I'm trying to communicate as well. Hope you enjoy the music!! :)\u003c\/p\u003e\u003cp\u003e1. I Fell In Love With the World\u003c\/p\u003e\u003cp\u003e2. I Built A House\u003c\/p\u003e\u003cp\u003e3. Wet As A Cloud\u003c\/p\u003e\u003cp\u003e4. Holland Tunnel\u003c\/p\u003e\u003cp\u003e5. Fire\u003c\/p\u003e\u003cp\u003e6. Susceptible To Ghosts\u003c\/p\u003e\u003cp\u003e7. Ethan\u003c\/p\u003e\u003cp\u003e8. Wingspan\u003c\/p\u003e\u003cp\u003e9. Apples on the Floor\u003c\/p\u003e\u003cp\u003e10. The Curse Is Broken! On to New Curses!\u003c\/p\u003e\u003cp\u003e11. O Sweet Undoing\u003c\/p\u003e\u003cp\u003e12. Wednesday Night\u003c\/p\u003e\u003cp\u003e------------------------------------\u003c\/p\u003e\u003cp\u003eA step away from the ultra-bubblegum glitter of \u003cstrong\u003eSaturday Looks Good To Me\u003c\/strong\u003e, but still rooted in the magic of the pop song, the music on \u003ci\u003eSink Like a Symphony\u003c\/i\u003e is heartbreakingly serious, ridiculously personal and still stuck in your head all day.\u003c\/p\u003e\u003cp\u003eAkin to the hyper-wordy spiritual side of Neutral Milk Hotel or the experimental lo-fidelity alchemy of The Microphones, these songs clatter and shake with hope and pain, always on the virge of falling into themselves, and sometimes do, coming out of a two minute pop song into a fuzz explosion or a five-minute drum circle.\u003c\/p\u003e\u003cp\u003eThe album is strong and deliberate, honing years of four-track sonnets and bringing this special breed of basement heartstring pop music into a new, bold place. Includes favorites \"Holland Tunnel\" \u0026amp; \"Wet As A Cloud.\"\u003c\/p\u003e","brand":"Corleone Records","offers":[{"title":"Vinyl (Black)","offer_id":50775245848883,"sku":"NPV","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/sink_like_a_sympony.jpg?v=1771639097"},{"product_id":"rainer-maria-a-better-version-of-me","title":"Rainer Maria - A Better Version of Me","description":"\u003cp\u003e\u003cstrong\u003eRainer Maria\u003c\/strong\u003e spent nearly two years writing and touring to create this transitory third album. After mastering the interplay between girl\/boy vocals, \u003cem\u003eA Better Version of Me\u003c\/em\u003e saw \u003cstrong\u003eKaia Fischer\u003c\/strong\u003e concentrating more on guitar while \u003cstrong\u003eCaithlin de Marrais\u003c\/strong\u003e became the primary lyricist.\u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eA Better Version of Me\u003c\/em\u003e, Rainer Maria completed a dramatic arc that no one had realized was forming over the course of the previous two albums. Refusing to be pigeon-holed as \"couples rock,\" the band consciously wrote the album as a sound of solitudes circling one another, just as the poet Rilke described.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Yellow)","offer_id":50775246111027,"sku":"PRC-9482LP","price":22.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":50818977202483,"sku":"PRC-039CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818977235251,"sku":"PRC-039DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/098d86c982354a96556bd861823ebfbd_b7f002280401beddba9cee4a8b1282fc68862c58_product_photo.jpg?v=1735838676"},{"product_id":"rainer-maria-look-now-look-again","title":"Rainer Maria - Look Now Look Again","description":"\u003cp\u003eThe guitar is tuned open and sings through a cranked old Fender amp, the melodic bass rolls, drums pound and the lyrical trade-off between Kaia and Caithlin is capable of puncturing a grapefruit size hole through the heart.\u003c\/p\u003e\u003cp\u003eWithout a doubt, \u003ci\u003eLook Now Look Again\u003c\/i\u003e is the definitive \u003cstrong\u003eRainer Maria\u003c\/strong\u003e album to own.\u003c\/p\u003e\u003cp\u003eWith the aid of Smart Studios' Mark Haines (Poster Children, Son Volt) and Elliot Dicks (Joan of Arc), Rainer Maria's second album has become a Polyvinyl classic and set the standard against which the band will always be judged.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (White)","offer_id":53559089955123,"sku":"PRC-9481LP","price":22.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50818974843187,"sku":"PRC-024CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818974875955,"sku":"PRC-024DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/a89cf525e1d9f04d16ce31165e139a4b.jpg?v=1735838691"},{"product_id":"rainer-maria-long-knives-drawn","title":"Rainer Maria - Long Knives Drawn","description":"\u003cp\u003e\u003cem\u003eLong Knives Drawn\u003c\/em\u003e continues the shift in songwriting duties \u003cstrong\u003eRainer Maria\u003c\/strong\u003e first displayed on\u003cem\u003e A Better Version of Me\u003c\/em\u003e. Here, Caithlin focuses more on vocals and the lyrical aspects, while Kaia fine-tunes her sonic assault on guitar.\u003c\/p\u003e\n \u003cp\u003eWith a third album (\u003cem\u003eA Better Version of Me)\u003c\/em\u003e and over a hundred more shows under its belt, Rainer Maria was ready to return to the studio with a vengeance in September 2002.\u003c\/p\u003e\n \u003cp\u003eRecorded at Smart Studios in Madison, Wisconsin, \u003cem\u003eLong Knives Drawn \u003c\/em\u003ecomprises nine incendiary performances.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Pink)","offer_id":50775246537011,"sku":"PRC-9483LP","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":52708199629107,"sku":"PRC-057DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/63a480222c28343d9715217c8cf1eb105b6b4cd3_f4ce4bf1d6b16598e6f8911379865950b18994c3_photo_jpg.jpg?v=1735838690"},{"product_id":"deerhoof-apple-o","title":"Deerhoof - Apple O'","description":"\u003cp\u003e\u003cstrong\u003eDeerhoof\u003c\/strong\u003e's fan-favorite breakthrough album.\u003c\/p\u003e\n\u003cp\u003eThey say the fruit from the Tree of Knowledge was actually a pomegranate. But Pomegranate O’ did not sound as catchy. Of course, knowledge of what, exactly? Could be the serene and orderly discipline of music. Could be the ability to instantaneously destroy the entire species in an apocalyptic fireball.\u003c\/p\u003e\n\u003cp\u003eThis album is a love story. It is about Satomi’s mom being a Japanese girl when Truman got that ecstatic glint in his eye and blew up chunks of her country in a mushroom cloud, and next thing you know Satomi has moved to San Francisco and taken over an American noise-rock band. It is also about a different US president with an ecstatic glint in his eye, selling a criminal invasion with lies about weapons of mass destruction.\u003c\/p\u003e","brand":"Joyful Noise Recordings","offers":[{"title":"Vinyl (Pink)","offer_id":50775539777843,"sku":"NPV","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/0d7363894acdee742caf7fe4e97c4d49.jpg?v=1739894077"},{"product_id":"jawbreaker-24-hour-revenge-therapy","title":"Jawbreaker - 24 Hour Revenge Therapy","description":"\u003cp\u003e\"As a general sort of rule, punk rock has a way of skirting the aging process and of making the passing of time feel somehow blurry or altered... For whatever set of factors, [\u003cem\u003e24 Hour Revenge Therapy\u003c\/em\u003e] feels uniquely and irrevocably connected to that late teen, early twentysomething mindset. It' a phenomenon that has less to do with the razor sharp hooks and shredding guitar lines and a lot more to do with the band's depth of feeling.\u003c\/p\u003e\n\u003cp\u003eAlbum standout \"Do You Still Hate Me‚\" even in the pantheon of spot-on, coming-of-age \u003cstrong\u003eJawbreaker\u003c\/strong\u003e songs, is almost inescapably relatable. Who hasn't grown up feeling unsure of themselves at times, questioning each and every thought and decision? Who hasn't commiserated over a relationship gone to hell, especially one in that grey area where things are probably over, unless, of course, maybe they're really not? It's a song that appeals to the best of what the band has to offer: earnest, melodic punk rock that's totally secure in its own sense of absolute emotional insecurity.\" - Ryan Bray, Consequence of Sound\u003c\/p\u003e","brand":"Blackball Records","offers":[{"title":"Vinyl (Black)","offer_id":50775541547315,"sku":"NPV","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/bd294168a234d75851d6f26f02723ab1.jpg?v=1739894076"},{"product_id":"strfkr-starfucker","title":"STRFKR - Starfucker","description":"\u003cp\u003e \u003cstrong style=\"background-color: initial;\"\u003eSTRFKR\u003c\/strong\u003e have delivered an absolutely infectious self-titled album described as “a cohesive package of electro indie pop with a light hip-hop after-taste.” It’s like playing an 8-bit video game where your primary objective is to overcome heartbreak and an obsession with death, your only weapon a love laser mounted on a space bike that zaps out bright red blips and neon bleeps.\u003c\/p\u003e","brand":"Badman Recording Co,","offers":[{"title":"Vinyl (180-Gram Maroon-in-Milky Clear)","offer_id":50775541645619,"sku":"NPV","price":28.