La Sera
Music For Listening To Music To
Mar 4, 2016

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The title of La Sera's fourth album says a lot by saying so precious little: Music For Listening to Music To. So, in other words, "music." After the punky heft and wildness of 2014's Hour of the Dawn, an LP that thrashed against expectation, Katy Goodman returns with a set of songs that double down on solid simplicity — the power of wry lyrics, glorious guitar, driving backbeat, and the occasional pump organ groove. And as the record cover gives away, Goodman isn't alone.

La Sera is a duo now — that's guitarist/cowriter/new husband (!) Todd Wisenbaker standing up there. And Ryan Adams joins to produce the fruit of their union, La Sera's first live-recorded analog album, featuring 10 tunes about good love, bad love, dead men, and confused kids.

Music For Listening to Music To opens on "High Notes," where rollicking guitar and punk drums chugga-chugga beneath Goodman's assured coo. Her lines deftly wrap the snark of Morrissey inside the sneer of Johnny Cash, and if you ask her what her favorite parts of the new album are, she'll tell you it's the scrappy stuff. "Time to Go," which hurdles out the gate on a rocket of slide guitar and elastic bass, is another one aimed at settling old accounts — just 'cause our heroine is happily married doesn't mean she can't take swings at those who came before.

For a glimpse at the album's genesis, though, pull up duet "One True Love." When it came time to write her fourth full-length, Goodman wasn't sure where she wanted to take the music. One night she and Wisenbaker (a Jenny and Johnny touring alum who joined La Sera in 2012 and produced Hour of the Dawn) did something they'd shockingly never done before: wrote a song together. That upbeat jangle-pop cut was the result, and the rest poured out. Wisenbaker sings on two others as well — the coiffed malt shop blues of "I Need an Angel" and bittersweet rocker "Nineties," which features synth by Adams and Greta Morgan (The Hush Sound, Gold Motel). Nate Lotz (Halsey, Madi Diaz) drummed for the weeklong PAX-AM studio sessions.

As a testament to the chemistry that happened in that space, Music For Listening to Music To spawned another fruitful relationship: Adams and Wisenbaker hit it off and decided to start their own band. Instead they wound up recording a bunch of Taylor Swift covers, which became the 1989 album. These days Wisenbaker's doing double duty — you might've seen him backing Adams on Jimmy Kimmel or The Daily Show.

Goodman says Adams' excitement about taking La Sera into the analog realm inspired her to embrace the back-to-basics approach. Considering that, it's the slower, more spacious tracks — like the spare and moody "Begins to Rain" or the grunge-kissed closer, "Too Little Too Late" — that best illustrate how far La Sera's come since 2011's self-titled bedroom-pop debut and 2012's brighter (if still emotionally overcast) Sees the Light. Goodman's knack for swoon and gloom, first heard via Vivian Girls, is only enhanced by the addition of Wisenbaker's voice. As she sings on "A Thousand Ways," arguably Music For Listening to Music To's dreamiest song, "Love can do all of these things." Knowing Goodman there's a sly wink in there, but it's easy to imagine, if only for a beat, that the carefree flame of the oldies La Sera hold so dear still burns here.

Songs

  • 1
    High Notes (2:05)
  • 2
    A Thousand Ways (2:55)
  • 3
    One True Love (2:57)
  • 4
    Begins to Rain (2:53)
  • 5
    Take My Heart (4:22)
  • 6
    I Need an Angel (3:49)
  • 7
    Time To Go (2:01)
  • 8
    Shadow of Your Love (3:14)
  • 9
    Nineties (3:21)
  • 10
    Too Little Too Late (3:17)

Reviews

Music For Listening To Music To is an all-analog force, a reminder of music’s ability to strike gold without any gimmicks or fancy concepts.

DIY

This album is a stone cold classic buzzy pop love neu romantic soundscape of just classic tunes and shiniest guitars since Louder Than Bombs. This is music that’s good for you. This is sonic orange juice. I love them.

Ryan Adams

"...it’s a gorgeous collection of timeless songs."

The Line of Best Fit

"...a lush '60s-flavoured pop gem."

NME

Ceding production duties to none other than Ryan Adams…allows Wisenbaker's guitar playing to really shine here….The highlights are plenty.

Under the Radar

"Music for Listening to Music To borrows a little of Morrissey’s lyrical melodrama and a lot of Johnny Marr’s mellifluous guitars, which provide some of the album’s most arresting moments."

The Guardian

"She is simply one of the most underrated pop musicians of her generation and she has now taken her talents to the next level."

Drunken Werewolf

"The result is an often-lush album that mixes up the girl-gang grooves of her old band with helpings of honeyed country rock."

Clash

Videos

  • High Notes (2:51)
    Jason Lester

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