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50818974744883,"sku":"NPV-BRC-933CD","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/f6733f186317189204665046348a7c40c6d58198_9bdc6a45a3348b3d590ad5dd9b3d3955371b3e0c_photo_jpg.jpg?v=1744229388"},{"product_id":"fugazi-in-on-the-kill-taker","title":"Fugazi - In on the Kill Taker","description":"\u003cp\u003e\u003cstrong\u003eFugazi\u003c\/strong\u003e's third full-length album.\u003c\/p\u003e\u003chr\u003e\u003cp\u003e\u003cem style=\"background-color: initial;\"\u003eI\u003c\/em\u003e\u003cem style=\"background-color: initial;\"\u003en on the Kill Taker\u003c\/em\u003e is like scrubbing your face with steel wool. It finds the band relying on rusty guitar shards that scrape, seethe, and hiss, further removing itself from the sound of \u003cem style=\"background-color: initial;\"\u003e13 Songs\u003c\/em\u003e and \u003cem style=\"background-color: initial;\"\u003eRepeater\u003c\/em\u003e. Harsh and grating, Fugazi surprisingly produces sheer noise at times, best witnessed in the lengthy closing of \"23 Beats Off\" and the unintentional Gremlins homage that opens \"Walken's Syndrome.\"\u003c\/p\u003e\u003cp\u003e  Joe Lally's bass and Brendan Canty's drums are relegated to acting as a guide; they're pushed -- but not squashed -- down in the mix, allowing for Ian MacKaye and Guy Picciotto's guitars to take control, corrosively so. It's probably Fugazi's least digestible record from front to back, but each track has its own attractive qualities, even if not immediately perceptible.\u003c\/p\u003e\u003cp\u003e  \"Facet Squared\" and \"Public Witness Program\" open the record furiously, but the majority of the following \"Return the Screw\" is hardly audible, aside from occasional vocal tantrums. A good amount of time is spent alternating between low-key guitar noodling and intrusive bursts of aggression. They're smart with their sequencing, placing the gentle instrumental \"Sweet and Low\" (the only track where Lally plays a prominent role) after the exhaustive cacophony of \"23 Beats Off,\" and generally piecing together a set of rather diverse tracks that flows well. Picciotto's anti-Hollywood rant on the properly titled \"Cassavetes\" is a classic Fugazi moment, as is his similarly name-dropping \"Walken's Syndrome.\"\u003c\/p\u003e\u003cp\u003e  Buried at the end of the record are two excellent lurchers, MacKaye's \"Instrument\" and Picciotto's \"Last Chance for a Slow Dance.\" Not Fugazi's finest hour, but one of its most daring and rewarding.\u003c\/p\u003e\u003cp\u003e— Andy Kellman,\u003cem\u003e All Music Guide\u003c\/em\u003e\u003c\/p\u003e","brand":"Dischord","offers":[{"title":"Vinyl (Black)","offer_id":50775541907763,"sku":"NPV","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/7a68443f5c80d181c42967cd71612af1.jpg?v=1739894074"},{"product_id":"sunny-day-real-estate-diary","title":"Sunny Day Real Estate - Diary","description":"\u003cp\u003eThis is the 2009 reissue of \u003cstrong\u003eSunny Day Real Estate\u003c\/strong\u003e's 1994 debut album \u003ci\u003eDiary\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eThis edition has been re-mastered and includes the bonus tracks \"8\" and \"9.\"\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Vinyl 2xLP (Black)","offer_id":50775471587635,"sku":"NPV","price":32.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50888634368307,"sku":"NPV","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/b356e7aed7ee82589e54a466e0dca157_8ca0bcd04c5195300409634b7e0868a16d5ab773_product_photo.jpg?v=1739894073"},{"product_id":"sufjan-stevens-illinois","title":"Sufjan Stevens - Illinois","description":"\u003cp\u003eAn engrossing musical road trip, \u003cem style=\"background-color: initial;\"\u003eIllinoise\u003c\/em\u003e takes you through ghost towns, grain mills, hospital rooms, and the City of Broad Shoulders, with guest appearances by a poet, a president, a serial murderer, UFOs, Superman, the goat that cursed the Cubs, and Decatur's famous Chickenmobile.\u003c\/p\u003e\n\u003cp\u003eAlong the way, \u003cstrong style=\"background-color: initial;\"\u003eSufjan Stevens\u003c\/strong\u003e weaves variated musical styles (jazz, funk, pop, folk, and \u003cspan style=\"background-color: initial;\"\u003eRodgers and Hammerstein\u003c\/span\u003e-like flourishes) and the textures of 25 instruments into a tapestry of persons and places famous, infamous, iconic and anonymous.\u003c\/p\u003e","brand":"Asthmatic Kitty","offers":[{"title":"Vinyl 2xLP (Black)","offer_id":50775471915315,"sku":"NPV","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/6150ccc6069bea6b5716254057a194ef.jpg?v=1739894071"},{"product_id":"the-unicorns-who-will-cut-our-hair-when-were-gone","title":"The Unicorns - Who Will Cut Our Hair When We're Gone?","description":"\u003cp\u003eEleven years after its original release, \u003cstrong\u003ethe Unicorns\u003c\/strong\u003e return with a remastered edition of \u003ci style=\"background-color: initial;\"\u003eWho Will Cut Our Hair When We’re Gone?\u003c\/i\u003e, a song collection that has lost none of its lovable weirdness with time.\u003c\/p\u003e\u003cp\u003eAt once goofy and ambitious, the music of band masterminds Nick “Diamonds” Thorburn and Alden “Ginger” Penner ranks among the most inventive outpourings from Montreal’s fertile pop scene.\u003c\/p\u003e\u003cp\u003eThe Unicorns draw upon ‘60s and ‘70s sonic flotsam (especially low-fi synthesizers), matching it with lyrical themes that range from the lurid to the infantile.\u003c\/p\u003e\u003cp\u003eHorror and sci-fi references color tracks like “Tuff Ghost,” “Jellybones,\" and “Rocket Ship” (the latter an inspired Daniel Johnston cover). “I Was Born (A Unicorn)”—a theme song of sorts—catches the band at their giddiest.\u003c\/p\u003e\u003cp\u003eAll isn't sunshine and rainbows here, however—there’s a tension simmering under the surface of “Child Star” and “Ready to Die” that’s hard to miss.\u003c\/p\u003e\u003cp\u003eNo matter how shambolic the tracks get, The Unicorns retain their droll wit and knack for ear-snagging melodies.\u003c\/p\u003e\u003cp\u003eThis is indie rock in its most authentic form: precocious, ungainly, and willing to court chaos to achieve greatness.\u003c\/p\u003e","brand":"Caterpillar Records","offers":[{"title":"Vinyl (Yellow)","offer_id":50775543546163,"sku":"NPV","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/b55c86af1c55672a8792354910cd548d_7bff28b9cddf9779be7d67c28a1ae7838da68d4d_product_photo.jpg?v=1735838679"},{"product_id":"desaparecidos-payola","title":"Desaparecidos - Payola","description":"\u003cp\u003eFormed in 2001 in Omaha, Nebraska, \u003cstrong\u003eDesaparecidos\u003c\/strong\u003e released one album, \u003ci style=\"background-color: initial;\"\u003eRead Music \/ Speak Spanish\u003c\/i\u003e in 2002 on Saddle Creek Records. Though the band never \"broke up\", they did part ways for several years as members Conor Oberst (vocals, guitar), Denver Dalley (guitar), Ian McElroy (keyboards), Landon Hedges (bass \/ vocals), and Matt Baum (drums) went on to pursue separate ambitions, including Conor Oberst's career with the band Bright Eyes.\u003c\/p\u003e\n \u003cp\u003eIn 2010, Desaparecidos played together again at the Concert for Equality in Omaha (an event organized by Oberst to promote the repeal of then-recently enacted measures to prohibit businesses and landlords from hiring or renting to undocumented immigrants in Fremont, Nebraska). The band embarked on a short summer tour in 2012, and self-released several tracks on singles and 7-inches for the next year. Previously released tracks that are featured on the album are \"MariKKKopa\", \"Backsell\", \"Anonymous\", \"The Left is Right\", \"Te Amo Camila Vallejo\", and \"The Underground Man\".\u003c\/p\u003e\n \u003cp\u003e\u003cem\u003ePayola\u003c\/em\u003e is the follow-up album to the first and only Desaparecidos album, \u003cem\u003eRead Music \/ Speak Spanish\u003c\/em\u003e. Influenced by '70s\/'80s punk \u0026amp; hardcore like T.S.O.L. and Cro-Mags; early '80s power-pop the Vapors and Tommy Tutone, \u003cem\u003ePayola\u003c\/em\u003e was co-produced with Mike Mogis (First Aid Kit, Saintseneca, and 'The Fault in our Stars' Score From the Motion Picture with Nate Walcott); and was recorded in several batches over the past few years. On \u003cem\u003ePayola\u003c\/em\u003e, the band consciously tackled a wide range of political issues at a much broader scale. It has a greater degree of focus and musicality than the first release. Payola is more raw, louder, and angrier. In addition to the 6 previously released tracks, the album also includes 8 new tracks from the band.\u003c\/p\u003e","brand":"Epitaph","offers":[{"title":"Vinyl (Clear Green)","offer_id":50775543808307,"sku":"NPV","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/bd9dc58c7af906cdbac364aedd4c0848_8d04f1bce121073151d24c8668b0ad7c9551e9a7_product_photo.jpg?v=1739894071"},{"product_id":"the-replacements-let-it-be","title":"The Replacements - Let It Be","description":"\u003cp\u003e\u003cem\u003eLet It Be\u003c\/em\u003e looms large among '80s rock albums, generally regarded as one of the greatest records of the decade. So large is its legend and so universal its acclaim that all the praise tends to give the impression that the \u003cstrong\u003eReplacements\u003c\/strong\u003e' fourth album was designed as a major statement, intended to be something important when its genius, like so many things involving the 'Mats, feels accidental.\u003c\/p\u003e\n\u003cp\u003eCompared to other underground landmarks from 1984, \u003cem\u003eLet It Be\u003c\/em\u003e feels small scale, as it lacks the grand, sprawling ambition of the Minutemen's \u003cem\u003eDouble Nickels on the Dime\u003c\/em\u003e or the dramatic intensity of Hüsker Dü's \u003cem\u003eZen Arcade\u003c\/em\u003e, or if the other side of the Atlantic is taken into equation, the clean sense of purpose of The Smiths.\u003c\/p\u003e\n\u003cp\u003eNothing about \u003cem\u003eLet It Be\u003c\/em\u003e is clean; it's all a ragged mess, careening wildly from dirty jokes to wounded ballads, from utter throwaways to songs haunting in their power. Unlike other classics,\u003cem\u003e Let It Be\u003c\/em\u003e needs those throwaways -- that Kiss cover, those songs about Tommy getting his tonsils out and Gary's boner, that rant about phony rock \u0026amp; roll -- to lighten the mood and give the album its breathless pacing, but also because without these asides, the album wouldn't be true to the Replacements, who never separated high and low culture, who celebrated pure junk and reluctantly bared their soul.\u003c\/p\u003e\n\u003cp\u003eThis blend of bluster and vulnerability is why the Replacements were perhaps the most beloved band of their era, as they captured all the chaos and confusion of coming of age in the midst of Reaganomics, and \u003cem\u003eLet It Be\u003c\/em\u003e is nothing if not a coming-of-age album, perched precisely between adolescence and adulthood. There's just enough angst and tastelessness to have the album speak to teenagers of all generations and just enough complicated emotion to make this music resonate with listeners long past those awkward years, whether they grew up with this album or not.\u003c\/p\u003e","brand":"Twin\/Tone","offers":[{"title":"Vinyl (Black)","offer_id":50775544234291,"sku":"NPV","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/7aa7b77461bd44a3f9da9984da1346fb_87a10ebca2b60814e40e109b97f4ac6807575597_product_photo.jpg?v=1739894070"},{"product_id":"snail-mail-habit","title":"Snail Mail - Habit","description":"\u003cp\u003e\u003cstrong\u003eSnail Mail\u003c\/strong\u003e’s debut EP \u003ci\u003eHabit\u003c\/i\u003e serves as a nascent example of Lindsey Jordan’s extraordinary talent as a songwriter, singer and guitarist. The seven-song disc features the six original 2016 tracks as well as “The 2nd Most Beautiful Girl In The World,” penned by K Records Band Courtney Love and recorded by Snail Mail in 2018, available on record for the first time. The EP features a full-color cover as it had originally been designed, and has been remastered by Dave Cooley at Elysian Masters.\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Vinyl 12\"EP (Black)","offer_id":50775453696307,"sku":"NPV","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/182b360095635fa5ef0076f5d9adb3513c473846_8b2aaf339d23f5ffa0160b70438f8f9853ed92a9_photo_jpg.jpg?v=1739894069"},{"product_id":"joan-of-arc-a-portable-model-of","title":"Joan of Arc - A Portable Model Of","description":"\u003cp\u003e The first of several high-flying conceptual works to come from the \u003cstrong style=\"background-color: initial;\"\u003eJoan of Arc \u003c\/strong\u003ecompound is an eminently eclectic affair - organic and electronic, ironic and earnest, familiar, yet wholly irregular. It's a balance that allows this Chicago-based group to walk on the fringe without being swallowed by it. You'll feasibly end up scratching your head as much as you wind up nodding it, but if you didn't, you'd probably be missing the point.\u003c\/p\u003e","brand":"Jade Tree","offers":[{"title":"Vinyl (180-Gram Black)","offer_id":50775544758579,"sku":"NPV","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/1b486d7a5189ebe8d8c46afc64b0d1b4_43d692fbb3a398de184f42f9af1e72ffe2ffb1ad_product_photo.jpg?v=1739894069"},{"product_id":"jawbreaker-unfun","title":"Jawbreaker - Unfun","description":"\u003cp\u003eBlackball Records presents the 20th anniversary edition of \u003cstrong\u003eJawbreaker\u003c\/strong\u003e's beloved 1990 debut album \u003ci\u003eUnfun\u003c\/i\u003e--twelve groundbreaking tracks that captured the very inception of emo's big band and launched a galaxy of young, earnest bands and the scenes that love them. \u003ci\u003eUnfun\u003c\/i\u003e has been remastered by John Golden from the original analog tapes; the increased sampling rate boosts some of the bottom end and mid-range.\u003c\/p\u003e\u003cp\u003e\"Want\" and \"Fine Day\" were in heavy rotation on college radio back in the day, and remained set list staples throughout Jawbreaker's run. \u003ci\u003eUnfun\u003c\/i\u003e wound up on a lot of fanzine top ten lists, and even the mainstream press took notice. Rolling Stone called it \"a feast of heavy melody and righteous braying that roars along with all the spit and spirit of\u003cstrong\u003e \u003c\/strong\u003eHusker Du's\u003ci\u003e New Day Rising\u003c\/i\u003e.\"\u003c\/p\u003e","brand":"Blackball Records","offers":[{"title":"Vinyl (Black)","offer_id":50775545774387,"sku":"NPV","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/007d4a1214289aea09b9759ae1324e96.jpg?v=1739894068"},{"product_id":"the-postal-service-give-up","title":"The Postal Service - Give Up","description":"\u003cp\u003eYou can spend all the time and money in the world trying to craft the perfect pop-music scenario, but sometimes the stars have to align all by themselves. Even though early on the members of \u003cstrong\u003eThe Postal Service\u003c\/strong\u003e jokingly referred to \"Such Great Heights\" as “the hit” on their debut album, \u003ci\u003eGive Up\u003c\/i\u003e, there’s no way anyone could have predicted the eventual impact made by a mail-order album designed in a pair of West Coast bedrooms.\u003c\/p\u003e\u003cp\u003eOf course, the band’s music was more than just electro-pop, and the force with which Jimmy and Ben captured the indie-rock zeitgeist of the early aughts made them more of a phenomenon than just a regular old band. That such artists as Ben Folds, Amanda Palmer, Streetlight Manifesto, and Confide have covered “Such Great Heights” is a testament to both the song’s magical spark and its melodic inclusivity. The band’s sound is such a touchstone that “Postal Service-esque” has become a generally accepted musical adjective. And it goes way beyond Owl City.\u003c\/p\u003e\u003cp\u003eWhile it was impossible to anticipate how massive \u003ci\u003eGive Up \u003c\/i\u003ewould become, it was obvious in 2003 that these guys had made something special.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Vinyl (Black)","offer_id":50775545970995,"sku":"NPV-SP595LP","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/86ba98bcbd3466d253841907ba1fc725.jpg?v=1739894067"},{"product_id":"diane-coffee-peel","title":"Diane Coffee - Peel","description":"\u003cp\u003eEven before he released a note of music as \u003cstrong\u003eDiane Coffee\u003c\/strong\u003e, Shaun Fleming had put together quite a portfolio of work.\u003c\/p\u003e\n \u003cp\u003eCheck out his IMDB page and you’ll find 20+ acting credits as a result of a childhood spent lending his voice talents to Disney. Search YouTube and you’ll find videos from his years as a semi-professional skateboarder. And if you’re familiar with\u003cstrong\u003e Foxygen\u003c\/strong\u003e, you’ll know that he was the drummer from the band’s inception — before recently departing to put his full-time focus and energy into Diane Coffee.\u003c\/p\u003e\n \u003cp\u003eOften described as “psychedelic Motown,” Fleming’s music has caught the attention of Run the Jewels (who sampled Diane Coffee on \u003cem\u003eRTJ2\u003c\/em\u003e) and NPR, where he performed a Tiny Desk Concert that gave the whole world a preview of his theatrical approach to performing.\u003c\/p\u003e\n \u003cp\u003eAll things considered, it looks as though Fleming’s decision to step out from behind the kit and place himself center stage is what will ultimately be the highlight of an already impressive resume.\u003c\/p\u003e\n \u003cp\u003e\u003cem\u003ePeel\u003c\/em\u003e features two new and exclusive tracks.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"7\" (Light Peach)","offer_id":50776186028339,"sku":"PRC-340-7","price":7.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":52708199596339,"sku":"PRC-340DIGITAL","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/DC-Peel-001-1200x1200.jpg?v=1746132093"},{"product_id":"david-bazan-curse-your-branches","title":"David Bazan - Curse Your Branches","description":"\u003cp\u003e It would be easy to understand, if you're only somewhat familiar with \u003cstrong\u003eDavid Bazan\u003c\/strong\u003e's musical, theological, and philosophical backstory, why you might be tempted to shrug \u003cem\u003eCurse Your Branches\u003c\/em\u003e off either as another record by some Christian indie rocker, or as a declaration of atheism by some former Christian indie rocker.\u003c\/p\u003e\u003cp\u003e Here is our request: Please do not do that.\u003c\/p\u003e\u003cp\u003e Both of those dismissals are inaccurate, and neither gives any indication of the depth and breadth of Bazan's work. He's not an evangelist or a prodigal son, or any other cartoon character from the ecumenical funny papers. He's a songwriter, whose melodies and instrumental figures are every bit as eloquent as his lyrics. He is, we believe, a major talent who has already spent more than enough time in his successful career struggling to unshackle himself from the ideological expectations of his audience. More to the point, \u003cem\u003eCurse Your Branches\u003c\/em\u003e is his masterpiece — a beautiful, passionate, profoundly courageous work of art that deserves and will reward your close attention. It is a deeply personal, frankly autobiographical dispatch from the front lines of a crisis of faith. Song after song peers deep into the abyss of insoluble mysteries and comes up with something far more useful than answers.\u003c\/p\u003e","brand":"Barsuk","offers":[{"title":"Vinyl (Black)","offer_id":50775547609395,"sku":"NPV-BARK-083LP","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/664c7298d2b73b3c7fe2d1e8d1781c06_1da074d5b98d169560e805e6629306fe557bee82_product_photo.jpg?v=1739894067"},{"product_id":"pedro-the-lion-achilles-heel","title":"Pedro The Lion - Achilles Heel","description":"\u003cp\u003eSimply put, \u003cstrong style=\"background-color: initial;\"\u003ePedro The Lion\u003c\/strong\u003e have made the album of their career. After the huge crossover success of 2002's \u003cem style=\"background-color: initial;\"\u003eControl\u003c\/em\u003e, it was only a matter of time before \u003cstrong style=\"background-color: initial;\"\u003eDavid Bazan\u003c\/strong\u003e and company would fully realize their potential swansong.\u003c\/p\u003e\u003cp\u003e Beautifully achieved, \u003cem\u003eAchilles' Heel\u003c\/em\u003e is crafted as a scathing glance into the crosshairs of the American dream, a heartbreaking sketch of husbandhood and ultimately an exploration of faith as told through eleven perfectly textured vignettes. As sonically mature as it is emotionally complex, \u003cem\u003eAchilles' Heel\u003c\/em\u003e is imbued with the hopeful sadness that only Pedro The Lion can, and do deliver.\u003c\/p\u003e","brand":"Jade Tree","offers":[{"title":"Vinyl (Clear w\/ Black)","offer_id":50775547773235,"sku":"NPV-JT1095LP","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl (Black)","offer_id":50775547806003,"sku":"NPV-JT1095LP","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/0415740eaa4d9decbc8da001d3fd805f.jpg?v=1739894066"},{"product_id":"of-montreal-coquelicot-asleep-in-the-poppies-a-variety-of-whimsical-verse","title":"of Montreal - Coquelicot Asleep In The Poppies: A Variety of Whimsical Verse","description":"\u003cp\u003e\u003cstrong\u003eof Montreal\u003c\/strong\u003e's major voice Kevin Barnes has unparalleled talent to write lyrics that double as relatable adult situations and children's fable. This trend continues on \u003cem\u003eCoquelicot Asleep In The Poppies\u003c\/em\u003e. While there are come similarities to their previous efforts \u003cem\u003eBedside Drama\u003c\/em\u003e and \u003cem\u003eThe Gay Parade\u003c\/em\u003e, \u003cem\u003eCoquelicot\u003c\/em\u003e is more ambitious in its concept, arrangements, lyrics, and even artwork. As with other \u003cstrong\u003eof Montreal\u003c\/strong\u003e albums, this one works as a concept, but the songs also stand on their own, which is even more impressive.\u003c\/p\u003e\u003cp\u003e The songs are awash in melodies and harmony, a trademark of \u003cstrong\u003eof Montreal\u003c\/strong\u003e's previous work as well as other Elephant 6 related bands. Barnes continues to write amazingly creative lyrics full of imagery, even including interludes of story on \"Lecithin's Tale of a DNA Experiment That Went Terribly Awry\" and \"The Events Leading Up to the Collapse of Detective Dullight.\" \"Let's Do Everything for the First Time\" is classic \u003cstrong\u003eof Montreal\u003c\/strong\u003e, while \"Penelope\" has a \u003cstrong\u003eSyd Barrett \u003c\/strong\u003efeel to it. Strings are the main feature of mellow and beautiful \"It's a Very Starry Night,\" and \"It's Just So\" could have been lifted right off of \u003cem\u003eBedside Drama\u003c\/em\u003e. The band also incorporates a wide variety of instruments such as cello and violin to accordion and theremin.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eCoquelicot\u003c\/em\u003e builds perfectly upon \u003cem\u003eThe Gay Parade\u003c\/em\u003e and shows the progression of a great band. - Tyson Bjorge\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl 2xLP (Orange)","offer_id":50775075684659,"sku":"PRC-071LP","price":30.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":52708199530803,"sku":"PRC-071CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":52708199563571,"sku":"PRC-071DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/320d42a29fbdc248850ce7cd4b076cbc9e067ff1_851910111f70343f1a4ebee6cae400ed32a4ac0b_photo_jpg.jpg?v=1735838683"},{"product_id":"japanese-breakfast-soft-sounds-from-another-planet","title":"Japanese Breakfast - Soft Sounds From Another Planet","description":"\u003cp\u003e \u003cem\u003eSoft Sounds From Another Planet\u003c\/em\u003e isn't a concept album. Over the course of 12 tracks, Zauner explores an expansive thematic universe, a cohesive outpouring of unlike parts structured to create a galaxy of her own design.\u003c\/p\u003e\u003cp\u003e  In the instrumental \"Planetary Ambience,\" synths communicate the way extraterrestrials might, and on the shapeshifting single \"Machinist,\" which Zauner has been performing live for over a year now, she details the sci-fi narrative of a woman falling in love with a machine.\u003c\/p\u003e\u003cp\u003e  \"It's pure fiction,\" she explains, \"But it can map onto real relationships in a relevant way.\" The track, which begins with spoken-word ambience, moves into autotune ‘80s pop bliss and ends with a sultry saxophone solo, perfectly marries the experience: there's a perceptible humanity in mechanical, bodily events.\u003c\/p\u003e\u003cp\u003eWithin its astral production, much of \u003cem\u003eSoft Sounds From Another Planet\u003c\/em\u003e stays grounded. \"Road Head\" is the last chest compression in attempt to resuscitate a doomed relationship, while the penultimate track \"This House\" is an acoustic dirge that honors Zauner's chosen family. The baroque pop \"Boyish\" has a haunting, crystalline clarity that recalls the pathos of a Roy Orbison ballad, while \"Body is a Blade\" embraces the dark intimacy of Zauner's Pacific Northwest heroes \u003cstrong\u003eElliott Smith\u003c\/strong\u003e and \u003cstrong\u003eMount Eerie\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eWhere \u003cem\u003ePsychopomp\u003c\/em\u003e introduced the world to \u003cstrong\u003eJapanese Breakfast\u003c\/strong\u003e, \u003cem\u003eSoft Sounds\u003c\/em\u003e dives deeper. It builds space where there is none, and suggests that in the face of tragedy, we find ways to keep on living.\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Vinyl (Black)","offer_id":50775549608243,"sku":"NPV-DOC133LP","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/11833d4b4ec685c371ae6d1a65cc341e_b082e8a7143c08dfa743442acd1ca0c71e6504e4_product_photo.jpg?v=1739894064"},{"product_id":"bomb-the-music-industry-goodbye-cool-world","title":"Bomb the Music Industry! - Goodbye Cool World","description":"\u003cp\u003e From \u003cstrong\u003eJeff Rosenstock\u003c\/strong\u003e:\u003c\/p\u003e\u003cp\u003e  \"This record is essentially the product of moving out of your house and into a creatively dismal area. While Forest Hills, Queens is a very safe area and I managed to snag a really nice apartment for a super low price it gets depressing to be surrounded by senior citizens, hasidic (sic?) jews and russians... I went my first month living here without seeing someone in their twenties, I went at least four months without seeing a single black person. All my friends seemed far away, I got very few visitors and I was too broke to even take the train to go out and visit people. That was the environment in which the album was written.\u003c\/p\u003e\u003cp\u003e  Now as far as how in was recorded, this was done in an apartment building which meant recording needed to take place during the day, before dinner time, before the kids were home. Unfortunately, the record was pushed back a lot because my computer kept breaking. Once I got everything back on track, I ended up having a new temp job which was sweet because I had some money but TOTALLY lame because I could now only record between 5:30 and 6:30 every day. It finally got finished, and I'm proud to say that only two or three of the vocal tracks were recorded outside the apartment (those were done in Chris Valentino's pracitce space, thanks Chris.) So as usual, all songs were recorded on a laptop by Jeff Rosenstock with pretty much one microphone. Steve Foote (\u003cstrong\u003eBig D and the Kids Table\u003c\/strong\u003e), James Brown (\u003cstrong\u003eBeret!\u003c\/strong\u003e), Rick Johnson and Brendan Jensen (\u003cstrong\u003eMustard Plug\u003c\/strong\u003e) were kind enough to lend a hand on some of the tracks. Thanks to those guys. And big thanks to Christine Mackie, my wonderful girlfriend who let me record parts of these songs on her computer while mine was broke! Long live the internet!\"\u003c\/p\u003e","brand":"Asian Man Records","offers":[{"title":"Vinyl (Colored)","offer_id":50775551705395,"sku":"NPV","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/586ee5cb5f17541372cdd7d54b6414d7_20026a833030834604391817ee7232f547e647cc_product_photo.jpg?v=1739894063"},{"product_id":"palehound-a-place-ill-always-go","title":"Palehound - A Place I'll Always Go","description":"\u003cp\u003eThe sophomore album from Boston trio \u003cstrong\u003ePalehound\u003c\/strong\u003e, \u003ci\u003eA Place I'll Always Go\u003c\/i\u003e, is a frank look at love and loss, cushioned by indelible hooks and gently propulsive, fuzzed-out rock.\u003c\/p\u003e\n \u003cp\u003eEllen Kempner, Palehound's vocalist, guitarist, and songwriter explains, \"A lot of it is about loss and learning how to let yourself evolve past the pain and the weird guilt that comes along with grief.\"\u003c\/p\u003e\n \u003cp\u003eKempner's writing comes from upheavals she experienced in 2015 and 2016 that reframed her worldview. \"I lost two people I was really close with,\" she recalls. \"I lost my friend Lily. I lost my grandmother too, but you expect that at 22. When you lose a friend—a young friend—nothing can prepare you for that. A lot of the record is about going on with your life, while knowing that person is missing what's happening—they loved music and they're missing these great records that come out, and they're missing these shows that they would've wanted to go to. It just threw me for a loop to know that life is so fragile.\"\u003c\/p\u003e\n \u003cp\u003ePalehound's first release for Polyvinyl is also about the light that gradually dawns after tragedy, with songs like the bass-heavy \"Room\" and the gentle dreamy album closer \"At Night I'm Alright With You\" feeling their way through blossoming love. \"The album is also about learning how to find love, honestly, after loss,\" says Kempner.\u003c\/p\u003e\n \u003cp\u003eSince forming in 2014, Palehound—Kempner, drummer Jesse Weiss (Spook The Herd), and new bassist Larz Brogan (a veteran of Boston DIY who, Kempner posits, \"had 13 local bands last year\")—have taken their plainspoken, technique-heavy indie rock from the basements of Boston to festivals around the world. \u003ci\u003eA Place I'll Always Go\u003c\/i\u003e was recorded in late 2016 at the Brooklyn complex Thump Studios with the assistance of Gabe Wax, who recorded\u003ci\u003e Dry Food\u003c\/i\u003e. \"I would put my life in his hands,\" Kempner asserts. \"I trust him so much.\"\u003c\/p\u003e\n \u003cp\u003e\u003ci\u003eA Place I'll Always Go\u003c\/i\u003e builds on the promise of Palehound's critically acclaimed 2015 album \u003ci\u003eDry Food\u003c\/i\u003e with songs that are slightly more reserved, but no less powerful. \"Flowing Over\" rides a sweetly hooky guitar line, with Kempner using the fuzzed-out upper register of her voice as a sort of anxious counterpoint to the riff's infectious melody. \"That song is about anxiety,\" says Kempner, \"and when you're sad and you listen to sad music to feed it and feel yourself spinning all these 'what if's and 'I'm terrible's in your head.\"\u003c\/p\u003e\n \u003cp\u003e\"This record represents a period of time in my life way more than anything I've ever written before,\" says Kempner, who notes that the swirling \"If You Met Her\" and the piano-tinged \"At Night I'm Alright With You\" could represent the opposing poles of the record. \"One of them is about love, and the other one is about death—it was a really healthy experience for me to find my own dialogue within that,\" she says. \"There's so much that you learn and read, and other people's experiences that you internalize, that you try to then base your own on. It was helpful to carve my own path for that.\"\u003c\/p\u003e\n \u003cp\u003ePart of what makes \u003ci\u003eA Place I'll Always Go\u003c\/i\u003e so striking is the way it channels feelings of anxiety -- heart-racing moments both exhilarating and crushing -- into songs that feel well-worn and comforting.\u003c\/p\u003e\n \u003cp\u003eThe hushed confessionalism of \"Carnations\" and the fugue state described in the stripped-down \"Feeling Fruit\" are snapshots of moments marked by big, confusing feelings, but they're taken with compassion and honesty—two qualities that have defined Palehound's music from the beginning.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Violet)","offer_id":50775255286067,"sku":"PRC-333LP","price":21.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":52708199432499,"sku":"PRC-333CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":52708199465267,"sku":"PRC-333DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/Palehound_A-Place-I_ll-Always-Go_SQ1.jpg?v=1738357250"},{"product_id":"pavement-crooked-rain-crooked-rain","title":"Pavement - Crooked Rain, Crooked Rain","description":"","brand":"Matador","offers":[{"title":"Vinyl","offer_id":50775553605939,"sku":"NPV-OLE-079LP","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/9523147e5a6707baf674941812ee5c94_981d0519ec8db986b787e4f77a273496807def6b_product_photo.jpg?v=1739894062"},{"product_id":"jimmy-eat-world-bleed-american","title":"Jimmy Eat World - Bleed American","description":"\u003cp\u003e\u003cstrong\u003eJimmy Eat World\u003c\/strong\u003e exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green Day.\u003c\/p\u003e\n \u003cp\u003eThese guys appear to be able to write ready-made singles at the drop of a hat, as evidenced by \"The Middle,\" \"Sweetness,\" \"A Praise Chorus\" (featuring guest vocals from The Promise Ring's \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavey Vonbohlen)\u003c\/span\u003e as well as the title track. In fact, there is a rather shocking maturity to their material that belies the band members' ages (all in their 20s).\u003c\/p\u003e","brand":"Interscope Records","offers":[{"title":"Vinyl (Black)","offer_id":50775554064691,"sku":"NPV","price":37.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/690f44c8c2b7ded579d01abe8fdb6110_3df3076b6ed890859afdb23fe5d1b3ea3a30a8da_product_photo.jpg?v=1739894061"},{"product_id":"the-promise-ring-30-everywhere","title":"The Promise Ring - 30 Degrees Everywhere","description":"\u003cp\u003e\u003cstrong\u003eThe Promise Ring\u003c\/strong\u003e were formed in 1995 in Milwaukee by guitarist Jason Gnewikow, drummer Dan Didier and bassist Scott Beschta. The band was eventually rounded out by frontman Davey von Bohlen, who at the time was a new enlistee into Midwest darlings Cap'n Jazz but gave The Promise Ring their crucial missing piece.\u003c\/p\u003e\n\u003cp\u003eIn 1996, the group signed with Jade Tree and released their debut, \u003cem\u003e30 Degrees Everywhere\u003c\/em\u003e: a powerful introduction that distilled the spirit and vigor of some of the members' punk and hardcore backgrounds and spit-shined it with von Bohlen's tastefully angsty melodicism.\u003c\/p\u003e\n\u003cp\u003eBut \u003cem\u003e30 Degrees Everywhere\u003c\/em\u003e is deceptively complex, masked by layers of driving guitars and buoyant rhythms. It's also deceptively dark, as the singer's heart-on-sleeve lyrics – tackling love, loss, regret and disappointment – and emotive delivery were hallmarks of The Promise Ring's genre-leading sound. This raw emotion, along with an overall lack of polish, ultimately gives the album an endearing personality.\u003c\/p\u003e\n\u003cp\u003eYou won't find perfect performances here; rather, you're getting real songs about real life played by real people in real time. Boiled down, \u003cem\u003e30 Degrees Everywhere\u003c\/em\u003e is the foundation of a musical legacy, a lightning-in-a-bottle musical moment that demands listeners pay attention to its urgency and passion – in the end, what more could you ask for?\u003c\/p\u003e","brand":"Jade Tree","offers":[{"title":"Vinyl (Black)","offer_id":50775554359603,"sku":"NPV-JT1026LP","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/2109737282d2c2de4fc5534be26c9bb6.jpg?v=1739894061"},{"product_id":"fleetwood-mac-rumours","title":"Fleetwood Mac - Rumours","description":"\u003cp\u003e Quintessential classic rock release from rock and roll legends \u003cstrong\u003eFleetwood Mac\u003c\/strong\u003e. Contains the hits \"Go Your Own Way\" and \"Dreams.\"\u003c\/p\u003e","brand":"Reprise Records","offers":[{"title":"Vinyl (Black)","offer_id":50775555375411,"sku":"NPV-REP-517786LP","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/2e09926f3de94fa8c07ac5a8f3edc5cd_e2ab07432197ec1a338d96dd7ef2d4e0498d2a4e_product_photo.jpg?v=1739894059"},{"product_id":"vivian-girls-everything-goes-wrong","title":"Vivian Girls - Everything Goes Wrong","description":"\u003cp\u003eSwirling noise Brooklynites, \u003cstrong\u003eVivian Girls\u003c\/strong\u003e released their sophomore album, \u003ci\u003eEverything Goes Wrong\u003c\/i\u003e, almost exactly one year after their self-titled debut\u003c\/p\u003e\u003cp\u003e\u003ci\u003eEverything Goes Wrong\u003c\/i\u003e is longer than the 22 mins their debut clocked in at, with the band having taken their time and recorded it in six days - rather than the three their debut took -- though many of the songs were still recorded in single takes.\u003c\/p\u003e\u003cp\u003eWhilst Vivian Girls once again captured their raw, fun edge - as the influence of ’60s girl groups, The Ramones as well as surf and indie pop, still ring true, \u003ci\u003eEverything Goes Wrong\u003c\/i\u003e is without a doubt a darker, moodier album than its predecessor.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (180-Gram Half Yellow\/Half Black)","offer_id":50775256465715,"sku":"PRC-392LP","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818976448819,"sku":"PRC-392DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/274da997412973c08cf7e78724153f55_4d92860b689b345230e3c0ccfb780eb8af604dfe_product_photo.jpg?v=1740022633"},{"product_id":"generationals-actor-caster","title":"Generationals - Actor-Caster","description":"\u003cp\u003eBrutal is one way of putting it. The only way, really, considering the thermometer-cracking highs that faced \u003cstrong style=\"background-color: initial;\"\u003eGenerationals\u003c\/strong\u003e during the month-long sessions for their second album, \u003cem style=\"background-color: initial;\"\u003eActor- Caster\u003c\/em\u003e. “DC is very unforgiving in the summer. It just radiates heat,” explains singer\/multi- instrumentalist \u003cspan style=\"background-color: initial;\"\u003eTed Joyner\u003c\/span\u003e. “So even though it was sunny outside, we sat in the basement most of the time.”\u003c\/p\u003e\n\u003cp\u003eThat explains the melancholic\/morose bent of the band’s lyrics this time around, like how \u003cspan style=\"background-color: initial;\"\u003eGrant Widmer\u003c\/span\u003e—also a singer\/multi-instrumentalist—refuses to pick up the phone in “Goose \u0026amp; Gander” or the way Joyner’s lovelorn melodies linger well after the last dust-clearing note of “Dirty Mister Dirty.” It’s as if they’re chasing every smile with a sneer, and at least one of them’s brandishing a knife behind his back.\u003c\/p\u003e\n\u003cp\u003eAs for the duo’s songwriting, it’s still sunbaked in spots (the persistent piano lines of “Greenleaf,” the galloping grooves of “Ten-Twenty-Ten” and “You Say It Too”), but nothing’s stuck in the ‘60s. More like the here and now, combined with the warm, inviting vibe of classic pop cuts. “It’s important for us to record the old way—with analog equipment and tape machines,” explains Widmer, “But we also incorporate lots of electronic elements that wouldn’t have been available to someone in the ‘60s. That combination is our sound.”\u003c\/p\u003e\n\u003cp\u003eAnd by electronic elements, he means everything from the shimmering synth lines and spare handclaps of “Yours Forever” to the lonesome keys and lacerated drum loops of “Black and White.” None of which sounds all that strange when you consider the time machine tendencies of \u003cstrong style=\"background-color: initial;\"\u003eGenerationals\u003c\/strong\u003e’ widely acclaimed debut album, \u003cem style=\"background-color: initial;\"\u003eCon Law\u003c\/em\u003e, a decade-spanning disc that features the same producer as \u003cem style=\"background-color: initial;\"\u003eActor-Caster\u003c\/em\u003e (\u003cstrong style=\"background-color: initial;\"\u003eDaniel Black\u003c\/strong\u003e) and sounds as familiar as a stack of slightly scuffed 45s (the heated horns and heaven-sent harmonies of “When They Fight They Fight,” the snake-like bass lines and steam-pressed beats of “Bobby Beale”).\u003c\/p\u003e\n\u003cp\u003eOf course, it helps that Widmer and Joyner have been close friends since they were 13—a pair of freshmen trying to learn Beatles tracks on their first guitar. The New Orleans natives have shared apartments, jobs, schools and stages ever since, to the point where they practically finish each other’s sentences. “We know exactly what the other person is going for when an idea comes up. I think you can hear that in this album,” says Widmer. “I played him the chords for ‘Black and White’ on guitar, and he knew exactly how to play them on piano and make them sound. So much so that it didn't even need a guitar after the piano was down; the guitar would have been redundant.”\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Milky Clear)","offer_id":50775262200115,"sku":"PRC-355LP-MILKY","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ba272b92acd906d7eb327d9b1770c4962d886b17_7843062eb682ea9c499f599e2b11d1ee640cd85f_photo_jpg.jpg?v=1735838682"},{"product_id":"braid-the-age-of-octeen","title":"Braid - The Age of Octeen","description":"\u003cp\u003eThe sophomore full-length from \u003cstrong\u003eBraid\u003c\/strong\u003e\u003ci\u003e, The Age of Octeen\u003c\/i\u003e is marked by its passionate vocals, excellent wordplay, dueling guitars, and a relentless rhythm section; powerful sounds with a heart of gold.\u003c\/p\u003e\u003cp\u003eOnce the heir apparent to the post-Fugazi\/Jawbox throne, Braid only recorded one more album (\u003ci\u003eFrame and Canvas\u003c\/i\u003e) before deciding to call it quits in the Summer of '99.\u003c\/p\u003e\u003cp\u003eBraid's line-up for \u003ci\u003eThe Age Of Octeen\u003c\/i\u003e features singer\/guitarist Bob Nanna (Hey Mercedes, Friction, The City On Fim), bassist Todd Bell (Hey Mercedes, Mary Me), drummer Roy Ewing (Very Secretary, Days In December, Mary Me) and guitarist Chris Broach (L'Spaerow, The Firebird Band).\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Transparent Green w\/ Multicolor Splatter)","offer_id":52292715970867,"sku":"PRC-9683LP","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818976940339,"sku":"PRC-181DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/Braid_Octeen_SQ1.jpg?v=1755825330"},{"product_id":"american-football-american-football","title":"American Football - American Football","description":"\u003cp\u003e\u003cstrong\u003eAmerican Football\u003c\/strong\u003e's first album showcases cleanly picked guitars, intricate drumming, and the vocals of Mike Kinsella (\u003cstrong\u003eOwen\u003c\/strong\u003e, \u003cstrong\u003eCap'n Jazz\u003c\/strong\u003e). The band, made up of Kinsella, Steve Holmes and Steve Lamos rooted itself in Champaign and recorded this album at Private Studios with Brendan Gamble (Braid).\u003c\/p\u003e\n\u003cp\u003eDespite little touring and with only an EP behind them, these nine songs highlight the trio's uncanny songwriting abilities.\u003c\/p\u003e\n\u003cp\u003eThe album's photos and layout mark the first Polyvinyl design done by Chris Strong.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Blue Smoke)","offer_id":50775264395571,"sku":"PRC-025LP","price":23.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50818973794611,"sku":"PRC-025CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818973827379,"sku":"PRC-025DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/b7a8436b63e8fcf65a5d0573c7ddfdc253d4a0df_c556be4338a80ffabad4200893ff9f61d1c26736_photo_jpg.jpg?v=1735838695"},{"product_id":"of-montreal-the-sunlandic-twins","title":"of Montreal - The Sunlandic Twins","description":"\u003cp\u003eHailing from Athens, \u003cstrong\u003eof Montreal\u003c\/strong\u003e have carved their own niche – establishing themselves as a uniquely twisted band that thrills fans with compelling live performances, delights critics with their constant innovations and refinements, and continually showcases their musical evolution that culls together influences as varied as Brian Eno, Television and Prince.\u003c\/p\u003e\n\u003cp\u003eThe follow-up to of Montreal's breakthrough album,\u003ci\u003e Satanic Panic in the Attic\u003c\/i\u003e,\u003ci\u003e The Sunlandic Twins \u003c\/i\u003eis one of the band's most cohesive and adventurous records.\u003c\/p\u003e\n\u003cp\u003eAs of Montreal's principal songwriter Kevin Barnes puts it: \"The album plays out like an electro-pop opera, although no lorgnette is required. \u003ci\u003eThe Sunlandic Twins\u003c\/i\u003e begins buoyant and opalescent, traversing a labyrinthine Neptune, and climaxing in a blackout darkness one only discovers in warm solitude.\"\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"CD","offer_id":50818978054451,"sku":"PRC-9554CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818978119987,"sku":"PRC-088DIGITAL","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl 2xLP (Red\/Orange Swirl) – SOLD OUT","offer_id":50775081517363,"sku":"PRC-9554LP","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/3a15c7d0bbe60300a39f76f8a5ba6896.jpg?v=1735838698"},{"product_id":"owen-the-king-of-whys","title":"Owen - The King of Whys","description":"\u003cp\u003e\u003cstrong\u003eOwen\u003c\/strong\u003e – the acclaimed solo musical guise of singer\/songwriter\/multi-instrumentalist \u003cstrong\u003eMike Kinsella\u003c\/strong\u003e – has made an astonishing leap forward with \u003cem\u003eThe King of Whys\u003c\/em\u003e, the first work in his two-decade-plus career to be made entirely outside of the greater Chicagoland area.\u003c\/p\u003e\n \u003cp\u003eProduced by S. Carey over 18 days last winter at April Base Studios in Eau Claire, WI, the album is Owen’s most inspired and evocative thus far, interpolating a group dynamic into what has long been an intensely intimate sound.\u003c\/p\u003e\n \u003cp\u003eSongs like “The Desperate Act” and “Sleep Is A Myth” remain spare but with a distinctly outward shift in scope, their open-armed sonic range a perfect foil to Kinsella’s evocative explorations of marriage, melancholia, and modern middle age.\u003c\/p\u003e\n \u003cp\u003eFraught with hurt and wry humor, \u003cem\u003eThe King of Whys\u003c\/em\u003e is a portrait of a restless artist grappling with doubt and ghosts of the past but searching for meaning through candor, creativity, and an ardent need for emotional release.\u003c\/p\u003e\n \u003cp\u003e“I think this record is totally romantic,” Kinsella says. “I told my wife, she wasn’t convinced. I said that this is how I get it all out of me. It leaves me more content to deal with reality.”\u003c\/p\u003e\n \u003cp\u003eFor more than two decades, Kinsella has been a central figure in Chicago’s indie rock universe, serving multiple roles in a string of bands whose influence continues to resonate across a span of genres and musical approaches. A founding member – with his brother Tim – of Cap’n Jazz, Joan of Arc, and Owls, Kinsella’s own vision first manifested via American Football’s cathartic rock, but for most of the years since 2002, through Owen’s raw homespun offerings. Adopting the solo singer\/songwriter persona freed Kinsella from a lifetime working in collectives, giving him complete control over every aspect of his creativity.\u003c\/p\u003e\n \u003cp\u003e“I can say whatever I want as Owen,” he says. “I can express all the aspects of my personality – I can be crude or funny or sad or mean or whatever. It’s my personal thing.”\u003c\/p\u003e\n \u003cp\u003eOwen’s lo-fi, largely acoustic bedroom recordings have evolved over eight albums and myriad EPs into a more orchestrated approach reflective of Kinsella’s growing strength as a songwriter.\u003c\/p\u003e\n \u003cp\u003eA series of recent efforts inspired him to further broaden Owen’s reach -- from American Football’s well-received 2014 return to simply getting behind the kit in Chicago indie rock trio Their\/They're\/There – his first stint as a mere drummer in over a decade.\u003c\/p\u003e\n \u003cp\u003eStill eager to push Owen’s hermetic parameters, Kinsella enlisted producer S. Carey – frequent collaborator of Bon Iver, Sufjan Stevens, Mason Jennings and acclaimed solo artist in his own right – to helm his next album, the two like-minded artists having first met as Carey supported a handful of dates on American Football’s 2014 reunion tour.\u003c\/p\u003e\n \u003cp\u003eWhere Owen’s prior outings were almost entirely performed by Kinsella on his own, Carey brought in some of the Badger State’s finest players to add new flesh to his bare-boned songcraft. Kinsella, as usual, is up front on guitar, vocals, bass, drums, and bells, accompanied by Carey (keyboards, vocals, drums, bells) and such WI musicians as Zach Hanson, who also served as engineer on the record, violist Michael Noyce, pedal steel guitarist\/keyboard player Ben Lester, horns player Andy Hofer, and bassist Jeremy Botcher, all of whom share credits including Bon Iver, S. Carey, and The Tallest Man On Earth. Together the combo crafts an expansive but still grounded backdrop for Kinsella’s candid confessionals.\u003c\/p\u003e\n \u003cp\u003eKinsella has made more than a fair share of records – “I sure have,” he says – so the remarkable fact that this is his first album in a 15-year span releasing music as Owen recorded outside of Chicago and his own circle must have had significant impact.\u003c\/p\u003e\n \u003cp\u003e“I joined my brother’s band in seventh grade,” he says, “and then kept playing in my brother’s bands for the next fifteen, twenty years. Even American Football, that was with an old high school buddy so it was still very comfortable. Taking me out of my comfort zone definitely led to something different.”\u003c\/p\u003e\n \u003cp\u003eLeaving his scene behind offered an array of new possibilities but also opened up a very different emotional response. Though Kinsella was a fan and familiar with his collaborators’ work, he was still the newcomer to the gang, “a totally weird experience for a grown man.”\u003c\/p\u003e\n \u003cp\u003e“They’re all really good friends,” he says. “They work together all the time, they have their own language, and then there’s me, going, here’s my songs. It felt like junior high, like I was the kid starting a new school in the middle of the year.”\u003c\/p\u003e\n \u003cp\u003eThe process itself was unlike previous Owen recordings in that Kinsella was for the first time able to let go of various instrumentation, allowing his fellow musicians to carry some of the weight only he previously bore.\u003c\/p\u003e\n \u003cp\u003eThe sheer songcraft on \u003cem\u003eThe King of Whys\u003c\/em\u003e more than warrants the expanded production, Kinsella dissecting his own foibles and familial relationships with caustic wit and a mordant sense of self-awareness. “Lovers Come And Go” and the elegiac “Saltwater” see the songwriter processing his experiences as he approaches the big four-oh, using his art to learn how to be a better father and husband.\u003c\/p\u003e\n \u003cp\u003e“I worry that anyone under twenty five isn’t going to care about how tired he is from chasing his kids all day,” Kinsella says, “but whatever.”\u003c\/p\u003e\n \u003cp\u003eThe \u003cem\u003eKing of Whys\u003c\/em\u003e has far more going on than the self-deprecating Kinsella suggests, touching on universals like addiction with “Empty Bottle,” the place where so many long dark nights of the soul begin, whether it’s the venerable Chicago club or a just-finished fifth. Songs like “A Burning Soul” – a scathing looks at how his dad’s alcoholism has affected his own young family – and the closing “Lost” are haunting and poignant, alighting upon such common themes as love and loss, rebirth and redemption.\u003c\/p\u003e\n \u003cp\u003e“It’s dark on the surface but those are real feelings,” Kinsella says. “For a while I was pretty self conscious about my songwriting. There are Internet memes about how sad I am. I just feel there are enough love songs playing at grocery stores – I can write about darker stuff.”\u003c\/p\u003e\n \u003cp\u003eAn intimate singer\/songwriter album recorded under contemporary circumstances, \u003cem\u003eThe King of Whys\u003c\/em\u003e utilizes progressive techniques, song structures, and time signatures, but Owen’s introspective humanity is timeless. Having made music for a very long time, Mike Kinsella continues to push himself towards transcendence with honesty, artistic ambition, and a sense of real circumstance.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"CD","offer_id":50818980086067,"sku":"PRC-316CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":52708199203123,"sku":"PRC-316DIGITAL","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl (180-Gram Blue\/White Starburst) – SOLD OUT","offer_id":52708199170355,"sku":"PRC-316LP","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/84c578f202616448a2f80e6f56d5f16d.jpg?v=1763439809"},{"product_id":"deerhoof-deerhoof-vs-evil","title":"Deerhoof - Deerhoof vs. Evil","description":"\u003cp\u003eIt's easy to remember how you felt at 16.\u003c\/p\u003e\n\u003cp\u003eYeah, you had two eyes like everyone else, but yours were Infallibility and Invincibility. No one could tell you what to do. A force to be reckoned with -- you were filled with the undeniable feeling that you could take on anything and win.\u003c\/p\u003e\n\u003cp\u003eHaving formed in 1994, \u003cstrong\u003eDeerhoof\u003c\/strong\u003e is now that fateful age and by rites it's the band's turn to go out and challenge the world. The same way a rebellious adolescent turns tough and irrational, Greg Saunier, Ed Rodriguez, John Dieterich, and Satomi Matsuzaki just up and split from San Francisco, the only home they've ever known as a band, and left behind all notions of what a \"Deerhoof record sounds like.\"\u003c\/p\u003e\n\u003cp\u003eThe result is \u003cem\u003eDeerhoof vs. Evil\u003c\/em\u003e. The musical equivalent of hormones raging out of control, it explodes out of the speakers with its gawky triumph and inflamed sentimentality. These are songs that practically \u003cem\u003edemand\u003c\/em\u003e that you dance and sing along (however elastic the rhythms, or abrupt the melodies).\u003c\/p\u003e\n\u003cp\u003eTo document their musical \"coming-of-age\" the band members could only trust themselves. Besides their cover of an obscure Greek film soundtrack instrumental (\"Let's Dance the Jet\"), and a song done for NY artist Adam Pendleton's documentary film installation \u003cem\u003eBAND\u003c\/em\u003e (\"I Did Crimes for You\"), these songs were completely self-recorded, mixed and mastered in practice spaces and basements with no engineers or outside input.\u003c\/p\u003e\n\u003cp\u003eIronically the result is polished, blissfully exuberant, and huge-sounding. Going DIY meant freedom to reinvent themselves, playing each others' instruments, altering those instruments so drastically as to be unrecognizable, and generally splashing their sonic colors into the most unexpected combinations.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Metallic Silver)","offer_id":50775268852019,"sku":"PRC-209LP","price":22.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50818979201331,"sku":"PRC-209CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818979266867,"sku":"PRC-209DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/ff8a4249fce2057d230fa06171e24597baa09dbf_2822e7b925fabe434b311eb15c423b3f95118e6d_photo_jpg.jpg?v=1735838697"},{"product_id":"generationals-alix","title":"Generationals - Alix","description":"\u003cp\u003eTed Joyner and Grant Widmer, friends since high school and \u003cstrong\u003eGenerationals\u003c\/strong\u003e co-captains since 2008, have been in each others’ faces for most of this century.\u003c\/p\u003e\u003cp\u003eNatural songwriting partners, they made their first three records at home with the help of mutual friend Daniel Black, and in 2013 they launched straight into their fourth with surprising post-tour energy, but after years of creative brain-melding, the dyad had reached a point of ultra-familiarity and comfort in their work routine that, to them, threatened quicksand. They began to suspect their own productivity of being rut in disguise.\u003c\/p\u003e\u003cp\u003eDetermined to keep things fresh, they sought out a new producer who might be able shake things up, surprise them, and bring something new to the project.\u003c\/p\u003e\u003cp\u003eHow about Richard Swift? they said. He’s the best, he's the boss, he’s like the John Keating of cool drum sounds–a perfect fit for a pair of poppy throwback tape-lovers like us.\u003c\/p\u003e\u003cp\u003eThe Louisiana duo made their way, yellow brick road-style, to Cottage Grove, Oregon, ready to give their tapes over to Swift’s cultishly venerated magic touch, but the collaboration was hardly the scrap-it-all, start-from-scratch, give-up-the-reins-and-let-the-guru-do-his-thing scenario Ted and Grant had expected—hoped for even—when they began their pilgrimage to Swift’s National Freedom studio in February.\u003c\/p\u003e\u003cp\u003eSwift deemed the demos album-worthy after all and the original versions were saved at his urging. With a little tightening rather than a vibe transplant, the songs solidified into a cohesive, finished record.\u003c\/p\u003e\u003cp\u003eThe final version of \u003ci\u003eAlix\u003c\/i\u003e materialized as perhaps Generationals’ most confident record yet, full of history and as multiphase as Ted and Grant’s friendship.\u003c\/p\u003e\u003cp\u003eBuilt up with layer upon layer of rhythmic lines, computer noises, RZA beats, and poppy vocals that sometimes sound like a Janet Jackson\/Prince face-off, \u003ci\u003eAlix\u003c\/i\u003e is everything T\u0026amp;G like about music: old and new, vinyl and youtube, vocal chord and microkorg, gathered up from everywhere and arranged with great care into a good-smelling, subtly sexy, catchy-or-die mish-mosh of sensibilities and time-warp senselessness, lightly peppered with that signature Swiftian element, but undeniably Generationals in taste.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (Mint Green)","offer_id":50775269245235,"sku":"PRC-283LP","price":20.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50818981953843,"sku":"PRC-283CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818982019379,"sku":"PRC-283DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/Generationals-Alix-Green-LP.jpg?v=1746214982"},{"product_id":"sonny-the-sunsets-talent-night-at-the-ashram","title":"Sonny \u0026 The Sunsets - Talent Night at the Ashram","description":"\u003cp\u003eBizarre? Scrappy? Deranged? \u003cstrong\u003eSonny \u0026amp; the Sunsets\u003c\/strong\u003e’ latest record sees them in perhaps their strangest and most lyrically explorative phase yet.\u003c\/p\u003e\u003cp\u003eA big soup of sonic ideas that wouldn’t normally be glued together, the songs on \u003cem\u003eTalent Night at the Ashram\u003c\/em\u003e make a large collage that mixes cinematic stories of fringe characters.\u003c\/p\u003e\u003cp\u003eInitially envisioned as a film project, each song was originally a short film that, when strung together, formed a feature-length movie.\u003c\/p\u003e\u003cp\u003eAs Sonny Smith was writing the scripts and hiring the actors (even shooting a few of the clips), the scripts began to morph into songs.\u003c\/p\u003e\u003cp\u003eEqual parts \u003cstrong\u003eFellini\u003c\/strong\u003e and \u003cstrong\u003eOs Mutantes\u003c\/strong\u003e, \u003cem\u003eTalent Night at the Ashram\u003c\/em\u003e is cinematic in its storytelling and kaleidoscopic in its mixing and merging of musical genres.\u003c\/p\u003e\u003cp\u003eOn album opener “The Application,” Smith applies to be a human being to the tune of \u003cstrong\u003eBeach Boys\u003c\/strong\u003e harmonies, ragtag beats and ‘80s synths.\u003c\/p\u003e\u003cp\u003e“Happy Carrot Health Food Store” tells an epic saga of grocery store employees set to a soundtrack that takes listeners on a psychedelic odyssey with elements of jazz and a hallucinogenic sequence including a conversation with a girlfriend swimming in his beer glass, or is that a dog?\u003c\/p\u003e\u003cp\u003e‘60s folk, electric sitars, flutes, and myriad other sounds help accentuate tales of professional bowlers in desperate need of a strike (“Icelene’s Loss”), a mansion that houses every woman Smith has ever known (“The Secluded Estate”), and Occupy meetings ending in bad love (“Secret Plot to Destroy the Underground”).\u003c\/p\u003e\u003cp\u003eRecording was a communal effort mostly done at Smith’s home on this tape machine with musicians such as Shayde Sartin (\u003cstrong\u003eThe Fresh \u0026amp; Onlys\u003c\/strong\u003e), Garret Goddard (\u003cstrong\u003eKing Tuff\u003c\/strong\u003e), Kelley Stoltz, Rusty Miller, Ian McBrayer, and more.\u003c\/p\u003e\u003cp\u003ePairing uniquely off-the-wall stories with an ambitious musical scope, \u003cem\u003eTalent Night at the Ashram\u003c\/em\u003e finds Smith once again securing his status as one of today’s most arrestingly inventive songwriters.\u003c\/p\u003e","brand":"Polyvinyl Records","offers":[{"title":"Vinyl (180-Gram Red)","offer_id":50775270228275,"sku":"PRC-288LP","price":19.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50818976481587,"sku":"PRC-288CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":50818976547123,"sku":"PRC-288DIGITAL","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0881\/7655\/8387\/files\/Sonny-Talent_Night-Red-LP.jpg?v=1746491708"}],"url":"https:\/\/www.polyvinylrecords.com\/collections\/vinyl.oembed?page=9","provider":"Polyvinyl Record Co.","version":"1.0","type":"link"}